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  • 241: Moritz Enders Interview: The Benefits And Challenges Of Analog Mixing
    2024/12/01

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    🚀 Apply for personal mentoring by Benedikt and the team: theselfrecordingband.com
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    ➡️ Get Access To "Mix-Ready: The Band-Recording Essentials": theselfrecordingband.com/mixready
    ➡️ Get Access To "Mixes Unpacked": theselfrecordingband.com/mixesunpacked
    ➡️ Get Access To "Dead-On Drums": theselfrecordingband.com/deadondrums
    ➡️ Get Access To "Guitar Setup Masterclass - With Diego Casillas": theselfrecordingband.com/guitarsetup
    --
    🎁 Free video guide + checklist "Standout Mixes": theselfrecordingband.com/standoutmixes
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    Join the free Facebook Group ("The Self-Recording Band Community"):
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    Episode show notes:

    We sat down with Moritz Enders to talk about analog mixing!

    In case you're wondering:

    If you've been listening to our show for a while, you know that we're not focusing on gear a lot. We believe that not having expensive gear should not hold you back. It is never an excuse and you can make exciting sounding records with the simplest setup if you have the necessary skills.

    However, great analog gear is fascinating to many. Including ourselves. It is fun, it can be inspiring and it definitely sounds great. And there are still many people who swear by it.

    To us it's not either or, it's not better or worse. We believe that analog gear and plugins are all just tools and whatever works for someone is what they should use.

    And yes, if you have access to amazing sounding equipment and know how to use it (it is not exactly the same as using plugins), then by all means go for it and see if you can get better results with it. Many engineers do. And Moritz Enders is one of them.

    His records sound fantastic and he is willing to share why his approach works so well for him.

    In this interview, Moritz goes deep into his SSL mixing workflow.

    What are the benefits of analog mixing? How does he handle recalls? What are the challenges compared to an in-the-box workflow?

    We also talk about his general mixing philosophy and what you can take away from this to make your own mixes better.

    And finally, Moritz answers questions from the live audience at Studioszene 2024.

    Enjoy this conversation with one of Germany's greatest mixing engineers - Moritz Enders!


    PS: Please join the conversation and help us grow the show by leaving a comment, or a rating and review on your podcast app.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/241
    --

    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    40 分
  • 240: Julia Borelli Interview - Workflow, Plugins & Mixing Techniques
    2024/11/24

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    🚀 Apply for personal mentoring by Benedikt and the team: theselfrecordingband.com
    --
    ➡️ Get Access To "Mix-Ready: The Band-Recording Essentials": theselfrecordingband.com/mixready
    ➡️ Get Access To "Mixes Unpacked": theselfrecordingband.com/mixesunpacked
    ➡️ Get Access To "Dead-On Drums": theselfrecordingband.com/deadondrums
    ➡️ Get Access To "Guitar Setup Masterclass - With Diego Casillas": theselfrecordingband.com/guitarsetup
    --
    🎁 Free video guide + checklist "Standout Mixes": theselfrecordingband.com/standoutmixes
    --
    Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    Julia Borelli is our guest on this podcast episode!

    We sat down with her at Studioszene 2024 to talk about her mixing workflow, her favorite plugins, her career, and how she got to where she is right now.

    Originally from Brazil, Julia made her first experiences working as assistant engineer on latin Grammy-award winning recordings including Anavitoria and Tiago Iorc.

    Then she moved on to working in well-renowned studios such as PostModernMastering and JRS Recording Studio.

    Julia is now a Voting Member of the Recording Academy for the Grammy's and a Riverside Studios resident.

    She's worked with artists from all over the world like Richie Hawtin, Elderbrook, Hayden James, Lie Ning, Anyma, Jon Hopkins, Mind Against, Korolova, Eli & Fur, Fideles, Stephan Bodzin, and Novaa.

    Julia also contributed to the PRADA 2022 commercial + catwalk soundtracks in 2020, 2021 and 2022.

    Furthermore Julia is a multi-instrumentalist, a DJ, and half of the pop / dance duo BORELLI with her sister.

    Needless to say we are beyond excited to have her on the show!

    Enjoy!


