This July weekend, we review two of the biggest summer movies of 2025: Jurassic World: Rebirth and The Materialists.

Mike breaks down why Jurassic World is stuck in a loop of reboots and clichés, even with big stars like Scarlett Johansson and Mahershala Ali. And what would it take to save this franchise?

Then Jack reviews The Materialists, a romantic drama exploring love, class, and status in modern dating culture starrign Pedro Pascal, Dakota Johnson and Chris Evans.

We also officially launched the Brown & Black Social Club on Substack, a space for Black and Latino creatives, packed with curated industry insights that goes way beyond the podcast.

Episode Summary
– Launching the Brown and Black Substack
– Mikes review: Jurassic World: Rebirth
– Latino family subplot analysis
– How to save the Jurassic Franchise
– Jack's review: The Materialists
– Love and class in a transactional culture
– Height, value, and self-worth in dating
– Shoutout to Keith David’s Walk of Fame honor

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In this episode, we welcome Nyasha Hatendi, the creator, writer, director, and producer of Audible's new audio horror drama, Sacrilege: Curse of the Mbirwi. He opens up about his motivations for creating Sacrilege, the influences behind its horror, his collaboration with actor Caleb McLaughlin from Stranger Things, and how truth and story have the power to bring people together.

Episode Summary
– Truth-telling in an age of lies
– BBC to QCode: audio evolution
– America, Zimbabwe, UK roots
– Writing horror by accident, not intent
– Dysfunctional family truth becomes horror
– Creating the myth of the Mbirwi
– Cultural duality and Black identity
– Lessons learned from Sacrilege
– Casting Caleb McLaughlin
– How storytelling brings us together

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#BrownBlackPodcast #NyashaHatendi #SacrilegeAudioDrama #BlackHorrorStorytelling #CulturalDuality

In this special sponsored episode, we're partnering with Audible for our first-ever audio drama analysis, breaking down the groundbreaking supernatural thriller "Sacrilege: Curse of the Mbirwi" starring Caleb McLaughlin from Stranger Things.

Created by Zimbabwean-American filmmaker Nyasha Hatendi, this six-episode supernatural horror audio drama follows an African-American family from Detroit whose luxury heritage tourism trip to Zimbabwe unleashes an ancient shapeshifting spirit - part man, part beast, part spirit - that feeds on weakness and pain.

We explore in-depth:

- What does it mean to be Black globally?
- African horror vs. Black-American horror
- Caleb McLaughlin's star-making vocal performance
- Heritage tourism and American privilege
- Colonial trauma in modern storytelling
- The rise of Black audio drama

Listen to "Sacrilege: Curse of the Mbirwi" in Dolby Atmos exclusively on Audible at audible.com/sacrilege.

Thank you to Audible for sponsoring this episode.

This week we deconstruct Ryan Coogler’s SINNERS from a Latino and Black perspective. It's a film that is creating deep cultural conversations about Black originality and the business of Black culture globally. We explore its cultural symbolism, audience reactions, Variety's media bias, and the troubling Asian release rollout that may hint at anti-Black bias in Asian markets.

Episode Summary
(2:00) – White audiences, Black movies: The paradox
(4:00) – Ryan Coogler enters director-auteur status
(7:00) – Layers of Black culture, not just horror
(10:45) – The Sammy blues scene decoded
(13:00) – Genre as a Trojan horse for truth
(20:00) – Variety’s bias box office framing
(26:00) – Why Asia skipped Sinners release
(30:00) – Coogler vs. Peele: next-level Black storytelling
(33:00) – What 'Sinners' means for Brown and Black filmmakers

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If AI can make human-like art, do we still need the artist?

In this episode we unpack the OpenAI's 'Image Editor' and the Studio Ghibli AI trend, and discuss the cultural, economic, and existential implications AI poses to Black and Latino artists.

Episode Summary:

AI Art: Speed & Quality
Enjoying vs. Fearing AI Art
Copyright Crisis
Is the Artist's Career in Peril?
Audience Over Artists?
Art vs. Commerce Struggle
Inflection Point
The Japanese Copyright Law Loophole
Prompt Engineers Replacing Artists?
Redefining "Artist"
Cultural Gatekeepers
Adapt or Resist?
Defining the Artist
The Capitalist Framework
Protecting Brown & Black Artists
Devaluation Through Imitation
Valuing Artists, Protecting IP, Reforming Laws

Subscribe and listen to 'Brown & Black': 🎧
Spotify: https://spoti.fi/47JgORF
Apple Podcasts: https://apple.co/32hShVT

In Opus, Ayo Edebiri plays a journalist invited into a world of celebrity power, but is she there to observe, or be consumed by it?

This week on Brown & Black, journalist and filmmaker Mark Anthony Green joins us to unpack his A24 directorial debut, Opus. We dissect the film's underlying themes, including the seductive power of validation, the blurred lines between journalism and celebrity, and how Black horror and comedy can expose the darker truths of our human condition.

Episode Summary

• Mark Anthony Green reveals journey from GQ journalist to filmmaker
• The reality of being "in the room" vs. having creative control
• Behind-the-scenes stories of working with Nile Rodgers, and George Clinton
• Crafting intelligent, complex Black characters
• Are we in an entertainment journalism crisis?
• How "Get Out" changed horror filmmaking for Black directors
• Why Opus connects differently with Black viewers
• The six-year journey of bringing "Opus" to the screen.
• Why Mark Anthony Green considers audience discussions "the sequel" to his film.
  
  

#MarkAnthonyGreen #Opus #A24 #AyoAdebiri #BlackFilmmakers #BrownBlackPodcast

Is Donald Trump's Kennedy Center takeover the start of a cultural whitewash?

This week on 'Brown & Black,' we examine what happens when the most powerful man in America seizes control of the nation's most prestigious cultural institution.

The President's takeover of the Kennedy Center has sparked fears of a whitewashing of African-American and Latino culture. From shrinking opportunities for artists of color to the threat against Spanish-language media, are we witnessing the beginning of state-run art in America?

Episode Summary:

• Discussing the definition of "white culture" and its relationship to power
• Discussion of Trump's unprecedented control of the Kennedy Center
• Analysis of the dismissal of 18 board members and the cultural implications
• Debate on American culture as fundamentally rooted in Black culture
• Exploration of the potential future of Spanish language in mainstream media
• Examination of the potential impact on BET, Univision and Telemundo
• Discussion of how artists today might respond to cultural oppression
• A plea to listeners to resist cultural erasure

Subscribe and listen to 'Brown & Black': 🎧

Spotify: https://spoti.fi/47JgORF

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How do you make a America whiter without saying you're making it whiter?

In this first episode of 2025, during Black History Month, we dissect what does Trump's dismatling of DEI and the self-sabotaging deportation crusade, mean or businesses and media?And how much damage will be done to Blacks and Latinos before they get their way?

Then we discuss why the backlash to the 13-time Oscar-nominated Netflix musical "Emilia Perez" isn't about "foreigners stealing Latino stories." It's about the power to define, represent, and shape how a culture is perceived. Whoever controls the story, controls the power. We break down why "Emilia Perez" has ignited a battle for the soul of cultural storytelling.

Episode Summary

The Trump administration’s full-scale attack on DEI

Why companies like Target & McDonald's are retreating from diversity

Can capitalism survive without Latino and Black labor?

The history of Mexican deportation: Why 1929 is repeating itself today

The dystopian reality of race in America

The impact of anti-DEI laws on education, media, and business

The Supreme Court's role in dismantling civil rights

Is DEI really gone, or is it evolving?

What’s the future of racial progress in America?

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