• Benjamin Britten: Source Stories of Twelve Operas by Various

  • 著者： Mentor New York
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Benjamin Britten: Source Stories of Twelve Operas by Various

著者： Mentor New York
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  • Britten's operas are firmly established in the international repertoire: according to Operabase, they are performed worldwide more than those of any other composer born in the 20th century, and only Puccini and Richard Strauss come ahead of him if the list is extended to all operas composed after 1900. Britten went to various sources for his stories from the Bible to Japanese noh plays. This is a collection of twelve of the source stories. All but one are the original texts; the one exception is A Midsummer Night’s Dream which the reader took from Charles Lamb’s telling of the story. Some operas are omitted because no public domain texts could be found for their sources. Summary by Wikipedia and David Wales
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  • Part 32 Death In Venice. Thomas Mann, Death in Venice (Der Tod in Venedig), Chapter 5

    Part 32 Death In Venice. Thomas Mann, Death in Venice (Der Tod in Venedig), Chapter 5
    2023/07/16
    54 分
  • Part 31 Death In Venice. Thomas Mann, Death in Venice (Der Tod in Venedig), Chapter 4

    Part 31 Death In Venice. Thomas Mann, Death in Venice (Der Tod in Venedig), Chapter 4
    2023/07/16
    28 分
  • Part 30 Death In Venice. Thomas Mann, Death in Venice (Der Tod in Venedig), Chapter 3

    Part 30 Death In Venice. Thomas Mann, Death in Venice (Der Tod in Venedig), Chapter 3
    2023/07/16
    1 時間 3 分

あらすじ・解説

Britten's operas are firmly established in the international repertoire: according to Operabase, they are performed worldwide more than those of any other composer born in the 20th century, and only Puccini and Richard Strauss come ahead of him if the list is extended to all operas composed after 1900. Britten went to various sources for his stories from the Bible to Japanese noh plays. This is a collection of twelve of the source stories. All but one are the original texts; the one exception is A Midsummer Night’s Dream which the reader took from Charles Lamb’s telling of the story. Some operas are omitted because no public domain texts could be found for their sources. Summary by Wikipedia and David Wales
Copyright Mentor New York
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