Lucius Annaeus Seneca (4 B.C-A.D. 65), the chief advisor to the emperor Nero, was the power behind the throne in Ancient Rome. He is most famous for his writings on Stoic ideology, in which philosophy is a practical form of self-improvement. Seneca’s letters address the issues of life and death confronting every generation while upholding the ideals of Stoicism–valuing courage and friendship, avoiding corruption and self-indulgence, striving to achieve a good life while being immune to life’s setbacks, and enjoying life without the fear of dying.

Here he is, husband and father, scruffy romantic, a shambolic scholar - a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow - antagonist, trickster, goad, protector, therapist, and babysitter.

Lucidly and beautifully written, Peace Is Every Step contains commentaries, meditations, personal anecdotes, and stories from Nhat Hanh's experiences as a peace activist, teacher, and community leader. It begins where the listener already is - in the kitchen, office, driving a car, walking - and shows how deep meditative presence is available now.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.