Let's continue from where we left off in Episode 2, Part 1.

I have more  pointers you can use when starting your first film project as a composer. 

In this 2nd episode of The Spotting Session, I'm going to give you several points to remember if you're ready to score your first film as a composer.

These suggestions certainly helped me over the years, and being prepared ahead of time is half your success!  

Let's get back to the discussion from the 1st Part of this Episode, as it pertains to the Film Composer/Film Director relationship on a project.

I'll provide you with a couple more points to consider as a composer, to make your film soundtrack a success!

The director has finished editing their film, and you have to deliver as the film composer.

Follow along with SESAC composer Dana Solomon, as he gives at least 5 options and several common situations when tackling your first soundtrack.

Get some insight into the dilemmas a film director may deal with, and the solutions you can use to help finish the score.

If you have no prior knowledge about the director/composer relationship for a film project, are curious how film composers approach directors, or maybe just want to learn the ropes as a beat maker turned soundtrack composer, then this show is for you!