Australian Women Artists

The podcast

Ep. 18

Ann Thomson

Ann Thomson stands as one of Australia’s most eminent contemporary painters and sculptors.

Her early passion for art was fostered by influential art figures in Brisbane and in 1957, she relocated to Sydney to pursue formal studies. Her paintings are celebrated for their vibrant, expressive compositions and their ability to evoke a sense of place without resorting to literal representation. Her style is marked by bold brushwork, dynamic colour relationships, and, as a curator described it, ‘a refusal to allow any element to recede passively into the background’.

Another hallmark of Ann’s work is her ability to oscillate between abstraction and landscape, often within the same piece. Although the term ‘abstraction’ doesn’t necessarily resonate with her.

Over the course of her career, Ann has received numerous accolades. In addition to the Wynne Prize, she has been awarded the Sydney Morning Herald Art Prize, the Kedumba Drawing Prize, the Geelong Contemporary Art Prize, and the Tattersall’s Art Prize in Brisbane.

Her legacy is evident not only in her own prolific output but also in the generations of artists she has influenced and inspired. As she continues to paint and exhibit well into her ninth decade, Ann Thomson remains a vital force in contemporary art, her work a testament to the enduring power of creativity and the endless possibilities of abstraction

We are having this conversation in Ann’s fabulous Sydney studio.

Head to the link in my bio to hear our conversation

Australian Women Artists

The Podcast

Ep. 17. Janet Laurence

Janet Laurence is a leading Sydney based artist who exhibits nationally and internationally.

For four decades, she has captivated audiences with her multidisciplinary practice spanning photography, sculpture, installation, and video. Her work is a profound expression of her deep concern for the environment, ethics, and the intricate interconnectedness of all living things.

She employs a diverse range of natural materials, including living plant matter, minerals, and oxides. Underlying themes of alchemical transformation, history, and perception weave through her evocative installations.

She is known for her immersive environments and significant public artworks, often created in collaboration with architects, scientists, and environmentalists. She is an expert at translating scientific concepts into an artistic visual experience. Her work often explores fragility and loss but balances these themes with hope and empathy.

Janet invites viewers to forge a deeper, more experiential relationship with the natural world. Her works are both visually stunning and deeply thought-provoking, making her a vital voice in contemporary artistic discourse.

She has represented Australia at international exhibitions including the 1997 Venice Biennale and has participated in major exhibitions in Europe, Asia, and North America.

We had this conversation in her Sydney studio (shared with some pretty noisy engineers upstairs that you may hear) and she was about to leave for Berlin to set up her new exhibition.

Head to the link in my bio to listen to our conversation.

Australian Women Artists

The podcast

Ep. 16 Emma Coulter

Emma is a leading figure in contemporary Australian art, renowned for her bold explorations of colour, space, and perception.

Her practice spans painting, sculpture, site-specific installation, and large-scale public art, consistently pushing the boundaries of how art interacts with its environment and audience.

You may have seen her work that wraps around the Metro Tunnel’s building façade in central Melbourne spanning more than 100 metres. In fact, she has completed over 30 site-specific installations, including more than 10 major public art commissions.

One of the most defining features of Emma’s art is her use of colour. She works with a carefully curated palette of pre-mixed, commercially produced paints through which she aims to evoke an immediate, visceral response in viewers. As a result, her art is instantly recognisable through that vibrant colour, geometric clarity, and spatial ambition.

Emma is a regular finalist in Australia’s top art prizes and has received a steady stream of awards and grants. She has exhibited widely, both nationally and internationally. Since her first solo show in 2005, she has participated in numerous institutional, commercial, and artist-run exhibitions, with highlights including installations in New York and Germany.

Her current exhibition, 'superimposition' is at James Makin Gallery in Melbourne until 24 May. So quick sticks if you want to see it.

www.emmacoulter.com.au

www.jamesmakingallery.com

Instagram images:

1. Emma Coulter. Image from our conversation (supplied by artist) (you can see why I thought she had designed her own dress!)

2. and 3. spatial deconstruction #23 (resilience), 2021 to 2023 synthetic polymer paint on precast façade 120 metres long x 7 metres height (wraps Swanston St and Flinders Lane facades)

4. spatial deconstruction #15 (gemstone with fireplace), 2016 synthetic polymer paint on wall, floor and architrave, existing fireplace. 280h x 350l x 100d (winner 2016 Linden Art Prize)

5. let them feel the light, 2023 painted aluminium, coloured glass and LED panels. 12 metres H x 10 metres W and variable depth ranging from 150 to 300cm total length climbing up over 25 metres wrapped around curved brick wall with integrated steel fixings.

6. Hybrid models for the future, 2024 synthetic polymer paint on linen 167x167x3.2cm