検索キーワード： ナレーター "Vera Chok" 文学・フィクション

A woman fleeing her previous existence meets a fellow Singaporean on an overnight train in Norway. A foreign worker is decapitated in an HDB building site accident. A Singaporean wife must negotiate Beijing as her British husband awaits a heart transplant. And in different corners of the world, Singaporeans and exiles mark National Day in their own ways.

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. With her marriage, she gave up on her own career as a concert pianist, but her husband Bowen has long rebuffed her desire to have a child. Instead, she must accommodate her mother-in-law, newly arrived from the province of Yunnan and bringing with her long-buried family secrets. Soon strange parcels start to show up on the doorstep and Song Yan's dreams become troubling and claustrophobic.

In a daring and deadly heist, thieves have made away with an artifact of terrible power - the death mask of Louis Charbon. Made by a master craftsman, it is imbued with the spirit of a monster from history, a serial murderer who terrorized the city. Now Charbon is loose once more, killing from beyond the grave. But these murders are different from before, not simply random but the work of a deliberate mind probing for answers to a sinister question.

2003, Singapore. Friendless and fatherless, 16-year-old Szu lives in the shadow of her mother, Amisa, once a beautiful actress and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, an unlikely encounter develops into an intense friendship and offers Szu a means of escape from her mother's alarming solitariness.

Once upon a time, Rudyard Kipling's Just So Stories - fantastical yarns of wondrous creatures in faraway places-bewitched children across the world. But times change. Today, Kipling's writing tells us a different tale; of a love of Empire, and the troubling legacy of British colonialism. In Not So Stories, writers of colour from around the world reclaim these stories and remake them into something new. Something different.

“I am Miss Frankenstein, I am the bottom of the bell curve.” So declares Szu, a teenager living in a dark, dank house on a Singapore cul-de-sac, in this richly atmospheric and surprising tale of non-belonging and isolation. Friendless and fatherless, Szu lives in the shadow of her mother Amisa, once a beautiful actress - who gained fame for her portrayal of a ghost - and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, an unlikely encounter develops into a fraught friendship that will haunt them both for decades.

One morning in autumn, just after breakfast, Jia Jia finds her husband dead in the bathtub of their Beijing apartment. Next to him is a piece of folded paper, a sketch of a strange creature from his dream. He has left her no other sign. Young, alone and with many unanswered questions, Jia Jia sets out on a journey. Starting at her neighbourhood bar, fuelled by anger, bewilderment, curiosity and love, she travels from nocturnal Beijing to the high plains of Tibet, deep into her past in order to arrive at her future.

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. She gave up on her own career as a concert pianist many years ago, but her husband Bowen, an executive at a car company, has long rebuffed her pleas to have a child. He resists even when his mother arrives from the southwestern Chinese region of Yunnan and begins her own campaign for a grandchild. As tension in the household rises, it becomes harder for Song Yan to keep her usual placid demeanor.

Hong Kong, 1941. Following the Japanese occupation of Shanghai, the wealthy Tang family flee to Hong Kong, believing it to be protected under British occupation. As the First Wife of the family, Mingzhu leads a sheltered - if lonely - existence overseeing her daughter Qiang's education, resisting the hostility of her husband's concubine, while managing the household alongside her devoted maid, Biyu.

Jasmine Leong is the heiress apparent to Phoenix, her family’s billion-ringgit company known especially for its pork snacks. When her grandmother, the great Madame Leong, unexpectedly passes away, Jasmine discovers she is actually a Malay Muslim and this newfound identity threatens to upend her life and ambitions. Finding herself at the centre of a political controversy, and caught between two men who love her, The Accidental Malay examines the human cost of a country’s racial policies and paints a portrait of a woman unwilling to accept the fate history has designated for her.