エピソード

  • The Power of Little Mysteries
    2025/05/09
    tHE POWER OF LITTLE MYSTERIES:How to Keep Readers Turning Pages — a podcast episode — How do you keep readers engaged in a novel without constant action or plot twists?One of the most effective ways to keep readers engaged is by incorporating “little mysteries,” unanswered questions or withheld information that prompt curiosity. These can be as simple as a character avoiding a topic, a strange behavior with no explanation, or a subtle line of foreshadowing. When done well, they create narrative tension and encourage readers to keep turning the pages to uncover the truth. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript What Are Little Mysteries? How to Build Little Mysteries in Any Genre When Mystery Backfires Little Mysteries by Genre Balancing Mystery and Clarity Use Your Beta Readers Prime Places to Add Mystery A Few More Examples Wise Words This Week’s Writing Challenge Wrap-UpTalk to Us! Share This Resource Why do some stories feel impossible to put down? It’s not always explosions, plot twists, or dramatic scenes. Sometimes, it’s something quieter and more powerful: little mysteries. In this episode of the Inside Creative Writing Podcast, we dive deep into how subtle, unanswered questions can create narrative tension that keeps readers engaged through every chapter. Whether you’re writing a thriller, romance, memoir, or sci-fi epic, understanding how to plant and resolve these small mysteries can transform your pacing and reader connection. You’ll learn: Why mystery doesn’t have to mean murderHow “withholding information” creates forward momentumFive specific techniques for embedding little mysteries in your storyMistakes to avoid when using mystery as a narrative toolHow different genres, from memoir to fantasy, use mystery to engageWhat beta readers can reveal about your use of mysteryHow ambiguity can help readers take ownership of your storyWant more insight on crafting page-turning stories? Check out the How to Write a Novel guide or listen to Episode 42: Plot Your Novel with Index Cards for practical structuring tools. Formatted and Edited Transcript Episode 45. What is it that keeps you turning pages in a book, makes you stay up all night until you finish it? Today we’re talking about little mysteries. Let’s dive in. Welcome back fellow writers. I hope your writing is going well this week. Today’s episode is about something that quietly powers almost every great story, regardless of genre. It’s not dialogue, it’s not description. It’s what we’re going to call little mysteries. Now we’ve hinted at this before in other episodes, but I really wanted to take a full episode and dive into it deeply because it’s so important and powerful. What Are Little Mysteries? So, little mysteries. I’m not talking about detective stories and dead bodies and who done it, although those are certainly fun too. I mean the kind of mystery that makes readers lean forward, flip the page, and kind of whisper, wait, what just happened, or oh, what’s going to happen? So let’s get into that. When we hear the word mystery, we tend to think of crime novels, right? Agatha Christie. Sherlock Holmes. That kind of stuff. Those stories are built around a central question. Who did it, right? One big mystery. And it’s great for your book to have one big mystery, one big question that drives people to the end of the book. Like my book Crossing Cascadia. The big question is, did her family survive this earthquake? Right? So that’s the question. That’s the through line that drives the entire book to the end. Did her family survive? Is she going to make it back to them? And will she survive? Great storytelling almost always relies on that kind of mystery, even when there’s no detective in sight. So think of it more broadly. Mystery is simply what the reader or the viewer—if you’re writing a screenplay or something like that—what they don’t know yet and what they’re desperate to figure out, or even just interested to figure out. Let’s take an example from what is possibly the greatest TV series ever made. Breaking Bad. You can argue with me in the comments if you want to recommend some other shows that might compete. But holy cow. Breaking Bad did a masterful job of writing. So let’s look at that opening scene and the way it works with mystery. If you’ve seen it, you probably remember it vividly. It comes straight back into your mind, right? That pair of khaki pants fluttering through the air, an RV crashing through the desert, a man in tighty whities and a gas mask just driving frantically, panicked. And there’s chaos. There’s sirens. There’s those bodies sliding around inside of the RV. And then he ...
