New Work in Digital Humanities

著者: New Books Network
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  • Interviews with digital humanists about their new work Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities
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  • Marco Bastos, "Brexit, Tweeted: Polarization and Social Media Manipulation" (Bristol UP, 2024)
    2024/10/06
    Dissecting 45 million tweets from the period that followed the Brexit referendum, Brexit, Tweeted: Polarization and Social Media Manipulation (Bristol University Press, 2024) by Dr. Marco Bastos presents an extensive analysis of social media manipulation. The book examines emerging changes in partisan politics, nationalist and populist values, as well as broader societal changes that are feeding into polarisation and echo-chamber communication. It pulls the curtain back on the techniques employed to interfere with, and potentially distort, the public discussion. Making complex data accessible to non-technical audiences, this unique post-mortem of the Brexit referendum contributes to our understanding of social media disinformation in the UK and beyond. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities
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    53 分
  • Behind the Mic: How Danielle D’Orlando is Transforming Academic Audiobooks at Princeton UP
    2024/09/20
    Princeton University Press publishes some of the best books every year, racking up accolades and launching the careers of thousands of scholars. As an editor at the New Books Network and a frequent host, I love speaking with Princeton UP authors. A striking feature of many PUP books is the quality of writing. Their books are simultaneously detailed and highly readable. No wonder PUP books have found so much success in the past couple years with their push into audio production. One of the key people involved in the creation of these books is Danielle D’Orlando. Danielle has the enviable title of “Curator of Audio,” a strategic and creative role fit for a voracious reader and audiobook listener with a knack for picking scholarly books with a crossover appeal. Danielle began her career at Tantor Media, an audiobook company that helped pioneer and popularize the medium. She cut her teeth turning manuscripts into audio scripts, managing rights and licenses, all while getting a graduate degree in publishing. Soon after, Danielle moved to Yale University Press where she worked for nearly a decade, launching Yale Press Audio in 2020. In 2022, Danielle moved Princeton UP to bring her expertise and experience to another university press. As curator of audio, Danielle selects the books and casts the voice actors. We discuss a new audio recording of Capital, how PUP picks narrators, the changing market for audiobooks, and Spotify’s move to compete with Audible in the audiobook space. Give this interview a listen to learn more about Danielle’s work and the future for university press audiobooks. …Also why The Power Broker by Robert Caro is best read as an audiobook. Find Princeton UP’s audiobooks here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities
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    29 分
  • Michael Gavin, "Literary Mathematics: Quantitative Theory for Textual Studies" (Stanford UP, 2022)
    2024/09/09
    Across the humanities and social sciences, scholars increasingly use quantitative methods to study textual data. Considered together, this research represents an extraordinary event in the long history of textuality. More or less all at once, the corpus has emerged as a major genre of cultural and scientific knowledge. In Literary Mathematics: Quantitative Theory for Textual Studies (Stanford UP, 2022), Michael Gavin grapples with this development, describing how quantitative methods for the study of textual data offer powerful tools for historical inquiry and sometimes unexpected perspectives on theoretical issues of concern to literary studies. Student-friendly and accessible, the book advances this argument through case studies drawn from the Early English Books Online corpus. Gavin shows how a copublication network of printers and authors reveals an uncannily accurate picture of historical periodization; that a vector-space semantic model parses historical concepts in incredibly fine detail; and that a geospatial analysis of early modern discourse offers a surprising panoramic glimpse into the period's notion of world geography. Across these case studies, Gavin challenges readers to consider why corpus-based methods work so effectively and asks whether the successes of formal modeling ought to inspire humanists to reconsider fundamental theoretical assumptions about textuality and meaning. As Gavin reveals, by embracing the expressive power of mathematics, scholars can add new dimensions to digital humanities research and find new connections with the social sciences. Michael Gavin is Associate Professor of English at the University of South Carolina and author of The Invention of English Criticism, 1650-1760 (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities
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    55 分

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Interviews with digital humanists about their new work Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities
New Books Network

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