『An Infinite Language』のカバーアート

An Infinite Language

An Infinite Language

著者： Adam Tramantano
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 Is it possible that creative expression is an infinite language? What are the reaches of this creative language we call the arts? This podcast navigates the intersections of literature, visual art, and the creative process, reverently roaming the terrains of the boundless.© Adam Tramantano 2024 アート
エピソード
  • What makes a costume real?

    What makes a costume real?
    2025/05/12
    Costumes, cosplay, derivative imaginative experiences. When does a costume become real? Is a persona a mask? Can it become real? The pathway on the stage becomes real when the audience walks through it. How fiction can vibrate to the frequency of real. The audience decides that this is an enactment experience. We put on the costume and align with another form of being self. Synesthesia and the experience of becoming; self to character. Not necessarily synthesis. Derivative imaginative play. Solidly not real. Beyond the cover of the song. The notion of the influence. Costumes as a scaffolding technique of becoming as a creative.
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    15 分
  • Tapestries of meaning

    Tapestries of meaning
    2025/05/04
    The public good, the fallout shelter, we’re having an assembly today. The wonderful ruckus of it all. Thrown together, pieced together, stitches and seams all showing. From Victory Gardens to Patrick Henry, to Giuseppe Pitrè and Guiseppe Arcimboldo; from Great Wave immigrants to rainy day assemblies. Furnari Sicily, tailors, weaving, and the tapstries of meaning in story construction: storytelling as contextual. A story means what we convey it to mean.
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    15 分
  • The Universe End to End; Art and the Scale and Scope of Conveyance

    The Universe End to End; Art and the Scale and Scope of Conveyance
    2025/04/26
    When do the measures of the universe meet in a tight corner? Is the universe of artistic conveyance large enough to embody contrasting notions of validity? Considering Whitman’s “When I Heard the Learn’d Astronomer.” Reaching to the ends of a natural ethic from Robert Burns’s “To a Mouse.” Are we reaching to the stars or to the earth right in front of our feet with our artistry? The universe of referentiality from the still life to the landscape. Considering Helen Frankenthaler and Clara Peeters. Considerations of my own works including symphonies in the sink and people of the fork. This is a consideration of the layers of referentiality in the workflow of creating art. Considerations of photography, using Procreate, and how photography and digital tools become part of painting workflow.
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    26 分

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