検索キーワード： 制作 "HighBridge, a division of Recorded Books" ミステリー・スリラー・サスペンス

He may be a millionaire, but Vern Wheeler never forgot that he is a son of Maine - land of big sky, wide lakes, and the fattest salmon on the East Coast. To escape the boardroom, he buys a rundown fishing lodge in the wilds of his home state, and with his brother turns it into the most fashionable retreat in New England. After years of happy fishing, the Wheelers have no interest in selling Raven Lodge. But a local Native-American group won't take no for an answer.

The man is found on the icy streets of Boston, vomit in his beard, alcohol in his system, and ice in his veins. The police assume he is just another in the dozens of derelicts whom the urban winter claims each year, but Brady Coyne knows better. Attorney to New England's upper crust, he was the dead man's lawyer, and he knows that Stuart Carver was no bum: He was a senator's nephew.

For two years, Eddie Donagan was on track to become the greatest Red Sox pitcher of all time. Then one day, without warning, he went from unhittable to ineffective - forcing him to drop out of the Majors before he even hit his prime. Attorney Brady Coyne met Donagan before he turned pro, and stays friends with him even as the faded star drifts into depression, disappearing from his wife and child for days at a time. Finally, the Donagans are thrown into crisis - but it isn't Eddie's disappearance that causes it. It's his son's.

It is a small paper square with uneven edges, dark blue in color and bearing a smudged portrait of a long-dead king. It doesn't look like much to Brady Coyne, but the stamp known as the Dutch Blue Error is one of a kind - a philatelic freak worth at least one million dollars. It is the prize possession of Ollie Weston, a wheelchair-bound Boston banker, and it is valuable enough that for its sake, several good men will die.

Brady Coyne never meant to become the private lawyer to New England's upper crust, but after more than a decade working for Florence Gresham and her friends, he has developed a reputation for discretion that the rich cannot resist. He is fond of Mrs. Gresham - unflappable, uncouth, and never tardy with a check - and he has seen her through her husband's suicide and her first son's death in Vietnam. But he has never seen her crack until the day her second son, George, leaps into the sea at jagged Charity's Point.

Battle Creek, Michigan, is famous as the birthplace of breakfast cereal, and the nearby suburb of Marshall is as wholesome as shredded wheat. Well-known for its colorful Victorian mansions, this stately slice of 19th-century Americana became infamous on a frigid night in February of 1991. Newscaster Diane Newton King was stepping out of her car, her children strapped into the backseat, when a sniper's bullet cut her down.

Alice Armitage is a police officer. Or she was. Following a debilitating bout of PTSD, self-medication with drink and drugs, and a psychotic breakdown, Alice is now a long-term patient in an acute psychiatric ward. Though convinced that she doesn't really belong there, she finds companionship with the other patients in the ward despite their challenging and often intimidating issues. So when one of her fellow patients is murdered, Alice feels personally compelled to launch an investigation from within the ward.

For all the Kellings' quirks, no other family in Boston is more adept at throwing a wedding. So when Max Bittersohn's wife, Sarah Kelling, offers to organize his nephew's nuptials, Max is smart enough to stay out of her way. But when the art-fraud investigator stumbles onto a family mystery, he is drawn into something far more serious than the question of who will catch the bouquet. Stolen years earlier, the priceless Kelling jewels were last seen in Amsterdam, so how did they end up among the wedding gifts?

When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no one to turn to but Sarah Kelling and Max Bittersohn - the savviest art detectives of the Boston upper crust. Nabbing the crooks was easy, but finding the missing paintings has proven trickier. Years later, the collection's prized Titian is still lost, and the new director, loudmouthed cattle baron Elwyn Fleesom Turbot, is getting impatient.

If she weren't so fabulous, the Countess Lydia Ouspenska might be considered a gangster's moll. The last time she met Max Bittersohn, Boston's famed art-fraud investigator, she was forging minute Byzantine masterpieces to make ends meet. But when Max bumps into her on the Common, the Countess is back on her feet. She has taken up with Bartolo Arbalest, a master forger currently masquerading as an art restorer. And as Bittersohn knows all too well, even the most genteel fraudster cannot be trusted.

