Hi Playbill Podcast listeners! We make a lot of content here at Playbill: for the Playbill programs, our website, and our social media/YouTube pages. While we’re working on future podcast episodes to be released later this summer, we thought you’d enjoy an audio version of an episode from My Life in the Theatre, our video series where a theatre legend walks us through their career on the stage, one Playbill at a time.

This episode is our most recent, featuring the star of Just In Time on Broadway, Jonathan Groff. We’ll set the scene: it’s Jonathan Groff at a table with a microphone and a big binder, filled with a lot of Playbills and a lot of memories.

01:41 - In My Life

05:21 - Spring Awakening

09:52 - Hair

13:55 - Prayer for My Enemy

16:07 - The Singing Forest

17:15 - The Bacchae

20:08 - The Submission

20:51 - Red

22:53 - The Pirates of Penzance

25:16 - A New Brain

28:09 - Hamilton

30:41 - Little Shop of Horrors

33:08 - Merrily We Roll Along

35:21 - Just In Time

If you’d like to watch this episode on our YouTube page, visit this link:

https://youtu.be/W5JIgY52ozA?si=9L6PA-8Rh8zCLAmT

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The Tony Awards are on Sunday, June 8, and what better way to prepare for the big night than by talking about what could happen! As a Tony Awards partner, Playbill and host Alex Birsh (Playbill’s C.O.O.) can’t disclose too many opinions…but that’s why we brought on two people who CAN share their thoughts and are Tony Awards voters themselves.

Adam Feldman (Time Out) and Elysa Gardner (The New York Sun, The New York Times, Broadway Direct) are theatre critics and have plenty of thoughts on who and what they’ll vote for, and who they think will walk away with trophies. And, of course, don’t forget to tune in on June 8 to PlutoTV at 6:40 PM for Tony Awards: Act 1, and CBS for the main broadcast at 8 PM.

If you’d like to jump to specific awards categories, here’s a timecode guide:

05:40 - Best Orchestrations

09:20 - Best Choreography

13:16 - Best Direction of a Musical

17:05 - Best Direction of a Play

20:55 - Best Sound Design of a Musical

23:11 - Best Sound Design of a Play

24:45 - Best Lighting Design of a Musical

26:09 - Best Lighting Design of a Play

27:34 - Best Costume Design of a Musical

29:20 - Best Costume Design of a Play

30:50 - Best Scenic Design of a Musical

31:48 - Best Scenic Design of a Play

33:11 - Best Original Score

34:48 - Best Book of a Musical

37:22 - Best Performance by an Actress in Featured Role in a Musical

39:19 - Best Performance by an Actor in Featured Role in a Musical

41:43 - Best Performance by an Actress in a Featured Role in a Play

44:42 - Best Performance by an Actor in a Featured Role in a Play

47:39 - Best Performance by an Actress in Leading Role in a Musical

52:51 - Best Performance by an Actor in Leading Role in a Musical

56:39 - Best Performance by an Actress in a Leading Role in a Play

58:10 - Best Performance by an Actor in a Leading Role in a Play

59:31 - Best Revival of a Musical

1:01:01 - Best Revival of a Play

1:03:01 - Best Play

1:06:04 - Best Musical

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In the early 1990s, college students Adam Guettel and Tina Landau embarked on a wild idea: writing a musical based on the strange-but-true story of Floyd Collins, the Kentucky man who got stuck in a cave in 1925 trying to turn the cave into a tourist attraction. The topic was so intriguing because of what happened after he got stuck: the news story became one of the country's first "viral stories," reaching far and wide and creating such pandemonium that thousands would gather atop the entrance to the cave, hoping he would get rescued. After making it to an Off-Broadway theatre in 1996, the musical circled the Broadway industry for decades thanks to the clever concept by Landau and beautiful score by Adam Guettel, now a two-time Tony Award winner (and Landau is now a Tony-nominated director).

The musical has finally made it to Broadway and received six Tony Award nominations, including Best Revival of a Musical and Best Leading Actor in a Musical for Jeremy Jordan, our guest for the episode. We talk about what it's like to be nominated again, his path to the show, and his thoughts on why Floyd represents the best of him. Before the interview, host Alex Birsh (Playbill's C.O.O.) brings on a theatre friend to go into why the show resonated with him so much.

00:23 - Sneak Peek

01:47 - Interview with theatre friend Logan Culwell-Block

11:08 - Interview with Jeremy Jordan

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