Fire Fighters was a syndicated series produced by Cincinnati’s William F. Holland Productions, Inc. in 1948. It was aired in various markets from coast-to-coast, including Portland, OR, Omaha, NE, and Washington, D.C., into the early 1950s. It followed the adventures of rookie firefighter Tim Collins and fire chief Bob Cody. Written by Frank Jones, Fire Fighters starred Cameron Prud’Homme and Lyle Sudrow.

The program was lauded by local fire departments across the country for promoting fire safety and publicizing modern firefighting techniques.

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 Spycatcher was a BBC television series, starring Bernard Archard, which ran from 1959 to 1961. It was based on the real-life activities of Dutch counterintelligence officer, Lieutenant-Colonel Oreste Pinto (once called "the greatest living authority on security"), who specialised in the interrogation of suspected spies during World War II and had later published his memoirs under the title Spy Catcher. Each episode showed Pinto (Archard) questioning refugees to England from Nazi-dominated Europe, and eventually exposing them as enemy agents (or, on two occasions, concluding that they were genuine refugees). In 1960 a board game called Spycatcher inspired by the series was produced by J & L Randall under their Merit trading name. There was also an earlier BBC Radio series, of 24 Episodes, which covered the same cases in radio-drama form.[wikipedia] 

 Buster Brown was a comic strip character created in 1902 by Richard F. Outcault. Adopted as the mascot of the Brown Shoe Company in 1904, Buster Brown, his sweetheart Mary Jane, and his dog Tige, an American Pit Bull Terrier, were well-known to the American public in the early 20th century. The character's name was also used to describe a popular style of suit for young boys, the Buster Brown suit, that echoed his own outfit. A Buster Brown radio series began in 1943 with Smilin' Ed McConnell on the West Coast NBC Radio Network. It included such characters as Froggy the Gremlin ("Plunk your magic twanger, Froggy!") and Midnight the Cat ("What do you say to the kids, Midnight?" "Nice."). [wikipedia] 

Radio origins Sponsored by the Skelly Oil Company, the Captain Midnight radio program was the creation of radio scripters Wilfred G. Moore and Robert M. Burtt, who had previously scored a success for Skelly with their boy pilot adventure serial The Air Adventures of Jimmie Allen.

Developed at the Blackett, Sample and Hummert advertising agency in Chicago, Captain Midnight began as a syndicated show in 1938, airing through the spring of 1940 on a few Midwest stations, including Chicago's WGN. In 1940, Ovaltine, a product of The Wander Company, took over sponsorship. With Pierre Andre as announcer, the series was then heard nationally on the Mutual Radio Network where it remained until 1942. It moved to the Merchandise Mart and the NBC Blue Network in September 1942. When the U.S. Government broke up the NBC Red and Blue Networks, Ovaltine moved the series back to Mutual, beginning September 1945, where it remained until December 1949.

PremiseThe title character, originally Captain Jim "Red" Albright, was a World War I U.S. Army pilot. His Captain Midnight code name was given by a general who sent him on a high-risk mission from which he returned at the stroke of 12. When the show began in 1938, Albright was a private aviator who helped people, but his situation changed in 1940. When the show was taken over by Ovaltine, the origin story explained how Albright was recruited to head the Secret Squadron, an aviation-oriented paramilitary organization fighting sabotage and espionage during the period prior to the United States' entry into World War II. The Secret Squadron acted both within and outside the United States.

When the United States was attacked at Pearl Harbor, which curiously was foreshadowed in the program, the show shifted the Secret Squadron's duties to fight the more unconventional aspects of the war. Besides the stock villain, Ivan Shark, the war years introduced Axis villains Baron von Karp, Admiral Himakito and von Schrecker. The Secret Squadron wartime activities were usually outside the continental United States, with adventures in Europe, South America, the Pacific, and continental Asia. War related subject matter included the theft of an experimental Flying Wing aircraft, radar coupled antiaircraft guns, jet aircraft and other weapons.

 Bulldog Drummond is a radio crime drama in the United States. It was broadcast on Mutual April 13, 1941 – March 28, 1954. Garyn G. Roberts wrote in his book, Dick Tracy and American Culture: Morality and Mythology, Text and Context, "With its trademark foghorn, Bulldog Drummond was one of the premiere mystery programs of its time."

