Fight choreography is tricky. We have it in comics, plays, movies and TV. When it's in full motion the trick is that you cant usually show things connecting so you have to work around the safety aspects in various ways. In comics you can show things connecting but how do you make the movement and the narrative believable and exciting just by using still images? It takes a lot of skill! Animation has to be the easiest way to depict fights because you can show the results of hits AND you can easily make moment believable but there are always challenges.

There are 3 main types of fights: duels, brawls, and battles, though there are a million combos and variations between those. Duel: one against one. Brawl: everyone against everyone. Battle: a big group against another big group. Fights usually involve a character that wants something and another trying to prevent them from getting it so the narrative of your fight has to include that dynamic, not simply action for its own sake.

I've worked at drawing a few fight scenes myself for my comics and I think I do a pretty decent job at it. I visualise the fight progress in my mind, work out the beginning, middle and end of it (treating it like a mini story), and then visualise cool images that depict parts of the progress and action in the most dynamic and sexily interesting way possible. That works well for duels. Battles are more chaotic and it helps just to focus on a few key parts while leaving the main fighting in the background. Trying to show the overall clash on a larger scale is very easy to mess up: look at the stupid battles in the later Lord of the Rings movies, the troop moments make no sense at all, they're just running from here to there to everywhere pretty pointlessly, but when things focus down on individuals at a smaller scale it works much better!

What are your fave fight scenes? And how do you go about choreographing a fight in your comic? One of my faves is the duel between Inigo Montoya and the Dread Pirate Roberts in The Princess Bride and the first fight in the movie the Duellists.

This week Gunwallace has given us a theme inspired by Cork and Blotto - Hill street bluesish 80s sounding TV drama action theme mixed with a holly reverential choir. Tasty, spiky red hot lashings of electric guitar splashed thoroughly through it, counterbalancing the more thoughtful and staid piano.

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Links

Featured comic:
Shiortsighted - https://www.theduckwebcomics.com/news/2024/sep/24/featured-comic-shiortsighted/

Featured music:
Cork and Blotto - https://www.theduckwebcomics.com/Cork_and_Blotto/ - by Stever_Blotto, rated M.

Special thanks to:
Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/

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Being right on the internet is Sooo important…
Being right in life and at all times is essential too! At least that's how a lot of us tend to think. Being told we're wrong, especially on the internet, can be so embarrassing and shameful that we try and avoid it at all costs. But realising you're wrong and being able to admit it and to learn from your mistakes is actually more empowering, powerful, and fulfilling than any amount of rightness can ever be.

Being right in relationships is a much older thing than the internet and a far harder and more destructive issue. There's an old meme that goes along the lines of “if you're a man you're always wrong”, so the idea is that you say something like “yes dear, you're right” every time there's a disagreement and that's the key to a happy relationship… which is of course harmful meaningless nonsense which infantilises both people. THAT is NOT admitting you're wrong, it's literally just pretending, it's insincere and doesn't help anyone. The approach you should take is to understand WHY something is wrong.

Among my many favourite films is Scott Pilgrim Vs the world. In it he has many cartoonish, exciting, and exaggerated battles with the exes of his new girlfriend Ramona Flowers, but underneath and besides that, more powerfully and interestingly he resolves with his own exes and it's only when he does that, that he can truly move forward. Instead of a flashy, crazy battles like with Ramona's exes, Scott simply realises what he did wrong and owns up to it with each of them. That makes you respect the character far more and really helped tidy up the resolution of the story.

Villains coming to a self realisation and admitting they're wrong can make for a very powerful ending. How do you go with this, do you remember a story where a character admits they're wrong or have you been able able to come to the realisation that you're wrong about something and accept the correction?

This week Gunwallace gave us a theme inspired by Somewhere in the Universe - Driving beat taking us on a road trip to hot and heavy, fiery groovetown in a muscle car under the bright sun on burning vinyl seats, windows wound down and blasting us with oven air but we don’t care because we’re rocking all the way.

Topics and shownotes

Links

Featured comic:
Imago, Nebraska - https://www.theduckwebcomics.com/news/2024/sep/17/featured-comic-imago-nebraska/

Featured music:
Somewhere in the Universe - https://www.theduckwebcomics.com/Somewhere_In_The_Universe/ - by Marchy_D, rated T.

Special thanks to:
Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Banes - https://www.theduckwebcomics.com/user/Banes/

VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
- https://www.patreon.com/DrunkDuck
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Today we're talking about setting the scene and communication through the art on the panel.
It's a simple yet complex subject- how do you compose the scene to better communicate all the stuff like which character is more important, who's to be feared, if a person is coming or going, fight scenes etc. How do you compose stuff?

Movie directors are a good thing to follow because it's a related art form. We mention the compositions of Spielberg, Sergio Leone, Wes Anderson and more. I came from a fine art background so I used to often try to emulate the compositions of classical art. Banes recommends reading “Framed Ink” by Marcos Mateu-Mestre.

What inspires you with your art direction? Do you think deeply about it or do you just depict the characters in the most efficient way possible to tell the story?

This week Gunwallace has given us a theme inspired by It’s my turn to save the world - High energy, purposeful, cute and full of stars, twinkles, and lines as straight as glowing laser beams, burning through with fearsome power and heat!

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Links

The cover image is from a Banes choreographed panel from our sexy horror comic Key of Dreams that was part of the DD anthology!
Get a copy here for $25 - https://www.patreon.com/DrunkDuck/shop/drunk-duck-anthology-flock-of-dreams-276787?source=storefront

Featured comic:
Pigeons - https://www.theduckwebcomics.com/news/2024/sep/09/featured-comic-pigeons/

Featured music:
It’s my turn to save the world - https://www.theduckwebcomics.com/Its_My_Turn_to_Save_the_World/ - by Nanji, rated E.

Special thanks to:
Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/

VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
- https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

Join us on Discord - https://discordapp.com/invite/7NpJ8GS