    続きを読む 一部表示
    32 分
  • What If You’re Not the Kind of Writer You Thought You’d Be?
    2025/05/01
    What If You’re Not the Kind of Writer You Thought You’d Be? — a podcast episode — What if I’m not the kind of writer I thought I’d be?Many writers start with a fixed idea of the kind of stories they’re supposed to write, but creative growth often reveals a different voice or genre that feels more authentic. Embracing this shift isn’t failure; it’s part of discovering your true identity as a writer. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript Expectations vs. Reality When Writing Takes a Turn Why Writing Takes So Long Writers Who Evolve The Trap of Early Success The Problem of the Platform Signs You Might Be Writing the Wrong Story Shiny Object Syndrome Wise Words Writing Challenge for the Week Talk to Us! Share This Resource What if the writer you thought you’d be isn’t the writer you actually are? This episode dives into one of the most important (but rarely discussed) challenges writers face: discovering that their creative voice may not match the genre, tone, or style they originally envisioned. Whether you’re feeling creatively stuck or wondering if a pivot is necessary, this conversation will help you listen to what your writing is trying to tell you. Key takeaways from this episode: How to recognize the difference between resistance and authentic redirectionWhy early success can trap you in a version of yourself that no longer fitsPractical tools to explore a shift in genre or voice without scrapping your workHow to use flow state and “guilty relief” to evaluate new story ideasEncouragement from authors like George Saunders, Margaret Atwood, and Franz Kafka, who reinvented their work mid-career You don’t have to be the writer you set out to be. In fact, discovering who you really are on the page might be the most exciting part of the journey. Ready to go deeper? Explore the How to Write a Novel page or try the Story Rescue Checklist to see if your current project needs a fresh look. Formatted and Edited Transcript When you started writing, you probably had a clear idea of the kind of writer you were going to be. But what if you were wrong? And what if that’s actually a good thing? Let’s dive in. Welcome back to the Inside Creative Writing podcast. This is Brad Reed. I’m thrilled to be here with you again today. I want to talk about something that almost every writer struggles with at some point, but we don’t often say it out loud. We don’t often talk about it. And that thing is the question, what if I’m not the kind of writer I thought I was going to be? Expectations vs. Reality When most of us start writing, we have this clear idea in our heads, right? We picture ourselves maybe writing sweeping fantasy sagas or gritty detective novels or maybe some deeply emotional literary fiction. We might even imagine ourselves sticking to a particular genre or a specific audience or a specific style. We tend to think we should be writing the type of work that we love to read, and sometimes that is the case, but not always. Sometimes that love of a specific type of story is only the thing we need to start writing in order to find what we’re truly meant to write. Now the same thing happens to musicians and singers all the time. Some start out aiming for pop stardom but find their voice in folk or blues. Others might dream of being country stars, but they realize once they get started that their passion actually lies in indie rock or jazz or something like that. Even huge names like Taylor Swift pivoted dramatically during her career, which is still ongoing and still pivoting, right? Moving from country to pop to indie folk, all sorts of stuff. Over time, artists often need that first step into a familiar genre just to get started, only to realize that their true sound lives somewhere entirely different. Alanis Morissette is another great example of this. She started out as kind of a teen pop singer. She had some level of success with that, not nearly the success that she had when she shocked the world with Jagged Little Pill, an album that is so far away from teen pop that I don’t think you could get much farther away. When Writing Takes a Turn So writers experience this same thing. We step into writing thinking we’re one thing and we’re writing one kind of story, but the deeper we go, the more something else starts to emerge. And then somewhere along the way, what actually comes out when we sit down to write doesn’t really match that picture we had going in. The stories we’re drawn to feel different. The voice feels different. Sometimes the whole process feels different, especially different than what we thought it would be. When this happens, it can be really confusing and off-putting. It can ...