    PS: Please join the conversation and help us grow the show by leaving a comment, or a rating and review on your podcast app.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/240
    --

    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    36 分
  • 239: Warren Huart Interview - How To Stay Creative In The Studio
    2024/11/18

    Send us a text

    🚀 Apply for personal mentoring by Benedikt and the team: theselfrecordingband.com
    --
    ➡️ Get Access To "Mix-Ready: The Band-Recording Essentials": theselfrecordingband.com/mixready
    ➡️ Get Access To "Mixes Unpacked": theselfrecordingband.com/mixesunpacked
    ➡️ Get Access To "Dead-On Drums": theselfrecordingband.com/deadondrums
    ➡️ Get Access To "Guitar Setup Masterclass - With Diego Casillas": theselfrecordingband.com/guitarsetup
    --
    🎁 Free video guide + checklist "Standout Mixes": theselfrecordingband.com/standoutmixes
    --
    Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    Warren Huart (Produce Like A Pro) is back on the podcast!

    We sat down with him at Studioszene 2024 to talk about the art of mixing and how to keep creativity alive in the studio.

    Known for his work with The Fray and Aerosmith, among many others, Warren shares insights on staying fresh and open to new ideas.

    He talks about how he finds inspiration, brings fascinating stories to the conversation and proves once again what a brilliant educator he is.

    If you're looking for ways to keep your own mixing sessions creative, this is a discussion you don’t want to miss.

    Enjoy!


    PS: Please join the conversation and help us grow the show by leaving a comment, or a rating and review on your podcast app.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/239
    --

    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    38 分
  • 238: Level Matching Reference Tracks Against Your Mix (Q&A)
    2024/11/10

    Send us a text

    🚀 Apply for personal mentoring by Benedikt and the team: theselfrecordingband.com
    --
    ➡️ Get Access To "Mix-Ready: The Band-Recording Essentials": theselfrecordingband.com/mixready
    ➡️ Get Access To "Mixes Unpacked": theselfrecordingband.com/mixesunpacked
    ➡️ Get Access To "Dead-On Drums": theselfrecordingband.com/deadondrums
    ➡️ Get Access To "Guitar Setup Masterclass - With Diego Casillas": theselfrecordingband.com/guitarsetup
    --
    🎁 Free video guide + checklist "Standout Mixes": theselfrecordingband.com/standoutmixes
    --
    Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    We got this question from Fabian (Max im Parkhaus):

    "Hello Malcom & Benedikt,

    appreciating your latest episodes, thanks a lot.

    I have a question regarding Benedikt’s solo episode 232 “Do this and your mixes will improve..."

    How do I make sure I listen my favorite records (from Spotify e.g.) at the same level as my mixes? Because usually mixes are way quieter than mastered records.

    I really want to build this listening habit so thanks a lot for a cue how I can solve this. It maybe could also be a question for another episode - who knows.

    Thanks a lot 🤘🏼

    Cheers

    Fabian"


    Well, here we are! Thanks for the great question, Fabian, and we hope this is helpful!

    Enjoy!


    PS: Please join the conversation and help us grow the show by leaving a comment, or a rating and review on your podcast app.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/238
    --


    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    53 分
  • 237: Meet Team TSRB! Studioszene 2024 Recap with Manel Espinosa Berenguer, Thomas Krottenthaler, Malcom Owen-Flood & Benedikt Hain
    2024/11/03

    Send us a text

    Here are three next steps for you to take:

    1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
    theselfrecordingband.com/standoutmixes
    -
    2. Apply for a spot in one of our programs. Start working with us and get our personal guidance, so you can finally make your dream record!

    It all starts with a free Clarity Call where we talk about your music, give you feedback and a step-by-step plan that you can then implement on your own, or together with us.

    Best case: We end up working together and completely transform the sound of your music forever.

    Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

    Sounds fair? Cool. Apply now and book your free Clarity Call:
    theselfrecordingband.com
    -
    3. Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    Meet the team behind theselfrecordingband.com!

    After the amazing Studioszene 2024 event we sat down at our Airbnb to talk about our days at the conference, key takeaways for you and also to introduce the people to you who help us run this platform behind the scenes:

    • Manel Espinosa Berenguer, a great producer and musician from Spain who is editing and mixing our podcast and video content.

    • Thomas Krottenthaler, an amazing engineer and drummer who works at Benedikt's studio, Outback Recordings, and also creates videos, playbooks and content for our coaching programs and courses.

