『The Ancestry of Objects』のカバーアート

The Ancestry of Objects

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The Ancestry of Objects

著者: Tatiana Ryckman
ナレーター: Tatiana Ryckman
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30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

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このコンテンツについて

A young woman meets a man at a restaurant. They exchange words only briefly, but by the end of the week he has entered her world with an intensity rivaled only by her desire to end her life.

Told with the lyrical persistence of a Greek chorus, The Ancestry of Objects unravels the story of the unnamed narrator’s affair with David: married, graying, and in whose malcontent she sees her need for change. Religion, the mystery of her absent mother, and the ghosts of her grandparents haunt her meetings with him. Memories start, stop, and loop back in on themselves to form the web of her identity and her voice—something she’s looked for her whole life. Nothing can fill the voids of time and loss; not God, not memory, not family, and certainly not love.

At once intensely sensory and urgently erotic, The Ancestry of Objects parses the multiplicity of selves who become a part of us as we push to survive. This is Ryckman—a master of the obsessive, desirous, complex exhaustion of human relationships—in peak form.

©2020 Tatiana Ryckman (P)2020 Deep Vellum Publishing

批評家のレビュー

One of Literary Hub's Most Anticipated Books of 2020

"Ryckman’s The Ancestry of Objects accomplishes a difficult and compelling tension with lyrical prose that ropes readers into a nuanced depiction of the pleasure and pain of human relationships. She renders the figures of her fragmented novel with a stark tenderness, reflecting the beauty and unattractiveness of desire. There are no villains, no heroes, just complications between people whose flaws will draw readers to recognize themselves and our shared yearning to be known." —Donald Quist, author of Harbors and For Other Ghosts

"Tatiana Ryckman's second novel, The Ancestry of Objects, takes us deep into the labyrinth of eros and its manias. There is adultery, there is loneliness and abandonment, there is shame and longing, a family of ghosts, and there is a woman learning how to live and finally, how to love herself." —Micheline Marcom, author of The Brick House

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