『New Books in Chinese Studies』のカバーアート

New Books in Chinese Studies

New Books in Chinese Studies

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Interviews with Scholars of China about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studiesNew Books Network アート 世界 文学史・文学批評
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  • Lanlan Kuang, "Staging Tianxia: Dunhuang Expressive Arts and China's New Cosmopolitan Heritage" (Indiana UP, 2024)
    2025/07/15
    How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation. Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies. Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
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    1 時間
  • Seeing China’s Belt and Road with Ed Schatz and Rachel Silvey
    2025/07/09
    EPISODE SUMMARY: What becomes visible when you shift the lens away from Beijing to how China’s Belt and Road projects unfold on the ground? Seeing China’s Belt and Road, edited by Edward Schatz and Rachel Silvey, answers this question by reorienting conversations on China’s global infrastructure development to their “downstream” effects. Instead of analyzing the BRI through grand geopolitical narratives or a national strategic lens, the book draws on fieldwork across Asia, Africa, and Latin America to show how local actors—mayors, contractors, migrant workers, and residents—shape and contest projects in practice. Contributing authors challenge simplified portrayals of the BRI as either neocolonial domination or benevolent development, instead revealing its fragmented, improvised, and negotiated nature. Our conversation touches on themes including the visual politics of infrastructure, how power flows through projects, and the agency of local people in shaping global connectivity. We also look ahead to emerging frontiers of China’s influence, including digital corridors and cleaner energy, offering a view of China’s evolving global presence. GUEST BIOS: Dr. Edward Schatz is a Professor of Political Science at the University of Toronto. He is interested in identity politics, social transformations, social movements, anti-Americanism, and authoritarianism with a focus on the ex-USSR, particularly Central Asia. His publications include Slow Anti-Americanism (Stanford UP, 2021), Paradox of Power (co-edited with John Heathershaw, U. Pittsburgh Press, 2017), Political Ethnography (edited, U. Chicago Press, 2009), Modern Clan Politics (U. Washington Press, 2004), as well as articles in Comparative Politics, Slavic Review, International Political Science Review, Ethnic and Racial Studies, Nationalism and Ethnic Politics, and other academic journals. Current projects include a collaborative effort (with Rachel Silvey) to understand the downstream effects of China’s Belt & Road Initiative, as well as a book about the rise of shamelessness in global politics. Dr. Rachel Silvey is Richard Charles Lee Director of the Asian Institute and Professor in the Department of Geography and Planning. She is a Faculty Affiliate in CDTS, WGSI, and the Ethnic, Immigration and Pluralism Studies Program. She received her Ph.D. in Geography from the University of Washington, Seattle, and a dual B.A. from the University of California at Santa Cruz in Environmental Studies and Southeast Asian Studies. Professor Silvey is best known for her research on women’s labour and migration in Indonesia. She has published widely in the fields of migration studies, cultural and political geography, gender studies, and critical development. Her major funded research projects have focused on migration, gender, social networks, and economic development in Indonesia; immigration and employment among Southeast Asian-Americans; migration and marginalization in Bangladesh and Indonesia; and religion, rights and Indonesian migrant women workers in Saudi Arabia.LINKS TO RESOURCES Seeing China’s Belt and Road: https://global.oup.com/academic/product/seeing-chinas-belt-and-road-9780197789261?cc=us&lang=en& Overview with contributing authors on Seeing China’s Belt and Road: https://www.youtube.com/watch?v=ULuHvAhUV_4 The Rise of the Infrastructure State How US–China Rivalry Shapes Politics and Place Worldwide: https://bristoluniversitypress.co.uk/the-rise-of-the-infrastructure-state Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
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    54 分
  • Nan Z. Da, "The Chinese Tragedy of King Lear" (Princeton UP, 2025)
    2025/07/08
    At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling. Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind. Nan Z. Da is associate professor of English at Johns Hopkins University. Caleb Zakarin is the Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
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    39 分

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