    続きを読む 一部表示
    43 分
  • When Characters Take Control: Writing and the Internal Family System
    2025/04/23
    WHEN CHARACTERS TAKE CONTROL:Writing and the Internal Family System — a podcast episode — Why do some characters take control of your story?Some characters seem to “take over” your story because they may represent parts of your own mind. According to Internal Family Systems (IFS) theory, the human psyche is made up of different internal parts—each with its own voice, perspective, and motivation. When writing, these parts can emerge as characters, expressing thoughts or emotions you might not consciously recognize. Letting characters lead can reveal deeper truths and add emotional depth to your story. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript When Characters Take Over What Is Internal Family Systems? What If Your Characters Are Parts of You? How to Work with These Character-Parts Two Ways to Talk to These Parts When a Character Takes Over Wise Words Weekly Challenge Talk to Us! Share This Resource Why do our characters sometimes refuse to do what we planned? In this episode of Inside Creative Writing, Brad dives deep into the phenomenon of characters “talking back,” saying things we didn’t expect, steering the story in new directions, or developing voices of their own. It turns out, there might be a psychological explanation. Drawing from Internal Family Systems (IFS), a therapeutic model that sees the mind as a system of parts, Brad explores what might be happening when characters come alive on the page. Are they just echoes of other stories? Or could they be voices from within ourselves, trying to speak through our fiction? Whether you’re a skeptic, a believer, or somewhere in between, this episode offers practical techniques and surprising insights to help you tap into character voice, deepen emotional authenticity, and maybe even understand yourself a little better. Includes: A quick intro to IFS theoryHow to “interview” your characters like internal partsWhen to let characters lead—and when to pull back Formatted and Edited Transcript Episode 43. Today we get weird. What exactly is happening when our characters seem to start taking control of the story we’re writing? Doing and saying things we didn’t expect? Let’s dive in. Almost every writer has had the experience of a character who keeps doing things you didn’t plan for. Or maybe they say something that makes you kind of blink and ask, wait, where did that come from? It’s a strange moment, for sure, but what exactly is happening? You’re not alone in this. Today we’re talking about what might be happening when those characters start surprising us, and what that might have to do with a therapeutic model of the mind called Internal Family Systems. So we’re really living up to the name Inside Creative Writing today, because we’re going deep inside the creative writing mind. The episode might get a little weird, but in the best way. When Characters Take Over So we’ve all heard the stories, right? If they haven’t happened to us ourselves. An author says their characters “took over” the story. Or they didn’t intend for a plot twist, but a character insisted that it happened. Maybe you’re writing along and suddenly a side character starts just dominating the story. Or your protagonist refuses to follow your outline. What is going on here? Now, I’ve been curious about this for years. And for years I chalked it up to cliché, like maybe the words come easy because we’ve just heard them before, not because they’re especially meaningful. But lately I’ve been exploring something new. A different way of understanding how the human mind works, and it’s shed a whole new light on what I think might actually be going on in those moments, and how we can use them to our story’s benefit. So today I want to suggest that the experience of characters developing their own voices might be less mystical than it seems, and also way more personal. I’m going to introduce you to an idea from psychology called Internal Family Systems, often shortened just to IFS. And show you how this model might explain exactly why your characters seem so alive, and what to do with them once they come alive in that way. What Is Internal Family Systems? So let’s start with a short definition here. Internal Family Systems is a therapy model developed by Dr. Richard Schwartz back in the 1980s, and it’s based on a simple but pretty radical idea, that the mind isn’t one unified voice. It’s a system of parts. At first, this might sound a little bit out there. But before we jump to dismissing it, think about how we talk about our minds. When you faced a big decision, have you ever caught yourself saying things like, “Part of me wants to do X, but I really want to do Y”? ...
    続きを読む 一部表示
    24 分
  • Plan Your Novel with Index Cards!