Though a few years past 60, Sarah Kelling's aunt Emma is as vigorous as a girl of 22. She sings, she dances, and when the local fire department needs a fundraising boost, she's happy to jump out a window for charity. This summer, she decamps to Maine, to beat the heat at an island retreat for artists and great thinkers. There are writers, painters, a psychic, and a historian, and their company promises to be great fun - until a few of them go treasure-crazy.

Sarah Kelling and her husband, Max Bittersohn, have made names for themselves tracking down stolen paintings, sculptures, and, when necessary, the occasional murderer. But this is the first time they have been asked to find a missing Rolls Royce. When Bill Billingsgate's prize 1927 New Phantom disappears, they head for his estate on the Massachusetts coast, arriving - to their horror - just in time for Billingsgate's annual Renaissance fair.

Boston and its suburbs are stuffed with Kellings, and the city is about to get one more. Sarah Kelling and her husband, Max Bittersohn - a pair of amateur sleuths equally at home in back alleys as they are at black-tie balls - are about to have a baby. And if the child takes after his parents, he will be one of the cleverest infants in New England. But while Sarah is a month away from giving birth, she cannot let pregnancy slow her down - she has a murder to solve.

Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling's aunt Emma has supervised these annual productions - from The Pirates of Penzance to The Mikado - and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars drugs the cast and crew to make off with a priceless portrait.

It has only been a few months since Sarah Kelling's elderly husband passed away, and she is struggling to adapt to life as a penniless young widow. To make ends meet, she converts her stately Boston home into a boardinghouse, a decision that brings something even better than money: the company of art-fraud-investigator Max Bittersohn. The budding couple is standing on a balcony, recovering from a second-rate concert at a third-rate museum, when something plummets past them. The museum has been robbed, and a guard has fallen to his death.

Like many old New England families, the Kellings live to die. Although their family vault is spacious and comfortable, it will not do for Sarah Kelling's great-uncle Frederick. In his will, he demands to be buried inside the ancient family tomb at Boston Common, which hasn't admitted a new member in more than a century. But when the Kellings crack the old vault's door, they find a recently built brick wall - and behind it lays a surprisingly fresh corpse, a skeleton with rubies in its teeth.

If there had been no cover-up of Robert Kennedy's complicity in the murder of Marilyn Monroe in 1962 and he had been prosecuted based on compelling evidence at the time, the assassination of JFK by Bobby's enemies would not have happened - changing the course of history and preventing the murder of media icon Dorothy Kilgallen.

Although he towers over his neighbors, Jim Feldster is otherwise unremarkable, except for his mastery of cow milking and his membership in every lodge, rotary club, and brotherhood that Balaclava County has to offer. And anyone who's met his wife, Mirelle, a vicious gossip with a hysterical streak, can understand why he never misses a meeting. But one night their neighbors, the sleuthing academics Peter and Helen Shandy, wake at 2:47 a.m. to the sound of Mirelle screaming.

Massachusetts horticulturalist Peter Shandy is famous for his rutabagas, but he comes to Maine with a loftier plant in mind. Specifically, he wants to size up the world-renowned lupines of Frances Rondel, a nonagenarian whose legendary flowers are even more beautiful in life than they are in myth. Shandy is bitterly jealous but finds a major distraction in the dining room of the country inn where he's staying. He may grow wretched lupines, but no gardener can solve a murder like Peter Shandy.

Emory Emmerick comes to Balaclava Agricultural University as a scout for a television station. Although the faculty and students are hardly ready for prime time, Emmerick's interest is in environmental programming - a subject that inspires even the driest Balaclava professor to wax poetic. In his search for material, Emmerick joins Peter Shandy and a few of his colleagues on the annual owl count.