Clint Eastwood might be known for playing grizzled, hard-as-nails lawmen, but in our In the Line of Fire (1993) Review, he takes things in a different direction, just slightly. This week, the Born to Watch crew dives into this overlooked 90s political thriller that pits Eastwood’s aging Secret Service agent Frank Horrigan against one of cinema’s most memorable villains: John Malkovich as the terrifying Mitch Leary.

Whitey, G-Man, and Will “The Worky” are in studio to unpack the deadly game of cat and mouse that unfolds in Wolfgang Petersen’s taut, tense, and occasionally trope-heavy flick. What follows is a mix of movie breakdowns, personal throwbacks, accidental roastings, and a bold declaration that Malkovich might just rival Hannibal Lecter as one of the great screen psychopaths.

Eastwood: Still Got It (But Also, He’s 63)
Gow calls Eastwood’s performance “Dirty Harry with a blue pill next to the bed.” Whitey thinks it’s flirty, even charming, a rare side of Clint. Will just seems shocked that he’s now the Born to Watch Eastwood expert. The team debates whether Frank Horrigan is one of Clint’s best post-Unforgiven roles or just another iteration of his go-to tough guy with a badge and a haunted past.

Malkovich: BAFTA Noms, Creepy Vibes, and a Murderous Basement
John Malkovich steals the show as Mitch Leary, a former CIA assassin with a grudge, a creepy lair that looks suspiciously like Buffalo Bill’s basement, and a habit of tormenting Clint over the phone. His calm delivery, terrifying intensity, and sheer unpredictability earned him an Academy Award nomination and earned our crew’s unanimous praise. The guys marvel at his screen presence, his range, and yes, his mysterious career choices.

’90s Tropes and Why We Love Them
The gang agrees: In the Line of Fire is soaked in ‘90s action movie tropes, and that’s not a complaint. From overbearing chiefs of staff and cheesy one-liners to conveniently timed sniper reveals and romantic subplots with massive age gaps, the movie wears its era on its sleeve. Renee Russo’s chemistry with Clint is questionable at best, and her role sparks a deep (and hilarious) debate about whether she’s “a good sort” or a “right-light good sort.”

Clint’s Dating Age Gap: A Cinematic Tradition
With Eastwood at 63 and Russo at 39, the romantic tension raises eyebrows. “She’s two years younger than his daughter,” Whitey points out. “It could’ve been a father-daughter thing.” The conversation doesn’t stop there; it spirals into references to Seinfeld, Once Upon a Time in Hollywood, and Monty Burns.

Cat, Mouse, and Jazz Piano
This movie isn’t just about bullets and bravado — it’s got emotional weight too. Frank’s regret over JFK’s assassination adds gravitas to the plot, and the constant tension between him and Leary plays out over landlines and cassette recorders. The team loves the phone calls, the psychological warfare, and yes, Clint’s real-life jazz piano skills.

IN THIS EPISODE:

• Eastwood’s “grizzled flirt” energy gets rated
• Malkovich’s villain performance gets compared to movie greats
• The trailer’s original JFK-themed edit sparks a nostalgic digression
• ‘90s newsagents, porno mags, and the glory days of inside sport magazines
• Damo cops heat in the Snobs Report beef from a random footy guy

It’s a movie about obsession, redemption, and running beside the presidential limo at 60+. It’s also a conversation packed with pop culture tangents, Eastwood trivia, and plenty of digs at Morgs (who’s nowhere to defend himself).

LISTEN NOW on Spotify, Apple Podcasts, or wherever you get your pods.

Join the conversation:

• Is In the Line of Fire Clint’s last great performance?
• Did Malkovich deserve the Oscar?
• Is 63 too old to be jogging beside the president’s car?

Drop us a voicemail at BornToWatch.com.au and let us know.

#InTheLineOfFire #ClintEastwood #JohnMalkovich #BornToWatchPodcast #90sThriller #MoviePodcast #ReneeRusso #SecretServiceMovie

This week on Born to Watch, the team takes aim at one of Quentin Tarantino’s most audacious creations with their Inglourious Basterds (2009) Review. Set in Nazi-occupied France during World War II, Tarantino weaves together a brutal tale of revenge, propaganda, and pure cinematic spectacle. Brad Pitt leads the charge as Lieutenant Aldo Raine, a grizzled American soldier commanding a team of Jewish fighters with one simple mission, kill Nazis and collect their scalps.

It’s a deliciously violent premise, executed with Tarantino's signature flair for dialogue, tension, and shock value. Whitey, Damo, G-Man, and special guest Dan break down the movie's unforgettable moments, from the iconic opening sequence in the French countryside to the explosive showdown in Shoshanna’s Parisian cinema.

The crew dives deep into the brilliance of Christoph Waltz as Colonel Hans Landa, the “Jew Hunter” whose multilingual charm and chilling brutality won him an Academy Award. Whitey recounts his jaw-dropping experience attending the Inglourious Basterds premiere at the State Theatre in Sydney, where he not only watched the film in stunning 70mm but bumped into Tarantino himself, earning a nod and a “Thanks, mate” from the director. It’s a full-circle fanboy moment that the crew can’t help but roast him for.

Damo, true to form, is sceptical of the film’s pacing and violence, admitting that it took him three separate tries to get through it. He hilariously recalls turning it off twice during the Bear Jew scene — the sound of the bat making contact just too much to handle. Meanwhile, G-Man shines with trivia gold, revealing Tarantino’s decade-long script process and the last-minute discovery of Christoph Waltz, who stole the role from Leonardo DiCaprio. His ability to seamlessly switch between German, French, Italian, and English during his audition left Tarantino and producer Lawrence Bender high-fiving in disbelief.