    • Benedikt & Malcom, the hosts of this podcast, main coaches inside our programs and full time mixing engineers who came up with this entire platform.

    This is a completely unscripted, "behind the scenes" type of episode of us just sitting around a table and having a chat about what we learned at Studioszene 2024 in Hamburg.

    Enjoy!


    PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/237
    --


    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    49 分
  • 236: The Truth About Mixing With Plugin Presets
    2024/10/27

    Send us a text

    Here are three next steps for you to take:

    1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
    theselfrecordingband.com/standoutmixes
    -
    2. Apply for The Self-Recording Syndicate, our personalized coaching program!

    It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

    Best case: We end up working together and completely transform the sound of your music forever.

    Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

    Sounds fair? Cool. Apply now and book your free clarity call:
    theselfrecordingband.com
    -
    3. Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    "Don't mix with presets!! Every song is unique!"
    "Always start with presets! And also create your own! It's so much faster!"

    Confused about all the strong opinions out there on using or avoiding plugin presets?

    We got you. ;)

    Here's the truth about plugin presets. Not because we know better. Not because we have all the answers. But because it is not black or white.

    Once you understand the concepts that we're sharing on this episode, you'll feel better about using presets - or avoiding them. Because you're gonna do it intentionally. While always serving the song.


    Enjoy!


    PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/236
    --


    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    52 分
  • 235: 10 Feet Saved The Record - Move The Mic & Listen, Don't Assume
    2024/10/20

    Send us a text

    Here are three next steps for you to take:

    1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
    theselfrecordingband.com/standoutmixes
    -
    2. Apply for The Self-Recording Syndicate, our personalized coaching program!

    It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

    Best case: We end up working together and completely transform the sound of your music forever.

    Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

    Sounds fair? Cool. Apply now and book your free clarity call:
    theselfrecordingband.com
    -
    3. Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    Let's talk about being intentional with your recording decisions.

    Yes, we talk about this all the time. But we also firmly believe that we need to be reminded more than we need to be taught.

    The episode starts with the story of a band wanting to save money by recording their own vocals (which isn't a bad thing), but then setting up in a super unideal room for the wrong reasons. Just simply moving the mic stand 10 feet out into the hallway saved their record.

    "The hallway? For vocals??" We hear you... But that's exactly what this is about. Sometimes what might seem like the wrong thing to do is exactly what the record needs. Sometimes following generally good advice can lead to bad decisions being made on a specific project.

    Moral of the story: There are a lot of good things to know. But it doesn't really matter what you think you know, if doesn't serve the song in this specific situation. At the end of the day you have to listen. And have the confidence and skills to be able to trust your ears and intuition.

    The knowledge is important. But what we KNOW only helps us make the right decision quicker and gives us a variety of options. We still need to use our ears. And the real skill is knowing when to use a certain technique you've learned and when to do something completely different.

    Enjoy!


    Mentioned on the episode:

    Studioszene Tickets:
    studioszene.de
    Use code TSRB15 to get 15% off your ticket!

    PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/235
    --

    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    42 分
  • 234: How To Get A Dirty, Aggressive Vocal Sound
    2024/10/14

    Send us a text

    Here are three next steps for you to take:

    1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
    theselfrecordingband.com/standoutmixes
    -
    2. Apply for The Self-Recording Syndicate, our personalized coaching program!

    It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

    Best case: We end up working together and completely transform the sound of your music forever.

    Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

    Sounds fair? Cool. Apply now and book your free clarity call:
    theselfrecordingband.com
    -
    3. Join the free Facebook Group ("The Self-Recording Band Community"):
    theselfrecordingband.com/community
    --

    Episode show notes:

    This time we're answering an interesting listener question.

    Tim asks:

    "I have one question I would love to ask your advice on and I reckon you will know exactly what I'm asking:

    I can sing fairly well technically, but I would love more grit and aggression in my tone.

    In your experience, is trying to achieve this through training and technique even a thing? (Vocal Fry etc.)

    Or should I just own what I have and accept that isn't my voice?

    Also how much can you realistically achieve this tone through
    pre-amps/gain reduction/distortion etc.?"


    Tim, here comes your answer!

    Enjoy!


    PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.


    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/234
    --


    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

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    32 分