『The University of Chicago Press Podcast』のカバーアート

The University of Chicago Press Podcast

The University of Chicago Press Podcast

著者： New Books Network
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 Interviews with authors of University of Chicago Press books.New Books Network アート 世界 文学史・文学批評
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  • David E. Campbell and Christina Wolbrecht, "See Jane Run: How Women Politicians Matter for Young People" (U of Chicago Press, 2025)

    David E. Campbell and Christina Wolbrecht, "See Jane Run: How Women Politicians Matter for Young People" (U of Chicago Press, 2025)
    2025/07/17
    Notre Dame University Political Scientists Dave Campbell and Christina Wolbrecht have a new book that focuses on the impression that female candidates make on young people, specifically on young people in the United States. This is a fascinating analysis since it fleshes out, with a sizeable study, the idea that candidates running for office, particularly female candidates, leave a lasting impact on younger people, even if they do not win. Studying role models has not been a focus in political science per se, but Campbell and Wolbrecht have brought together work from social psychology, democratic theory, political science, and gender studies to craft an understanding of role models within the context of campaigns and elections.See Jane Run: How Women Politicians Matter for Young People⁠ (U of Chicago Press, 2025) is an important exploration of the connection between those who run for office, particularly those who may look different than the expected “norm”, and how that very action has long-term impacts on younger voters, particularly adolescents and teenagers. One of the unique perspectives of the research in See Jane Run is the focus on younger people and their engagement with politics. As the authors note, there is not that much political science research that explores the interactions between young people and politics—especially before those young people can vote. The authors also explain that teenagers generally identify with a partisan affiliation, which means that Campbell and Wolbrecht were able to sort the individuals into partisan groups and track the impact of women candidates within these partisan contexts. They found that female candidates clearly influenced two distinct groups within the study: Democratic young women and Republican young men. Young women saw these female candidates (both Republican and Democratic) as reflecting a more inclusive political environment, and the analysis suggests that this has a long-term impact, making these young women more engaged with the political process and democracy over time. The Republican young men responded as well, seeing female candidates as pursuing something—political activity—that they determined they were also qualified to pursue. The outcomes of the research in See Jane Run: How Women Politicians Matter for Young People also had racial dimensions, including exploring the impact on young Black men, who became less engaged in politics when a woman of color was running for office. See Jane Run: How Women Politicians Matter for Young People explores what has been essentially folklore about the impact of political role models on young people by pulling together data and research to flesh out an understanding of these notions that we all have about candidates for political office, role models, and the impacts on younger people. Please check out Brain Lair Books (in South Bend, Indiana or online) to purchase a copy of See Jane Run. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 分
  • Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)

    Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)
    2025/07/12
    A new history of how the musical worlds of German towns and cities were transformed during the Nazi era. In the years after the Nazis came to power in January 1933 and through the war years all aspects of life in Germany changed. However, despite the social and political upheaval, gentile citizens were able to continue leisure activities such as attending concerts. In this book, historian Neil Gregor surveys the classical concert scene in Nazi Germany from the perspective of the audience, rather than institutions or performers. Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge? For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent--a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near effortless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    32 分
  • Andrew S. Berish, "Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse" (U of Chicago Press, 2025)

    Andrew S. Berish, "Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse" (U of Chicago Press, 2025)
    2025/07/10
    Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025) Some good words from the inside flap: “ A deep dive into the meaning behind the hatred of jazz.A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are. “ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 16 分

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