Fosca lays it out plainly. She will live and die for Giorgio. Dimitris Dimopoulos joins Kyle to discuss choices, asking Sondheim a question, and missing out on the original production of Passion.

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Giorgio finally realizes what love is. Mike Meaney joins Kyle to discuss letter, realizations, and duels.

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An amalgam of three previously heard songs, Farewell Letter shows how Giorgio has changed. Charlotte LeMay returns to discuss all the messiness of relationships.

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Beyond allowing for costume and scene changes are there thematic reasons for the transitions in Passion? Alex Asp returns to offer insight into three songs that stem from the fallout of "Is This What You Call Love."

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Look at the Sondheim Database project here: https://www.sondheimdatabase.com/

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All Giorgio wanted to do was sit underneath a tree and read about how Clara is getting grey hairs. Instead he's being watch by Fosca and he must release all his pent up anger. Tyler Joseph Ellis returns to discuss this pivotal scene from the show.

You can follow Tyler on Instagram: https://www.instagram.com/tylerjosephellis/?hl=en
Or on TikTok: https://www.tiktok.com/@tylerjosephellis

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What's it like to watch Sweeney Todd in Portuguese? Gustavo Brunetti joins Kyle to discuss his experience seeing two different productions, and what the future of Sondheim looks like in Brazil.

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It's time to get some backstory! Shannon Migliore returns to pick apart the lengthly Flashback sequence from Passion which explains Fosca, and very well may explain Giorgio's choice at the end.

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Who hasn't forced the person they're obsessing over to write them a love letter? Jim Cullen returns to discuss the operatic (sorry, Sondheim) nature of Passion and how this song impacts the rest of the show.

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