『See Hear』のカバーアート

See Hear

See Hear

著者： Kerry Fristoe Tim Merrill Maurice Bursztynski
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 See Hear is a monthly podcast dedicated to the discussion of musically themed films - narratives or documentaries. Join hosts Tim, Kerry and Maurice as they tenuously connect .Hated: The GG Allin Story and Yellow Submarine. Proud part of Pantheon - the podcast network for music lovers.Copyright 2014-2020 . All rights reserved. アート 音楽
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  • See Hear Podcast Episode 127 - 200 Motels

    See Hear Podcast Episode 127 - 200 Motels
    2025/06/03
    Frank Zappa is an odd duck. His massive back catalogue of albums attracts both reverence and ambivalence from music fans. Stylistically, he covered so much ground covering doo wop, blues, psych, jazz fusion and dissonant orchestral music. Unlike many of his rock and roll contemporaries, he always believed in infusing a sense of humour into his music – both compositionally and lyrically….though since what strikes some as funny is so subjective, it couldn’t appeal to everyone. He wrote about commercialism in America, the hypocrisy of conservatives and liberals in American society, and….umm….body parts. Welcome to episode 127 of See Hear Podcast. Tim, Kerry and I pontificate about the work of Frank Zappa with an eye towards his 1971 film, 200 Motels. It’s a surreal work that’s supposed to be his take on what life on the road is like for a working band – encountering rednecks and groupies, band egos and paranoia (the latter for good reason in this instance), and drug use. The film is vignette based with music provided by the 2nd incarnation of the Mothers of Invention and the London Philharmonic Orchestra. Zappa spent 4 years composing and arranging the music, and much less time writing a script. That works out as well as expected. As well as discussing 200 Motels, we put the background towards its creation in context, thanks to an excellent documentary called “Frank Zappa – Free Jazz, Movie Madness & Another Mothers”(available on Tubi). Many thanks to Tom Stein for making us aware of that film’s existence. If our discussion goes all over the place, maybe it’s a tribute to the structure of 200 Motels. Tune in and hear where we stand on this surreal piece of cinema. Is it Luis Bunuel? Well….would Luis Bunuel have dressed Ringo Starr up as a tall dwarf with a desire to do something with a genie lamp to Keith Moon dressed as a nun? The answer is probably “When will we get paid….” If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 28 分
  • See Hear Episode 126 - The Upsetter: The Life and Music of Lee Scratch Perry

    See Hear Episode 126 - The Upsetter: The Life and Music of Lee Scratch Perry
    2025/04/28
    It's not too often that a story will make a connection between Linda McCartney, The Beastie Boys and The Clash, but this month's film does just that. Welcome to episode 126 of See Hear Podcast. When the average person is asked to name a single important figure in reggae music, they'll most likely say Bob Marley. Without taking away from his importance, reggae's production giant, who helped Marley in his early years, was Lee “Scratch” Perry. For this episode, we look at a 2008 documentary called The Upsetter: The Life and Music of Lee Scratch Perry. He was born in a rural area of Jamaica, but after working on a job to build a road in the western region of the island, he claimed to have found a connection between the sound of the rocks he helped move and the sound of music – sure beats the usual musician story of stealing their sibling's record collection. The film certainly tells a story, but is also more of a character study about Perry. He was a musical innovator being an early innovator in dub reggae. He'd recorded and produced music that was ska and rocksteady reggae, but it's his experiments in dub he's most remembered for. He's also remembered for burning down his beloved music studio because a rubber ball placed on his console had been moved – okay, the story's a little more complex than that. Was he eccentric? Was he a charlatan? Was he really named Pipecock Jackson, and looking to become American president? The film only looks to Perry for discussion, so without other talking heads, we ask if he's a reliable narrator. Kerry, Tim and I discuss Rastafarianism, the link to Sun Ra, sound systems, our connections to reggae music, and the scary connection to Dennis Wilson. Please join us for a fun conversation. You can find the film on Kanopy, but our conversation can be listened to independent of the film. If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 11 分
  • See Hear 125 - Interview with Kenny Vance about Heart And Soul: A Love Story

    See Hear 125 - Interview with Kenny Vance about Heart And Soul: A Love Story
    2025/03/27
    The use of non-diagetic songs in cinema is often designed to provoke a type of nostalgia, or at least an understanding of the era the film is set in. Apocalypse Now opens very effectively to the sounds of The End by The Doors. Goodfellas keeps updating the jukebox as the story travels over the years (Scorsese is a master of that). So, if you watch a film set in the 50s like American Graffiti or That’ll Be The Day, the jukebox soundtracks to these films are like characters constantly reminding the viewers where they are timewise. The romantic (and sometimes lascivious) songs of the doo wop era paint a picture of American life in the 50s somewhat removed from the turmoils of segregation, a conflict in Korea, and McCarthyism….they paint the picture that many films are trying to portray. Welcome to episode 125 of See Hear Podcast. One of the singers in the latter part of the original doo wop era was Kenny Vance, a member of beloved group, Jay & The Americans. His experience as a young man singing with the group brought him into contact with so many other doo wop groups and eventually figures in the soul and pop world (he supported The Beatles on an American tour). He went on to be a musical director consultant for many films focusing on the 50s era. Eventually, he decided to become a director and document the original doo wop scene as he and some of his colleagues recalled it, what they went on to do, and how their pioneering sound influenced many others who don’t even realise the gigantic shoulders they’re standing on. The film he directed is called “Heart & Soul: A Love Story”, and it is a thing of beauty. Tim and I were joined by Melbourne doo wop guru Peter Merrett (of the Malt Shop Hop radio show) to chat with Kenny not only about his film, but a vast number of topics all related to his time in doo wop, the people who ran the labels, the session musicians, and the singers he worked with. WE get stories about Little Anthony & The Imperials, The Flamingos, The Chantels and so much more. I have to say that Kenny’s memory is sharp and he regaled us with many incredible stories from a life in music. He’s a true mentsch….and he even sang for us!!!! We’ve done our share of episodes, but this is one I will be remembering for a long time. If you haven’t tuned into an episode in a while (or never have), start here….you don’t need to have seen the film to appreciate this wonderful conversation, but we would certainly encourage watching it first chance you get. Our thanks not only go to Kenny for hanging out with us, but also to executive producer Liz Nickles who put us in contact with him. Tim and I also are grateful to Peter Merrett for bringing his expertise to the conversation. For details about screenings, go to https://www.heartandsoulthemovie.com/ If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 31 分

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