エピソード

  • Terry Baxter and Libby Coyner-Tsosie, "Stories on Skin: A Librarian's Guide to Tattoos as Personal Archives" (Bloomsbury, 2025)

    Terry Baxter and Libby Coyner-Tsosie, "Stories on Skin: A Librarian's Guide to Tattoos as Personal Archives" (Bloomsbury, 2025)
    2025/04/27
    Tattoos are not merely decorative; they contain deep meaning for individuals and communities. They document their wearers' personal histories and position in families or society, and they engage with a communal understanding of symbols.Stories on Skin: A Librarian's Guide to Tattoos as Personal Archives (Bloomsbury, 2025) by Terry Baxter & Libby Coyner-Tsosie makes the case that archivists who want to preserve as full a human story as possible must recognize the rich documentation provided by tattoos. It also argues, in a broader sense, that traditional archives are not representative of the ways human beings transmit information through time and that they must be augmented by other types of storytelling to provide a more complete record of our species.Baxter and Coyner-Tsosie touch on timely topics such as historical narratives, storytelling, cultural traditions, the body as a text, social control, and memorialization by considering tattoos as a personal and community archive. Discussing tattoos as a storytelling tool, the authors also challenge how history is kept and who gets included. Stories on Skin is committed to the rights of communities to tell their stories in their own way and to the power that right brings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    54 分
  • Farouk Yahya, "Magic and Divination in Malay Illustrated Manuscripts" (Brill, 2015)

    Farouk Yahya, "Magic and Divination in Malay Illustrated Manuscripts" (Brill, 2015)
    2025/04/19
    Magic and Divination in Malay Illustrated Manuscripts (Brill, 2015) offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    32 分
  • Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts

    Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts
    2025/04/17
    In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    59 分
  • Insects as a Natural and Cultural Resource across Southeast Asia

    Insects as a Natural and Cultural Resource across Southeast Asia
    2025/04/15
    Every year, World Wildlife Conservation Day is observed on 4 December. It reminds us of the importance of protecting our biodiversity, a message that is all the more urgent in the face of polycrises intensifying across the globe. At the foundational level of our ecosystems lie insects, which provide invaluable services to maintain healthy environments and populations of other species that depend on them. Insects also inspire human cultures and are useful in myriad ways within the arts, fashion, science, tourism and folklore. This episode’s guest is Matt Huan, Collections Officer at the Chau Chak Wing Museum, University of Sydney. Matt mainly works on the museum’s entomology collection which was founded by Alexander Macleay in the mid-late 18th century, making them some of the oldest insect specimens in the world. His work experience, and travel across Australia, Malaysia (his country of origin) and other Southeast Asian nations, have cultivated a deep appreciation for the natural world. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    32 分
  • Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)

    Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)
    2025/04/08
    Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design. Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    1 時間 5 分
  • Anne Greenwood Mackinney, "Nature on Paper: Documenting Science in Prussia, 1770-1850" (U Pittsburgh Press, 2024)

    Anne Greenwood Mackinney, "Nature on Paper: Documenting Science in Prussia, 1770-1850" (U Pittsburgh Press, 2024)
    2025/03/15
    Over the past two decades, natural things—especially those collected, exchanged, studied, and displayed in museums, such as animals, plants, minerals, and rocks—have emerged as fascinating protagonists for historical research. Nature on Paper: Documenting Science in Prussia, 1770-1850 (U Pittsburgh Press, 2024) follows a different, humbler set of objects that make it possible to trace the global routes and shifting meanings of those natural things: the catalogs, inventories, and other paper tools of information management that form the backbone of collection institutions. Anne Greenwood MacKinney focuses on Prussia from the late eighteenth to mid-nineteenth century, a place and time that witnessed the dramatic restructuring of research, government, and public collections toward a closer integration of science, state, and a proto-civil society. The documents at the heart of her study are mediators actively shaping the historical trajectories, values, and meanings of the objects they record, and with pasts and paths of their own. MacKinney also reveals how various stakeholders—in the research community, museum sector, government, and general public—can interact with these documents and thereby shape the world of natural science. By centering the history of natural historical collection paperwork and the agents involved in its production, circulation, and safekeeping, Nature on Paper tells a largely neglected story of a form of scientific labor that transformed the infrastructure of modern research at the turn of the nineteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    43 分
  • Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

    Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)
    2025/03/12
    How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    38 分
  • Lea David, "A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights"(Columbia UP, 2025)

    Lea David, "A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights"(Columbia UP, 2025)
    2025/03/11
    Everyday items found at the sites of atrocities possess a striking emotional force. Victims’ garments, broken glasses, wallets, shoes, and other such personal property that are recovered from places of death including concentration camps, mass graves, and prisons have become staples of memorial museums, exhibited to the public as material testimony in order to evoke sympathy and promote human rights. How do these objects take on such power, and what are the benefits and pitfalls of deploying them for political purposes? A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights (Columbia University Press, 2025) by Dr. Lea David examines how artifacts of atrocities circulate and, in so doing, sheds new light on the institutions and social processes that shape collective memory of human rights abuses. Dr. Lea David traces the journeys of what she terms “desire objects”: their rediscovery at the locations of mass atrocities, their use in forensic and legal procedures, their return to the homes of grieving families, their appearance in public spaces such as museums and exhibitions, and their role in political protests. She critically investigates the logic that shapes why and how desire objects gain symbolic power and political significance, showing when and under what circumstances they are used to promote particular worldviews and narratives. Featuring both novel theoretical methods and keen empirical analysis, this book offers important insights into the shortcomings of common assumptions about human rights. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    1 時間 17 分