• Politics & The Art of Family

  • 2023/10/18
  • 再生時間: 10 分
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Politics & The Art of Family

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  • Politics – and the art of family. Monday, 25th September 2023. “Spaghetti,” barked a planter friend, describing Sri Lankan politics. “Noodles. A ball of coir, all entangled. A roll of barbed wire. “ He was on roll himself here. “Pepper vine, “ he finally ventured: “all entangled but makes you sneeze too.”Politics was front of mind today. The country was having a major sneezing fit. Yesterday, London’s Channel 4 Dispatches broadcast a programme that alleged links between Muslim extremists and public figures close to two previous presidents. It also outlined an alleged plot to make a past presidential electoral victory a little more of a certain bet for one of them.The consequent debate, and many calls to action begs the question: how do you understand island politics? Was there, I wondered, a simple exemplar, a symbol that, once grasped, unlocked the complexity of power to reval its real nature. For although I can see the obvious allergic associations in the noodles or spaghetti, neither quite captured the technicolour intricacy of Sri Lanka politics.The inevitable post Perehera rains have descended with loving vengeance and the entire estate is vibrating softly with the sound of persistent warm dewy raindrops falling from like manna from heaven. It is comfort food season; spaghetti all the more inviting. But dodging the downpour as I ran into my office, a much more satisfying symbol suddenly filled my eyes - albeit so obscure as to defy every reasonable guess.Yes.An embroidered tapestry from Vietnam. That is what I saw. It hangs at the very back of my office, ten feet long and four feet wide. It is one of three I bought back in 2006 in Saigon, and dates back just 60 or 70 years before this.It is made piecemeal style – (and with an unintended ironic nod to the once great enemy) like those famous patchwork quilts beloved of America’s early colonial settlers. Famously, the women of whole villages would sit together to sew the sort of bedcovers now beloved of Sotheby’s, Christies, and the American Museum of Folk Art. But is it art?The more I looked at the tapestry, the more I wondered. Art or Craft? Politics in Sri Lanka, or merely a nice tapestry? Oxford, that doyen of definitions, describes art as “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.” Whilst there is no debating which side of the divide a Goya painting might fall, a dinner plate is moot, though Picasso made such items. And a Qing Dynasty Porcelain plate recently sold for $84 million. So was this tapestry art or craft?At least 8 types of pre-made fabrics have been incorporated in this Vietnamese tapestry. Mostly rectangular, some squared. Some premade, all or mostly probably not made by the maker of this particular tapestry. So where is the art in it? The shapes are coloured red, yellow, golden, orange, and shot through with abstracted designs in black, blue, green, pink, and white. Glimpses of extravagant flowers share space with intricate geometric patterns. It sounds as if it cannot do anything other than offend the eye – yet it does quite the opposite. It glows like a golden fresco in a dark cave, a coherent whole made out of utterly dissimilar elements. And although it comes from Vietnam, it hails from a part of country that defies all borders: the Central Highlands. These mountain plateaus run from Vietnam into Loas and Cambodia. Their inhabitants – some 3 million – are ethnically different to the rest of Vietnam. Composed of 30 separate tribes - collectively called Montagnards – the language they speak have little in common with Vietnamese, still less with one another. And since records began in the 1st century BCE, they have largely resisted all attempts by any central government to dominate them.The tapestry they made all those decades ago, and that I bought more recently was created to keep you warm, not to decorate a room. Yet the scraps of cloth that make it up have been assembled with apparent logical order. It is functional – and still displays both beauty and emotional power, as might any original abstract painting do. It is art concealed as craft. And there is the node with island politics: the splice point, cross point, connection socket, point of engagement. For politics here is an art concealed – in history, and family. The Oxford Dictionary is less helpful in defining politics than art. It describes politics as “the activities associated with the governance of a country or area, especially the debate between parties having power.” But in Sri Lanka politics is but family concealed by the loosest of all sarongs. Parties run a poor second.Since Independence the country’s main parties have been more than family-friendly: the Senanayake–Kotelawalas; the Bandaranaikes; the Wijewardene-Jayewardenes; and ...