The team also dissects the infamous basement bar scene — a masterclass in tension and dialogue that only Tarantino could deliver. Michael Fassbender's suave but doomed performance as Lieutenant Archie Hicox gets high praise, while Damo can’t help but admire his old-timey English gentleman look. Whitey and Dan debate whether this is the best opening scene of all time, putting it up against classics like Raiders of the Lost Ark and The Dark Knight.

Of course, it wouldn’t be Born to Watch without a deep dive. Damo declares the movie a “masterpiece of tension,” while G-Man drops the trivia bomb that Tarantino nearly abandoned the script after failing to find the right actor for Landa. It wasn’t until Waltz walked in and blew them away with his quad-lingual performance that the movie finally came together.

IN THIS EPISODE:

• Quentin Tarantino’s mastery of dialogue and pacing
• Brad Pitt’s Southern drawl and why Aldo Raine might be his coolest role
• Christoph Waltz’s Oscar-winning turn as Hans Landa
• Why the basement bar scene is Tarantino at his best
• Whitey’s surreal run-in with Tarantino after the Sydney premiere

Inglourious Basterds is the movie where history gets rewritten, Nazis get what’s coming to them, and Tarantino crafts his most ambitious narrative yet. It’s violent, sharp, and endlessly quotable. The team at Born to Watch spares no detail, no roast, and no punchline in their breakdown of this modern classic.

Listen now on Spotify, Apple Podcasts, or wherever you get your movie fix.
Join the conversation:

• Is Inglourious Basterds Tarantino's best work?
• Can you handle the Bear Jew scene?
• Where does Hans Landa rank among the all-time great villains?

Drop us a voicemail at BornToWatch.com.au and be part of the show!

#BornToWatch #InglouriousBasterds #QuentinTarantino #BradPitt #ChristophWaltz #MoviePodcast #CinemaRevenge #NazisGetScalped #WorldWarIIMovies #TarantinoClassic

In a galaxy not so far from nostalgia, the Born to Watch crew rounds out the trilogy that changed cinema forever with our Return of the Jedi (1983) Review. It’s May the Fourth, and there’s no better time to jump back into the world of Ewoks, green lightsabers, and the worst security system in the galaxy.

This week, Whitey, G-Man, and Damo dissect the final chapter of the original Star Wars trilogy, the movie that gave us a fully-formed Jedi Luke, Jabba the Hutt in all his slobbery glory, and Leia in the most iconic gold bikini of all time. But this isn’t just a victory lap for George Lucas. It’s a breakdown of when blockbuster storytelling meets merchandising mayhem.

From Jabba’s Palace to the forests of Endor, the boys revisit every major beat and plenty of forgotten moments, too. G-Man brings the pop-up book trivia. Damo relives a childhood trauma involving a pirate VHS and missing the first 40 minutes. And Whitey, as always, holds court with the kind of deep lore and dry banter only a man surrounded by Star Wars paraphernalia can muster.

Naturally, there’s love for the spectacle. The speeder bike chase still rips. The throne room showdown between Luke and Vader is the emotional core of the entire saga. The death of the Emperor (before he didn’t die) is satisfying. And the battle on Endor? Say what you want about teddy bears with sticks, but the editing is tight and the score is pure Williams gold.

But it’s not all glowing lightsabers and happy rebel endings. The crew also takes aim at Return of the Jedi’s weaknesses. The overcrowded special edition visuals. The musical abomination that replaced "Yub Nub." The awkward moments that suggest George Lucas might’ve spent a little too long designing action figures.

We then fully evaluate supporting characters, acting chops, and space-worthy athleticism. Mark Hamill's skiff-running form gets roasted. Leia’s suspicious fingernail choices in the bunker get noticed. And the Ewoks? Well, let’s just say there was strong support for showing them feasting on stormtroopers in the final scene.

IN THIS EPISODE:

• The "Salacious Crumbs" rating scale debuts
• The guys debate whether Jedi is a true ending or a corporate compromise
• Han Solo’s charisma vs. the wet sponge that is Hayden Christensen
• Why Luke might be the last Jedi to actually train for the job
• Whether Ewoks are underestimated warriors or just lucky teddy bears

This is Star Wars at peak fandom, part critique, part love letter, and part therapy session for three men who’ve watched this film dozens of times across decades.

From behind-the-scenes changes to Rotten Tomatoes rankings, from the 1983 theatrical experience to the 1997 Special Edition backlash, the Born to Watch crew digs into Return of the Jedi with reverence and razor-sharp commentary. It’s loud, nerdy, and very, very fun.

And yes, Salacious Crumb gets his due.

LISTEN NOW on Spotify, Apple Podcasts, or wherever you get your movie fix.

Join the conversation:

• Does Return of the Jedi hold up or sell out?
• Are Ewoks criminally underrated?
• And who’s the real MVP: Luke, Vader… or the green sabre?

Drop us a voicemail at BornToWatch.com.au and join the rebellion.

#BornToWatchPodcast #ReturnOfTheJedi #StarWarsDay #EwokBattle #MayTheFourthBeWithYou #MoviePodcast #JabbaTheHutt #SalaciousCrumb #FinalTrilogy #NostalgiaCinema