Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

What is matter? Matter is the stuff from which we and all the things in the world are made. Everything around us - from desks, to books, to our own bodies - are made of atoms, which are small enough that a million of them can fit across the breadth of a human hair. Inside every atom is a tiny nucleus and orbiting the nucleus is a cloud of electrons. The nucleus is made out of protons and neutrons, and by zooming in further, you would find that inside each there are even smaller particles: quarks.

Violence is part and parcel of human history and of human nature. It is one of our most distinctive traits, the one thing that all cultures and societies, across time, share in common. It has defined not only the ways in which individuals relate to each other, but also how collective entities and states have interacted with each other over the millennia. All societies are violent and all individuals have the capacity for violence. However, not all societies and not all individuals are equally violent, and nor does violence exist with the same intensity across cultures.

Linguistics falls in the gap between arts and science, on the edges of which the most fascinating discoveries and the most important problems are found. Rather than following the conventional organization of many contemporary introductions to the subject, the author of this stimulating guide begins his discussion with the oldest, "arts" end of the subject and moves chronologically through to the newest research - the "science" aspects.

There are many stories we can tell about the past, and we are not, perhaps, as free as we might imagine in our choice of which stories to tell or where those stories end. John Arnold's addition to Oxford's popular Very Short Introductions series is a stimulating essay about how people study and understand history.