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Politics – and the art of family. Monday, 25th September 2023. “Spaghetti,” barked a planter friend, describing Sri Lankan politics. “Noodles. A ball of coir, all entangled. A roll of barbed wire. “ He was on roll himself here. “Pepper vine, “ he finally ventured: “all entangled but makes you sneeze too.”Politics was front of mind today. The country was having a major sneezing fit. Yesterday, London’s Channel 4 Dispatches broadcast a programme that alleged links between Muslim extremists and public figures close to two previous presidents. It also outlined an alleged plot to make a past presidential electoral victory a little more of a certain bet for one of them.The consequent debate, and many calls to action begs the question: how do you understand island politics? Was there, I wondered, a simple exemplar, a symbol that, once grasped, unlocked the complexity of power to reval its real nature. For although I can see the obvious allergic associations in the noodles or spaghetti, neither quite captured the technicolour intricacy of Sri Lanka politics.The inevitable post Perehera rains have descended with loving vengeance and the entire estate is vibrating softly with the sound of persistent warm dewy raindrops falling from like manna from heaven. It is comfort food season; spaghetti all the more inviting. But dodging the downpour as I ran into my office, a much more satisfying symbol suddenly filled my eyes - albeit so obscure as to defy every reasonable guess.Yes.An embroidered tapestry from Vietnam. That is what I saw. It hangs at the very back of my office, ten feet long and four feet wide. It is one of three I bought back in 2006 in Saigon, and dates back just 60 or 70 years before this.It is made piecemeal style – (and with an unintended ironic nod to the once great enemy) like those famous patchwork quilts beloved of America’s early colonial settlers. Famously, the women of whole villages would sit together to sew the sort of bedcovers now beloved of Sotheby’s, Christies, and the American Museum of Folk Art. But is it art?The more I looked at the tapestry, the more I wondered. Art or Craft? Politics in Sri Lanka, or merely a nice tapestry? Oxford, that doyen of definitions, describes art as “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.” Whilst there is no debating which side of the divide a Goya painting might fall, a dinner plate is moot, though Picasso made such items. And a Qing Dynasty Porcelain plate recently sold for $84 million. So was this tapestry art or craft?At least 8 types of pre-made fabrics have been incorporated in this Vietnamese tapestry. Mostly rectangular, some squared. Some premade, all or mostly probably not made by the maker of this particular tapestry. So where is the art in it? The shapes are coloured red, yellow, golden, orange, and shot through with abstracted designs in black, blue, green, pink, and white. Glimpses of extravagant flowers share space with intricate geometric patterns. It sounds as if it cannot do anything other than offend the eye – yet it does quite the opposite. It glows like a golden fresco in a dark cave, a coherent whole made out of utterly dissimilar elements. And although it comes from Vietnam, it hails from a part of country that defies all borders: the Central Highlands. These mountain plateaus run from Vietnam into Loas and Cambodia. Their inhabitants – some 3 million – are ethnically different to the rest of Vietnam. Composed of 30 separate tribes - collectively called Montagnards – the language they speak have little in common with Vietnamese, still less with one another. And since records began in the 1st century BCE, they have largely resisted all attempts by any central government to dominate them.The tapestry they made all those decades ago, and that I bought more recently was created to keep you warm, not to decorate a room. Yet the scraps of cloth that make it up have been assembled with apparent logical order. It is functional – and still displays both beauty and emotional power, as might any original abstract painting do. It is art concealed as craft. And there is the node with island politics: the splice point, cross point, connection socket, point of engagement. For politics here is an art concealed – in history, and family. The Oxford Dictionary is less helpful in defining politics than art. It describes politics as “the activities associated with the governance of a country or area, especially the debate between parties having power.” But in Sri Lanka politics is but family concealed by the loosest of all sarongs. Parties run a poor second.Since Independence the country’s main parties have been more than family-friendly: the Senanayake–Kotelawalas; the Bandaranaikes; the Wijewardene-Jayewardenes; and ...

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