Originally published in 1938 in German by Gertrud von le Fort, The Wedding of Magdeburg recounts the sacking of a German city, in 1630, by the Holy Roman Empire. It takes place in the wake of the Reformation and challenges both the wielding of power and religion in war. “The Wedding of Magdeburg tabulates the spiritual cost of war and shows how grace can dramatically imbue even the darkest moments of history.” The book was recently translated into English and published by Ignatius Press. I had the delightful opportunity to receive an advanced copy and read it in preparation to discuss the work with Vivian Dudro, a senior editor at Ignatius. Vivian has a great love of Le Fort’s work and is a wealth of information on the author. She has been a senior editor at Ignatius Press for more than twenty years. Prior to that, she wrote for Catholic publications including the National Catholic Register and Catholic San Francisco.

Gertrud von le Fort (1876-1971) was a German novelist and essayist. She was a baroness and attended the universities of Heidelberg, Berlin and Marburg. Le Fort converted to Catholicism at the age of 50, after which she wrote most of her influential works, including the Song at the Scaffold and The Eternal Woman.

Relevance: The work of Gertrud von le Fort is extremely relevant to the work that I am doing, in exploring the role of woman and mother in humanity. Le Fort visited St. Edith Stein in the Carmel in Cologne as well as exchanging letters with her. Both women were deeply impacted by the concept of woman and mother, elevated by the most perfect example of the “eternal woman,” the Blessed Mother. While The Wedding at Magdeburg does not focus on the concept of woman in the same way that Le Fort did in The Eternal Woman, she masterfully weaves in the concept of bride and mother, both in physical reality and as symbolism.

Motherhood Redeemed A Hermitage of Her Own