One of us is prepared to insist that this Academy Award winning film is more than just “that fish-sex movie.”

A little behind the scenes: in our recording schedule notes Mike keeps writing the title of this movie as “Shapes of Water”. For those of you who know him to be a fully-committed listman and self-professed admirer of Guillermo del Toro, this is shocking. This may is your first hint of his true feelings about this film.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Mel Brooks’ The Producers (1968).

Director Jacques Demy returns to the podcast with a notably non-musical romance this time. Gone are the songs and vibrant colors, instead we are given… crushing, co-dependent gambling addictions? Can a platinum blonde Jean Moreau give us hope? Maybe just one last spin…

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Guillermo del Toro’s The Shape of Water (2017).

Spoiler alert. In this movie Christopher Lee stabs Boris Karloff and Boris Karloff throws acid in Christopher Lee’s face. And there’s some stuff about 19th century medical experiments, but mostly that first part.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jacques Demy’s Bay of Angels (1963).

Neither a documentary on the films of David Lynch nor a film about the man we knew as David Lynch. But an account of a young man who through circumstance and single-minded drive, would find himself in and construct just the sort of environment that could form a David Lynch. Directors Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes put the camera on a man making art and a microphone on a man looking back at his early life. And they leave it up to us to make connections between the two.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Robert Day’s Corridors of Blood (1959).

For one of us, this is where it all began. You leave me breathless… ahhhhh…. That’s from a different movie though.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes’David Lynch: The Art Life (2016)

This week we return to the Shohei Imamura’s “Pigs, Pimps, and Prostitutes” collection with his “entomological study” of one woman’s lifelong struggle for survival and purpose in a cruel modern world. Style, ambiguity, and shock mark this as a classic Imamura story.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jean-Luc Godard’s Breathless (1960).

Legendary 1980s/90s Hong Kong/Hollywood action auteur John Woo sets an early pace for his legendary career with a period-kung fu movie about two swordsman-buddies caught in the midst of a bloody revenge plot between warring clans. Spoiler alert: there's a martial arts master whose style is "asleep."

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Shohei Imamura's The Insect Woman (1963).

From the clanky jangle of that first Tom Waits song to that jangly clank of the last Tom Waits song, you know you are in for a treat. Jim Jarmusch pops back up on the show with his humanist anthology of five stories set in cabs, each taking place in a different city on the same night. Winona, Gena, Giancarlo, Armin, Rosie, Isaach, uh.. Beatrice, Roberto, and … Matti? Look he went truly international with his cast, so I can’t name them all off the top of my head.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing John Woo’s Last Hurrah for Chivalry (1991).