Brian and Bailey conclude their two-part conversation with former president of Paramount Motion Picture Group, David Paul Kirkpatrick.

As the man who greenlit some of the biggest films in history, David knows why things happen, and why they don’t.

Why does almost no one in the studio system actually read scripts? Why is strong coverage so important?

What does it take to get a studio project across the finish line? And what does it look like if it falls apart?

Plus, why did Michael Jackson shed tears over lunch with David? And is Steven Spielberg truly the mensch the world believes he is?

His remarkable history, combined with talents as both a writer himself and mentor to many, makes David just the man to share the most insightful industry advice and outrageous Hollywood-insider stories you’ll ever hear.

On the latest episode of the Living to Write, Brian and Bailey chat with Story Summit founder and former Paramount Pictures studio executive David Paul Kirkpatrick in Part 1 of an unforgettable conversation.

Throughout his illustrious career as president of the Motion Picture Group and head of production at both Disney and Touchstone, David helped bring to life some of the most iconic and influential films and franchises of all time, including — Indiana Jones, Star Trek, Friday the 13th, Top Gun, Ghost, The Hunt for Red October, Witness, Reds — and a Living to Write favorite — Can’t Buy Me Love.

His remarkable history, combined with talents as both a writer himself and mentor to many, makes David just the man to share some of the most insightful advice and outrageous Hollywood-insider stories you’ll ever hear.

What’s it like to be a studio executive? What does it take to actually greenlight a film—and what quietly kills it?

Tune in to Part 1 to find out what really happens behind the curtain. And yes... He names names.

This podcast is produced by Brian Landwehr and Bailey Patterson.

On this episode of Living to Write, Brian and Bailey sit down with Emmy- and Peabody-award-winning writer/director Peter Hastings.

With Dog Man now out in the world, Peter discusses why he writes, how improv led him to screenwriting, what it was like working with Steven Spielberg on Animaniacs, and how writing is like music for him. Plus, a look at the projects that shaped his career and what keeps him coming back to the blank page.

Support for this episode comes from Story Summit.

This podcast is produced by Bailey Patterson and Brian Landwehr.