    2025/04/16
    PLAN YOUR NOVEL WITH INDEX CARDS!borrowing a Screenwriter’s Tool — a podcast episode — How can I use index cards to plot a novel?The index card method helps novelists visualize and organize their story by dividing it into key turning points across a four-row layout, one row per story act. Each card represents a single scene, allowing writers to pace their novel, identify structural weaknesses, and rearrange plot points easily before drafting. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript Why the Index Card Method Works Structure as Creative Freedom Podcast Episodes on Story Structure What Is the Index Card Method? Act One: Setup and First Turning Point Act Two: The Midpoint Shift End of Act Two: The All Is Lost Moment Act Three: The Resolution Building Out the Full Card Layout Structure Inspires Creativity Adapting the Index Card Method for Novelists Setting Up the Card System Optional: Color Coding Laying Out the Cards and Playing with Story When Structure Sparks New Creativity Using the Index Card Method During Drafting Wise Words About Structure Weekly Challenge: Reverse Engineering with Index Cards Final Thoughts and Resources Talk to Us! Share This Resource When writing a novel, it’s easy to get lost in the fog of ideas and endless possibilities. That’s where index card plotting comes in. In this episode, we explore a screenwriting method that translates perfectly to fiction: using index cards to build out your novel’s structure. This hands-on, visual approach helps writers of all styles, plotters and pantsers alike, get a clear view of their story’s pacing, major turning points, and emotional beats. Whether you’re stuck in the messy middle or just getting started, index card plotting offers clarity and momentum. Key takeaways include: How the classic 40-card layout is used by screenwriters, and how novelists can adapt itThe four key turning points every story needs: inciting incident, midpoint, all-is-lost moment, and resolutionHow to physically map out your novel for better pacing and structureTips for customizing the system to suit your writing styleHow the index card method reduces overwhelm and unlocks creativity If you’ve ever felt stuck or unsure of your novel’s trajectory, this is a powerful method to get you moving. For deeper story guidance, check out our full How to Write a Novel guide and listen to How to Plot a Book and Claymation and Story Structure. Formatted and Edited Transcript Today, we’re going to steal from the screenwriting world to hack our story plotting. We’re going to explore a card game of sorts and figure out your story. Welcome back to Inside Creative Writing, where we help you craft authentic immersive stories one technique at a time. I’m your host, Brad Reed, and today I want to introduce you to one of my favorite tools, borrowed, or maybe stolen, from screenwriting: the index card method. Why the Index Card Method Works Now, if you’ve studied screenwriting at all, you’ll probably be familiar with this tried and true method of plotting and pacing a film. But if you haven’t, this could revolutionize the way that you plan and plot your story. So, with a little tweaking, we can take it from the screenwriting world and make it work for novels and even short stories as well. This is one of those techniques that feels weirdly old school, which I kind of love. But trust me, it works. It’s flexible, it’s tactile, and it helps you see your story in a different way. And the best part? You don’t have to be a plotter to use it. Even if you’re more of a discovery writer, index cards can bring just enough structure to keep your novel from wandering off into the… Structure as Creative Freedom Before we dive in though, I want to pause for a second. Because if you’re not yet sold on the idea that structure matters, you’re not alone. A lot of writers resist it. I used to resist structure, too. I thought structure would cage my creativity. What I’ve learned is that structure actually frees it. I’ve seen this play out in my creative writing classes over and over again. If I tell the students to write a story about anything they want, I get nothing but blank stares. They don’t know where to start. There are just too many possibilities. But if I give them limitations, they leap into storytelling. So something like: write a scene where a character must leave a voicemail for someone they haven’t spoken to in over a decade. They only have 60 seconds before the recording cuts off. They can’t say why they’re calling until the final sentence. Now notice how many rules there are to that, or how much structure there is to that prompt, but what it does is it focuses the ...
