Butcher
A Novel
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From one of our most accomplished storytellers, an extraordinary and arresting novel about a women’s asylum in the nineteenth century, and a terrifying doctor who wants to change the world
In this harrowing story based on authentic historical documents, we follow the career of Dr. Silas Weir, “Father of Gyno-Psychiatry,” as he ascends from professional anonymity to national renown. Humiliated by a procedure gone terribly wrong, Weir is forced to take a position at the New Jersey Asylum for Female Lunatics, where he reigns. There, he is allowed to continue his practice, unchecked for decades, making a name for himself by focusing on women who have been neglected by the state—women he subjects to the most grotesque modes of experimentation. As he begins to establish himself as a pioneer of nineteenth-century surgery, Weir’s ambition is fueled by his obsessive fascination with a young Irish indentured servant named Brigit, who becomes not only Weir’s primary experimental subject, but also the agent of his destruction.
Narrated by Silas Weir’s eldest son, who has repudiated his father’s brutal legacy, Butcher is a unique blend of fiction and fact, a nightmare voyage through the darkest regions of the American psyche conjoined, in its startling conclusion, with unexpected romance. Once again, Joyce Carol Oates has written a spellbinding novel confirming her position as one of our celebrated American visionaries of the imagination.
©2024 Joyce Carol Oates (P)2024 Random House Audio批評家のレビュー
“Butcher, by Joyce Carol Oates: A ghastly and harrowing page-turner based on facts. That a large part is set in the New Jersey Asylum for Female Lunatics should tell you all you need to know. Faint of heart? Stay away.”—Stephen King via Twitter
“[Butcher] has the feverish energy, narrative propulsion and descriptive amplitude of much of [Oates’s] earlier work. . . . Oates, as is her wont, succeeds in creating a world that is apart from our own yet familiar, making it impossible to dismiss her observations about twisted natures and random acts of violence. . . . We have become so used to the notion of the recognizable auteur blazing through the artifice of fiction and calling attention to his or her self that Oates’s approach feels like a singularly uncommon one. Long may she run.”—Daphne Merkin, The New York Times Book Review
“Gripping. . . . Bravura storytelling, if not for the faint of heart.”—Vogue, “The Best Books of 2024 So Far”