Bulldog Drummond was "a British investigator called 'Bulldog' because he was relentless in the pursuit of criminals." The character was created by British author H. C. McNeile. In addition to McNeile's books, Drummond was featured in a series of films from Paramount Pictures in the 1930s. Drummond was described as "a polished man-about-town, whose hobby is crime detection and the apprehension of criminals."

Radio historian John Dunning commented, "With his sidekick Denny, Captain Hugh Drummond solved the usual run of murders, collected the usual run of bumps on the head, and ran afoul of underworld characters ranging from radium thieves to counterfeiters." In a 1948 column in the Oakland Tribune, media critic John Crosby called the program "the first of the more successful exemplars of radio espionage and intrigue."

One notable aspect of Bulldog Drummond was its opening (created by producer-director Himan Brown), which "evoked a London ambiance with footsteps, a foghorn, shots, and three blasts of a police whistle." Following the sound effects, an announcer introduced the program with the line, "Out of the fog ... out of the night ... and into his American adventures ... comes ... Bulldog Drummond."

The program was initially set in Great Britain, but after two months the setting was moved to the United States,[1] thus leading some sources to identify it as The American Adventures of Bulldog Drummond. In another change from the books, the radio program omitted Drummond's wife "and his gaggle of ex-army comrades." He did, however, keep his butler, Denny.

Created, produced, and directed by radio actor/director Elliott Lewis, the program was a historical true crime series, examining crimes and murders from the past. It grew out of Lewis' personal interest in famous murder cases and took a documentary-like approach to the subject, carefully recreating the facts, personages and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.

The crimes dramatized generally covered a broad time and place frame from ancient Greece to late 19th-century America. Each episode in the series was co-written by Morton Fine and David Friedkin, in consultation with Lewis, although the scripting process was more a matter of research, as the stories were "adapted from the original court reports and newspaper accounts" or from the works of historians.

The cases ranged from famous assassinations (of Abraham Lincoln, Leon Trotsky, and Julius Caesar) and the lives (and often deaths) of the likes of Cesare Borgia and Blackbeard to more obscure cases, such as Bathsheba Spooner, who killed her husband Joshua Spooner in 1778 and became the first woman tried and executed in America.

The only continuing character was the host/narrator, Thomas Hyland, played by Lou Merrill. Hyland was introduced by the announcer as a "connoisseur of crime, student of violence, and teller of murders." Merrill's deadpan portrayal of Hyland provided the welcome note of tongue-in-cheek humor to the proceedings. Unlike the ghoulish weird storytellers of The Whistler and The Mysterious Traveler, Hyland was an ordinary fellow who, in a dry, droll manner, would present a tale from his files, his wry comments interspersed between dramatized scenes. The episodes would typically begin with Hyland inviting the audience to listen to a sound, from drops of rain to horses' hooves, and then introducing the main players and events of his report. The titles also contributed to the series' light tone, as they were intentionally pompous and usually laced with irony. Typical titles included "Your Loving Son, Nero," "If a Body Needs a Body, Just Call Burke and Hare," and "The Axe and the Droot Family... How They Fared".

A roster of Hollywood radio actors filled the various historical roles. William Conrad was one of the more frequently heard performers, in such diverse parts as Nero, Blackbeard, Pat Garrett and King Arthur. Other performers, and the villains and victims they portrayed, included Jack Kruschen (as William Burke and Trotsky assassin Ramón Mercader), Jay Novello (as William Hare and Dr. William Palmer), Mary Jane Croft (as Bathsheba Spooner and Madame de Brinvilliers), Betty Lou Gerson (as Agrippina and Lucrezia Borgia), Edgar Barrier (as Julius Caesar), Harry Bartell (as Brutus), Hans Conried (as Ali Pasha), Herb Butterfield (as Lincoln, Trotsky, and Thomas Edwin Bartlett), Jack Edwards (as John Wilkes Booth and Cole Younger), Irene Tedrow (as Lizzie Borden), William Johnstone (as Robert Knox), Betty Harford (as Madeleine Smith and Ripper victim Mary Jane Kelly), Eve McVeagh as Madame Marie Lafarge, Clayton Post (as Jesse James), and Sam Edwards (as Billy the Kid and Bob Younger).