Comix is a distinct art form—sequential art—that expresses ideas with multiple images, most often combined with text. It's a hybrid (think co-mix) and, importantly, it’s a medium not a genre—don’t confuse the two in the presence of a comix creator or you might get your head bit off (for a real-life dramatization, see the opening of To Teach: the journey in comics). Comics aren’t just for kids anymore, and the medium has been creatively deployed to communicate non-comedic content—see Maus or Persepolis or Fun Home. They’ve taken over the world in this golden comix age, and you can find them everywhere—classrooms, special sections in bookstores and libraries, and, yes, still hidden in that secret drawer in the closet—and still the medium retains a sense of its insurgent origins. The word “comix” (or “comics”) is a “non-count noun” like “politics” or “economics” referring to the medium itself. We’re joined by two old friends in conversation about comix and the world—Eve Ewing, poet, playwright, scholar, teacher, author of the Ironheart series for Marvel comics, and the first Black female author of the Black Panther series; and Ryan Alexander-Tanner (www.ohyesverynice.com), illustrator/comics artist and educator, co-author of To Teach: the journey in comics, and author and artist of Muhammad Ali: The Greatest Comics Biography of All Time Volume One: Cassius Clay.