• BREAKFAST FOR CHAMPIONS: Alan Rudolph on Bruce Willis & Kurt Vonnegut on SOUNDS with Tom Needham

  • 2024/10/20
  • 再生時間: 26 分
  • ポッドキャスト

BREAKFAST FOR CHAMPIONS: Alan Rudolph on Bruce Willis & Kurt Vonnegut on SOUNDS with Tom Needham

  • サマリー

  • On the upcoming episode of SOUNDS with Tom Needham, filmmaker Alan Rudolph joins to discuss the restored 4K release of his satirical film, “Breakfast of Champions.” Based on Kurt Vonnegut’s acclaimed novel, this darkly comedic portrayal of American life returns after 25 years, offering a fresh and timely reflection on the madness and chaos that still resonate today. Starring Bruce Willis as the unraveling car dealership magnate Dwayne Hoover, the film features an impressive ensemble cast including Albert Finney, Nick Nolte, Glenne Headly, and Barbara Hershey. As the story unfolds, Hoover’s search for meaning leads him to Kilgore Trout, a reclusive science fiction writer played by Finney, resulting in an explosive and unpredictable collision of two very different worlds.


    Alan Rudolph’s direction brings out both the absurdity and the poignancy of Vonnegut’s narrative, capturing the cracks beneath the veneer of the American Dream. Now, with this pristine 4K restoration, the film offers a new generation the chance to appreciate the wit and performances that may have been overlooked in its original release. Rudolph reflects on the renewed relevance of “Breakfast of Champions,” noting that today’s audience might be even more prepared to grapple with its surreal exploration of identity, success, and the search for truth in an increasingly chaotic world.


    A key figure in independent cinema, Rudolph’s work often delves into the complexities of human relationships, blending fluid storytelling with unconventional humor. From his early collaborations with Robert Altman to his celebrated films like “Choose Me” and “Mrs. Parker and the Vicious Circle,” Rudolph has consistently pushed the boundaries of narrative film. With “Breakfast of Champions,” he once again demonstrates his unique ability to bring complex literary works to life, ensuring this cult favorite remains as compelling now as it was 25 years ago.

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あらすじ・解説

On the upcoming episode of SOUNDS with Tom Needham, filmmaker Alan Rudolph joins to discuss the restored 4K release of his satirical film, “Breakfast of Champions.” Based on Kurt Vonnegut’s acclaimed novel, this darkly comedic portrayal of American life returns after 25 years, offering a fresh and timely reflection on the madness and chaos that still resonate today. Starring Bruce Willis as the unraveling car dealership magnate Dwayne Hoover, the film features an impressive ensemble cast including Albert Finney, Nick Nolte, Glenne Headly, and Barbara Hershey. As the story unfolds, Hoover’s search for meaning leads him to Kilgore Trout, a reclusive science fiction writer played by Finney, resulting in an explosive and unpredictable collision of two very different worlds.


Alan Rudolph’s direction brings out both the absurdity and the poignancy of Vonnegut’s narrative, capturing the cracks beneath the veneer of the American Dream. Now, with this pristine 4K restoration, the film offers a new generation the chance to appreciate the wit and performances that may have been overlooked in its original release. Rudolph reflects on the renewed relevance of “Breakfast of Champions,” noting that today’s audience might be even more prepared to grapple with its surreal exploration of identity, success, and the search for truth in an increasingly chaotic world.


A key figure in independent cinema, Rudolph’s work often delves into the complexities of human relationships, blending fluid storytelling with unconventional humor. From his early collaborations with Robert Altman to his celebrated films like “Choose Me” and “Mrs. Parker and the Vicious Circle,” Rudolph has consistently pushed the boundaries of narrative film. With “Breakfast of Champions,” he once again demonstrates his unique ability to bring complex literary works to life, ensuring this cult favorite remains as compelling now as it was 25 years ago.

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