"Playing for Time" by Arthur Miller
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"Playing for Time" by Arthur Miller
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In this week’s episode, Sam and Alex look at Arthur Miller’s adaptation of Fania Fénelon’s memoir of her time in the women’s orchestra of Auschwitz.
The pair talk about the history of the orchestras at Auschwitz, including the relative ‘privilege’ of the musicians; the life and experiences of Fénelon, a French singer and pianist; the moral challenges facing the orchestra members; the representation of women’s experiences; and the complex, overarching theme of perpetrators as ‘humans’ rather than ‘monsters.’
To skip updates and recommendations and go straight into the episode, listen from 15.15.
Hosts: Samantha Mitschke & Alexandra Gellner
Executive Producer: Samantha Mitschke
Producer / Editor: Alexandra Gellner
Music: “Image” by Infraction Music
Contact: https://holocaustonstage.com/contact/
Episode Sources
Tim Auld, “How Arthur Miller struck a discord with the Women's Orchestra of Auschwitz” in The Guardian, 6 March 2015.
Auschwitz-Birkenau State Museum, On Auschwitz (25): Orchestras at Auschwitz.
BBC Media Centre, The Last Musician of Auschwitz.
Fania Fénelon (1977) The Musicians of Auschwitz. Michael Joseph Ltd.
Kathryn Hughes, “The Women’s Orchestra of Auschwitz by Anne Sebba review – playing for their lives” in The Guardian, 21 March 2025.
Arthur Miller (1990) Playing for Time. Nick Hern Books.
Music and the Holocaust / ORT.org: Fania Fénelon / Anita Lasker-Wallfish / Alma Rosé
Time Note, Maria Mandel.
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