    続きを読む 一部表示
    35 分
  • Boredom and Creativity: A Writing Superpower
    2025/04/10
    BOREDOM AND CREATIVITY:A Writing Superpower — a podcast episode — Why is boredom important for writers?Boredom gives the brain space to reflect, wander, and make creative connections. Without constant distractions, writers can tap into deeper ideas and story insights that often remain buried beneath the noise of modern life. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript What Does This Have to Do with Writing Story from a Bored Childhood The Nerdiest Election Ever It All Grew from Nothing The Gift We Didn't Recognize Why This Is a Problem Now Stillness Leads to Stories The Same Is True for Writers Boredom Made Us Human The Shower Epiphany Making Space for Creative Thought Wise Words from Other Creatives This Week’s Challenge The Opposite of Hustle Final Thoughts Talk to Us! Share This Resource Sometimes the best thing you can do for your writing has nothing to do with your keyboard. In this thought-provoking episode, Brad explores how boredom can actually be your secret weapon when writing a novel. By leaning into stillness, cutting distractions, and giving your mind space to wander, you unlock deeper insights, clearer ideas, and stronger connections to your story. In a world constantly filled with noise, this episode makes the case for building boredom into your writing life, not avoiding it. Through personal stories, classroom experiences, and scientific insights, you’ll learn how to reframe boredom not as a productivity killer, but as a vital part of the creative process. Key takeaways include: Why boredom is crucial for creative breakthroughsHow constant content consumption drowns out your unique voiceSimple ways to build quiet, intentional boredom into your daily lifeWhat the “default mode network” is and why it matters to storytellersHow your childhood creativity was fueled by boredom, and still can be Whether you’re stuck in your novel’s early stages or trying to rediscover your writing spark, this episode will help you reconnect with your own imagination. If you want even more clarity on where your novel is headed, be sure to grab the free Story Rescue Checklist or explore the How to Write a Novel page for more essential tools. Formatted and Edited Transcript Did you know that you have a writing superpower that you’re probably not using? On today’s podcast, we’re talking about the awesome power of boredom. Let’s get started. OK. Before we jump in, I want to warn you that I may sound like an old man at times during this podcast. There are going to be some good old fashioned “back in my day” stories, so be prepared for that. With that in mind, I want to start with an experience I had going back to college to become a teacher. This was probably about 2014. I took a class on the psychology of adolescence. One of the textbooks we used was old, like pre-Internet old. One of the chapters was all about how important boredom was for the formation of the adolescent mind and how essential it was for the exploration and discovery of one’s unique identity. Back then, teens spent countless hours alone in their rooms, bored and thinking, contemplating who they were and the world around them. They could throw themselves into books or take long walks without music or podcasts in their ears. When they couldn’t sleep, they would just lie awake, bored and thinking. Car rides were quiet, except for maybe the radio, for long hours in the back seat. The thesis of that part of the textbook was that this forced boredom was vital for young people to figure out who they were, what they wanted to do with their lives, and how they saw the world. That kind of unscheduled solitude wasn’t just downtime. It was essential for identity formation. What Does This Have to Do with Writing Now, if this were a psychology podcast, we could dive into what’s been lost and how much of our cultural identity crisis comes from this lack of boredom and introspection that we’re now shielded from. As a society, we have constant boredom-killing technology. But this isn’t a psychology podcast, so what does this have to do with writing? If you’re a writer, that kind of introspection is still essential. You don’t just write stories. You write your stories. And to do that, you have to know what matters to you. What images haunt you? What questions keep tugging at the edges of your brain? You can’t find those answers while doom-scrolling. Trust me, I’m as guilty of that as anyone. Those answers come in the quiet, introspective, and yes, even boring moments that we all try to avoid. Story from a Bored Childhood Here’s story number two. It was the middle of summer. I was maybe seven or eight years old. There were five stations on the television. Other than ...
