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And… we’re back, baby — with a podcast for the ages and a hangover full of tone. After a week holed up in the holy madness of Jonathan Wilson’s Topanga ashram—equal parts studio, shrine, and psychedelic nerve center—we did what any self-respecting rock ’n’ roll pilgrims would do: we rolled tape, spilled our guts, and chased the muse straight into the canyon.

It’s the debrief, the breakdown, the smoke curling off the last take. We love you, Jonathan. You beautiful wizard freak.

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We were fired up and started talking. And it didn't stop.

Recording live vs. overdubbing is like the difference between a bar fight and a choreographed duel—lightning vs. a lighting rig. Vibe vs. Technical in an all-out deathmatch.

Overdubbing gives you control, precision, all that antiseptic perfection—but who the hell wants to sound like Steely Dan doing math homework? Or the Eagles, high school bullies throwing everyone into a circle of fear 'til it's pitch perfect? Recording live? That’s Neil, that’s Bob—raw nerve, no net. That’s where the action is. And the action, man... the action is the juice.

This is an episode full of as much laughter and delight as the Harry Nilsson album in question. Just rock n roll clowns letting the good times roll on. Nothin' fancy. Grab a Brandy and dive in.