『University of Michigan Press Podcast』のカバーアート

University of Michigan Press Podcast

University of Michigan Press Podcast

著者: New Books Network
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Interviews with authors of University of Michigan Press books.New Books Network アート 世界 文学史・文学批評
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  • M. Myrta Leslie Santana, Transformismo: Performing Trans/Queer Cuba" (U Michigan Press, 2025)
    2025/05/20
    In Transformismo, M. Myrta Leslie Santana draws on years of embedded research within Cuban trans/queer communities to analyze how transformistas, or drag performers, understand their roles in the social transformation of the island. Once banned and censored in Cuba, transformismo, or drag performance, is now state-sponsored events. Transformismo suggests that these performances are making critical interventions in Cuban trans/queer life and politics and in doing so, the volume offers critical insight into how Cuba's postsocialist reform has exacerbated racial, sexual, and economic inequalities. Leslie Santana argues that mainstream trans/queer nightlife in Cuba is entangled with the island's tourism economy, which has shaped the aesthetics and social makeup of transformismo in coastal Havana, which largely caters to foreigners. Leslie Santana considers how Black lesbian and transgender transformistas are expanding understandings of sexual selfhood and politics on the island, particularly questioning the ways that Black women's creativity is prominently featured in the aesthetics of tourism and trans/queer nightlife, while Black women themselves are denied social and material capital. M. Myrta Leslie Santana is Assistant Professor of Music at the University of California San Diego. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 分
  • Ariel Nereson, "Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past" (U Michigan Press, 2022)
    2025/05/11
    On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    32 分
  • Brendan Haug, "Garden of Egypt: Irrigation, Society, and the State in the Premodern Fayyūm" (U Michigan Press, 2024)
    2025/05/06
    Garden of Egypt: Irrigation, Society, and the State in the Premodern Fayyūm (University of Michigan Press, 2024) is the first environmental history of Egypt’s Fayyūm depression. The book examines human relationships with flowing water from the 3rd century BCE to the 13th century CE. Until the arrival of modern perennial irrigation in the nineteenth century, the Fayyūm was the only region of premodern Egypt to be irrigated by a network of artificial canals. By linking large numbers of rural communities together in a shared dependence on this public irrigation infrastructure, canalization introduced a radically new way of interacting with both the water of the Nile and fellow farmers in Egypt. Drawing on ancient Greek papyri, medieval Arabic literature, and modern comparative evidence, Garden of Egypt explores how the Nile’s water, local farmers, and state power continually reshaped this irrigated landscape over more than 13 centuries. Following human/water relationships through both space and time further helps to erode disciplinary boundaries and bring multiple periods of Egyptian history into contact with one another. In this episode, Ibrahim Fawzy chats with Brendan Haug about the relationship between people, water, and the environment in Egypt’s Fayyūm. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 分

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