    続きを読む 一部表示
    24 分
  • Why Do You Write? Finding Purpose Beneath the Pressure
    2025/04/03
    WHY DO YOU WRITE?Finding Purpose Beneath the Pressure — a podcast episode — Why do writer’s write?Writers write to explore, express, and make sense of their inner and outer worlds—whether to connect, create, remember, or simply because they have to. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript The Passion Trap: A Personal Story From Websites to Writing: Losing Joy for the Sake of Money When Writing Becomes a Chore A Change of Scene and Perspective The Problem with Outcome-Driven Writing When Pressure Crushes Creativity Taking Back the Joy The Creative Irony Writing the Book I Wanted Real Success Isn’t Measured in Sales When Passion Leads to Resonance The Essay That Changed Everything for Me The Power of Honest Storytelling Honesty in All Genres A New Lens: Craft-Based Writing Writing as a Walk, Not a Race The Process Is the Art A Slight Shift in the Podcast Writing That Brings You Back to Yourself Wise Words: You Are Your Best Thing The Weekly Challenge The Story Rescue Checklist Until Next Time… Talk to Us! Share This Resource Why do you write? It’s a deceptively simple question that can unravel or resurrect your creative life. In this deeply personal episode, Brad Reed invites listeners into an honest exploration of the emotional and practical reasons that drive us to tell stories. From past failures turning passion into obligation to reclaiming joy in the writing process, this episode offers a powerful reframing of the writer’s journey. Brad reflects on how writing can lose its spark when overshadowed by dreams of publishing and visibility, and how the truest stories are often the ones we write for no one but ourselves. He introduces the idea of “craft-based writing,” a mindset that prioritizes voice, honesty, and emotional resonance over formula and trends. Key takeaways include: Why passion-driven writing is more sustainable than outcome-focused writingHow market obsession can kill your creativityThe three core elements that suffer when publishing becomes your focusThe difference between writing as art and writing as contentA practical writing challenge that rekindles your love of the process This episode is a must-listen for any writer feeling stuck, burned out, or unsure why they’re writing at all. If you’re ready to rediscover the joy of storytelling and reconnect with your purpose, this episode will guide you back to your center. Formatted and Edited Transcript Today, we’re exploring a question that a lot of writers don’t give enough thought to: Why do I write? Knowing the answer can change everything about your writing. Let’s dive in. OK, so why do you write? I want you to actually attempt to answer that question right now. You can even pause the podcast for a few minutes if you need to and give it some thought. Why do you write? All right, so hopefully you paused and took some time to think about that. You may have come up with some answers, like many other writers do: answers like to make some money and build a writing career, or maybe to process trauma, to feel power in a world where I don’t often feel powerful. Maybe to get followers and subscribers on social media. Maybe to just connect with somebody, even if that’s only imaginatively through your story. A lot of writers say things like, Because I have to write. There’s something inside me that just drives me to write. I have to write. “To create beauty” is another reason writers often give. Maybe it’s to impress others or gain recognition; sometimes that’s a reason a little bit under the surface that we don’t really pay that much attention to, but it’s there. Maybe it’s to leave something behind in this world, to make your mark by leaving your writing, your thoughts behind. Maybe it’s to make sense of the chaos of this world, and there’s plenty of that to go around right now. Maybe it’s to say what you couldn’t feel like you could say out loud. You can say it through writing. Maybe it’s just to prove to yourself that you could do it: I could write a book. Maybe your answer is, I don’t know. For a lot of writers, that actually is their answer: I’ve never really thought about it. I’m not sure I know why I write. Or maybe it’s a mix of a whole bunch of different things all mashed together that drives you to the keyboard or the pen. So if you’re feeling bold, I would love for you to share your reason in the comments below. I’d love to see what your thoughts are there, what you came up with. That’s what we’re going to explore today: this big, overarching question: Why do I write? And we’re going to find out why the answer to that is so powerful in our writing lives. The Passion Trap: A Personal Story I want to start...
