エピソード

  • Serena Laiena, "The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing" (U Delaware Press, 2023)

    Serena Laiena, "The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing" (U Delaware Press, 2023)
    2024/10/05
    Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023). Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell’Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 分
  • William Cook Miller, "The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture" (Cornell UP, 2023)

    William Cook Miller, "The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture" (Cornell UP, 2023)
    2024/10/03
    The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間
  • Paola Bertucci, "In the Land of Marvels: Science, Fabricated Realities, and Industrial Espionage in the Age of the Grand Tour" (Johns Hopkins UP, 2023)

    Paola Bertucci, "In the Land of Marvels: Science, Fabricated Realities, and Industrial Espionage in the Age of the Grand Tour" (Johns Hopkins UP, 2023)
    2024/10/01
    How a journey through Italy casts light on secrets, stereotypes, and the manipulation of information in eighteenth-century science. In 1749, the celebrated French physicist Jean-Antoine Nollet set out on a journey through Italy to solve an international controversy over the medical uses of electricity. At the end of his nine-month tour, he published a highly influential account of his philosophical battle with his Italian counterparts, discrediting them as misguided devotees of the marvelous. Paola Bertucci's In the Land of Marvels: Science, Fabricated Realities, and Industrial Espionage in the Age of the Grand Tour (Johns Hopkins UP, 2023) brilliantly reveals the mysteries of Nollet's journey, uncovering a subterranean world of secretive and ambitious intelligence gathering masked as scientific inquiry. The advent of electricity was a pivotal phenomenon not only in the history of physical experimentation, but also in the cultivation of popular scientific interest. Nollet's journey was supposedly inspired by the need to investigate, and subsequently report on, claims of the use of electrified "medicated tubes" by their Italian inventor Gianfrancesco Pivati. Motivated by economic interests in the silk industry, Nollet's journey was in fact an undercover mission commissioned by the French state to discover the secrets of Italian silk manufacture and possibly supplant its international success. The event that sparked the medical controversy—the unusual cure of a bishop—was a complete fabrication. Bertucci insightfully contrasts published accounts of the event with private documents and discusses how eighteenth-century scientists published fictional events and results to bolster their careers, ultimately leading to long-lasting misrepresentations of scientific practice and enduring stereotypes. In the Land of Marvels reveals the constellation of historical actors, from reputed physicists to travel writers and electrical amateurs, who manipulated information to gain authority and prestige. Paola Bertucci (NEW HAVEN, CT) is a professor in the department of history at Yale University. She is the author of the award-winning Artisanal Enlightenment: Science and the Mechanical Arts in Old Regime France. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 10 分
  • J. C. D. Clark, "The Enlightenment: An Idea and Its History" (Oxford UP, 2024)

    J. C. D. Clark, "The Enlightenment: An Idea and Its History" (Oxford UP, 2024)
    2024/09/28
    Enlightenment studies are currently in a state of flux, with unresolved arguments among its adherents about its dates, its locations, and the contents of the 'movement'. This book cuts the Gordian knot. There are many books claiming to explain the Enlightenment, but most assume that it was a thing. J. C. D. Clark shows what it actually was, namely a historiographical concept. Currently 'the Enlightenment' is a term widely accepted across popular culture and in a variety of academic disciplines, notably history, philosophy, political theory, political science, literary studies, and theology; Clark calls for a fundamental reconsideration in each. The Enlightenment: An Idea and Its History (Oxford UP, 2024) provides a critical historical analysis of the Enlightenment in England, Scotland, France, Germany, and the United States from c. 1650 to the present. It argues that the degree of commonality between social and intellectual movements in each--and, more broadly, between the five societies--has been overstated for polemical purposes. Clark shows that the concept of 'the Enlightenment' was not widely adopted in those societies until the mid-twentieth century; indeed, that it was unknown in the eighteenth. Without the concept, people at the time were unable to act in ways that would have created the Enlightenment as a coherent movement. Since the conventional account has held that the Enlightenment was a phenomenon, the idea could be used as a component of what has been called a 'civil religion': a summing up of the myths of origin, aims, and essential values of a society from which dissent is not permitted. An appreciation that it was instead a historiographical concept undermines, in turn, the idea that there was any great transition to what came to be called 'modernity'. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    32 分
  • Inger Sigrun Bredkjær Brodey, "Jane Austen and the Price of Happiness" (Johns Hopkins UP, 2024)

    Inger Sigrun Bredkjær Brodey, "Jane Austen and the Price of Happiness" (Johns Hopkins UP, 2024)
    2024/09/28
    How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? In Jane Austen and the Price of Happiness (Johns Hopkins University Press, 2024), Austen scholar Dr. Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings. Through a careful exploration of Austen's own writings and those of the authors she read during her lifetime—as well as recent cultural reception and adaptations of her novels—Brodey examines the contradictions that surround this queen of romance. Dr. Brodey argues that Austen's surprising choices in her endings are an essential aspect of the writer's own sense of the novel and its purpose. Austen's fiercely independent and deeply humanistic ideals led her to develop a style of ending all her own. Writing in a culture that set a monetary value on success in marriage and equated matrimony with happiness, Austen questions these cultural norms and makes her readers work for their comic conclusions, carefully anticipating and shaping her readers' emotional involvement in her novels. Providing innovative and engaging readings of Austen's novels, Jane Austen and the Price of Happiness traces her development as an author and her convictions about authorship, novels, and the purpose of domestic fiction. In a review of modern film adaptions of Austen's work, the book also offers new interpretations while illustrating how contemporary ideas of marriage and happiness have shaped Austen's popular currency in the Anglophone world and beyond. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    48 分
  • Kerry Brown, "The Great Reversal: Britain, China and the 400-Year Contest for Power" (Yale UP, 2024)

    Kerry Brown, "The Great Reversal: Britain, China and the 400-Year Contest for Power" (Yale UP, 2024)
    2024/09/26
    In the sixteenth century, Queen Elizabeth I tried to send several letters to her Chinese counterpart, the Wan Li Emperor. The letters tried to ask the Ming emperor to conduct trade relations with faraway England; none of the expeditions carrying the letters ever arrived. It’s an inauspicious beginning to the four centuries of foreign relations between China and what eventually became Britain, covered by Kerry Brown in his latest book The Great Reversal: Britain, China and the 400-Year Contest for Power (Yale University Press: 2024) Kerry’s book covers incidents like the MacCartney embassy, the East India Company, the Anglo-Chinese wars, the Communist takeover in 1949, and the return of Hong Kong to Chinese sovereignty in 1997. Kerry Brown is professor of Chinese studies and director of the Lau China Institute at King’s College London. He is the author of over twenty books on modern Chinese politics, history, and society. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Great Reversal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    39 分
  • Charmian Mansell, "Female Servants in Early Modern England" (Oxford UP, 2024)

    Charmian Mansell, "Female Servants in Early Modern England" (Oxford UP, 2024)
    2024/09/26
    Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024). What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux. This book is available open access here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    50 分
  • Alessandra Russo, "A New Antiquity: Art and Humanity as Universal, 1400-1600" (Penn State UP, 2024)

    Alessandra Russo, "A New Antiquity: Art and Humanity as Universal, 1400-1600" (Penn State UP, 2024)
    2024/09/26
    We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 3 分