    続きを読む 一部表示
    45 分
  • Reading Like A Writer: Unlocking the Secrets of Great Writing
    2025/03/27
    Reading Like a Writer:Unlocking the secrets of Great Writing — a podcast episode — What is reading like a writer?To read like a writer means looking past the story to study how it was built. After the first read for pleasure, you revisit the text to examine structure, pacing, dialogue, and emotional beats. It’s about learning how great writing works so you can use those tools in your own. Helping writers craft authentic, immersive stories.Find out more about us here. Inside Creative Writing Email this Page Share on Bluesky Share on LinkedIn Share on Pinterest Share on Reddit Share on Threads Share on Facebook Table Of Contents Formatted and Edited Transcript The Magician Metaphor Great Writing Is Like Great Magic Rule #1: You Don’t Read It Just Once Does It Kill the Magic? Step One: The First Read Is for Pleasure Step Two: The Second Read Is for Study Studying the Beats Looking at Mystery, Subtext, and Pacing You’ll Need More Than Two Reads What About Bad Books? Studying Other Media Extreme Exercise: Rewrite a Novel or a Screenplay Exercises to Strengthen Your Writer’s Eye Wise Words from Great Writers Your Writing Challenge: Build Your List Final Thoughts: Reading Like a Writer Is a Lifelong Habit Talk to Us! Share This Resource Great writing feels like magic—but it’s not. In this engaging and practical episode, Brad Reed breaks down exactly how to read like a writer so you can start uncovering the techniques hidden beneath the surface of great stories. Whether you’re working on your first draft or stuck in revision, learning to read like a writer can transform how you approach your work. Key takeaways include: Why reading a great book once is never enoughHow to mark up a book without losing its magicTechniques for identifying emotional beats, tension, and pacingWhy studying bad books can teach you just as much as great onesExercises like rewriting movie scenes or copying chapters word-for-wordHow to build your personal “touchstone books” list that grows with your writing journey You’ll also hear about Brad’s favorite books for studying craft and how he uses them to solve real writing problems. Whether you’re looking to deepen your prose or get unstuck in your current project, this episode is a practical guide to improving your writing through intentional, curious reading. Check out the full episode, and if you’re ready to go deeper, visit the How to Write a Novel page for more resources and writing challenges. Formatted and Edited Transcript Today we’re talking about an essential skill for any writer: the ability to read like a writer. And to help explain how that works, we’re going to use magicians as our working metaphor. So let’s dive in. The Magician Metaphor When I was a kid—maybe eight or nine years old—I remember going to the county fair and seeing a magician on stage. It’s one of the earliest memories I have of watching someone attempt a magic trick. I don’t even know if he was good or not, but I remember being blown away by what this person could do. That’s the metaphor I want to use today as we talk about how to read like a writer. So let’s build it out a little. If I had wanted to become a magician at that moment, inspired by what I saw, what would I have actually learned just by watching him perform? Well, almost nothing. Especially at eight or nine years old. I might’ve picked up a little about stage presence or how a magician dresses, but not much more than that. There’s no way I could’ve turned around and performed those tricks myself. Great Writing Is Like Great Magic Have you ever finished a book and thought, “Holy cow, that was incredible—and I have no idea how the author pulled it off”? That’s what great writing can feel like. It’s like watching a magician and having no clue how the illusion was done. As writers, we often come across books that inspire us like that, and we think, “I want to figure out how they did this.” But if we approach that book the way I approached the magician as a kid—just sitting in awe—we won’t learn very much. That’s the paradox of trying to read like a writer. Great writing is invisible on the first read. Just like a good magician hides all the sleight of hand and behind-the-scenes tricks, a skilled writer hides the techniques that make a story work. You’re not supposed to notice the structure or the craft on that first read. You’re supposed to get pulled in, to forget you’re even sitting in a chair in the real world. That’s what good writing does. If a book is poorly written, it’s easier to see the structure and the flaws. But today we’re focusing on how to study great writing. Rule #1: You Don’t Read It Just Once The first rule of reading like a writer is that you don’t read the book just once. It’s something you return to again and again with new questions, new curiosities, and new goals. I have three books that I come ...
    続きを読む 一部表示
    39 分
  • Can a Scene Generator AI Help Me Write Better Scenes?
    2025/03/21
    Can a Scene Generator AI Help Me Write Better Scenes? — a resource video — Can a Scene Generator AI Help Me Write Better Scenes?Yes, but not by replacing your creativity. Instead, it serves as a powerful tool to show you what’s been done before by thousands of other writers. Use it as a way to avoid clichés, overdone tropes, and overly familiar writing that your readers have seen before. Table Of Contents Using AI to Write Scenes: How to Use It and What to Avoid The Value of Defamiliarization Challenging Expectations to Reveal Character Avoiding Clichés Making Descriptions Count Beware of AI's "Creative" Attempts Using AI Wisely Talk to Us! Share This Resource Using AI to Write Scenes: How to Use It and What to Avoid I’ve recently been exploring the role AI could play in creative writing, particularly in scene description, and decided to put a scene generation AI to the test. We go deeper in the video above, so I recommend you watch it. This video is a companion resource to the a podcast episode called Should I Use AI to Write My Novel? that goes into the topic even deeper. Can a scene generator AI produce quality, original prose? Or is its output just an average of what’s already out there? To find out, I set a simple challenge: I asked AI to write a description of a post office from the perspective of a character standing in line. The goal wasn’t just to accept whatever the AI delivered but to critically examine it, find what’s worth using, and identify what isn’t. Here’s what the AI came up with: “The post office smells like paper dust and the faintest hint of stale coffee, like someone spilled a cup years ago and the scent never quite left. The line moves at a pace that suggests time itself slows down here, each person ahead shuffling forward in reluctant inches. A fluorescent light flickers overhead, buzzing like an annoyed insect. A woman near the front argues with the clerk about the price of a flat rate box, while a man two spots ahead shifts from foot to foot, sighing dramatically. The walls are lined with notices—one warning against mail fraud, another boasting about the efficiency of Priority Mail, though the bored-looking employees behind the counter seem to suggest otherwise. Somewhere behind me, a toddler whines. A woman taps her nails against her package in a steady, impatient rhythm. The person directly in front of me smells strongly of peppermint and wool, their coat shedding little gray fibers onto the tiled floor. I check my watch. Five minutes have passed; it feels like fifty.” At first glance, the description looks solid. Impressive, even. It engages multiple senses and provides specific details. But upon closer inspection, it reveals a major flaw: It’s completely average. Everything described is exactly what you’d expect from any generic post office. There’s nothing unique or surprising here, nothing that truly makes the scene come alive. This highlights a fundamental weakness of AI-generated prose: it’s excellent at delivering what’s typical but struggles to deliver something original or memorable. So, instead of simply using this description, I decided to use it as a starting point, illustrating how writers can harness AI-generated text to pinpoint precisely what not to do and brainstorm original ideas that stand out. The Value of Defamiliarization Great writing uses “defamiliarization,” a technique that makes familiar things appear fresh and engaging. AI, by its nature, does the opposite. It aggregates and averages previous descriptions, giving us exactly what’s familiar, safe, and expected. To write memorable scenes, we need to push beyond this. Let’s try it with the opening line from the AI: “The post office smells like paper dust and the faintest hint of stale coffee.” This is predictable. But what if we reverse this expectation? Instead, perhaps the post office today smells like a bakery. Maybe the employees are having a potluck, and the aroma of freshly baked cookies wafts through the air. Immediately, this reversal offers potential for character insight. Does our protagonist find the unexpected scent delightful or irritating? Challenging Expectations to Reveal Character Another AI-generated sentence: “The line moves at a pace that suggests time itself slows down here.” What if, instead of being painfully slow, the line moves unusually fast due to an incredibly efficient, drill-sergeant-like clerk barking orders at customers? This unexpected detail can deepen our understanding of the character: Do they appreciate efficiency, or does this brusqueness make them uncomfortable? Avoiding Clichés AI often falls into clichés, such as: “A fluorescent light flickers overhead, buzzing like an annoyed insect.” While this is vivid, it’s also unoriginal. A better option is to seek a new metaphor or simile that surprises readers or to omit it entirely if it doesn’t add meaning. Making Descriptions Count AI’s ...
    続きを読む 一部表示
    1分未満