検索キーワード： ユーモア・風刺文学・フィクション

Meet Adrian Mole, a hapless teenager providing an unabashed, pimples-and-all glimpse into adolescent life. Writing candidly about his parents' marital troubles, the dog, his life as a tortured poet and 'misunderstood intellectual', Adrian's painfully honest diary is still hilarious and compelling thirty years after it first appeared.

Name’s Jess, and I have superpowers. A lot of them. You’d think that would make life easier. Wrong. Dead wrong. Having many superpowers landed me my first job out of college. (Translation: The government sent suited sweet-talkers with a carrot-and-stick approach to kidnap me and set me to reviewing superpowers.) Job Pros: Reviewing powers pays well, and my family stays off the scary people’s list of things-to-kill-today. Job Cons: It comes with a billion strings attached and a side serving of life-and-death situations.

At sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction...

This year Christmas will be PERFECT. This is the year when all dreams come true, carol singers will carol the Wassail would Wass, or possibly Sail, children will frolic, extended family will get on and behave normally and not fall out and just eat the effing mince pies without questioning their organic/ gluten free/ vegan/ fairtrade status. Everyone will be delighted by their thoughtfully chosen presents and not surreptitiously rifle through the wrapping paper looking for the gift receipt, and the dogs will give the impression that Ellen is in charge of them and not the other way around.

Home has always been a temporary arrangement for Samara Mansingh, a wayfaring wedding photographer and the daughter of a diplomat. When her father is uprooted once again, Samara needs a place to stay in Delhi. Next stop: the Khanna family. Samara’s memories of the Khannas are vague at best, but she doesn’t remember their home feeling so much like a war zone. And the last thing their surly eldest son, Sharav, wants is a houseguest eavesdropping on the chaos.

It seems lately that Poppy Lively is invisible to everyone but the IRS. After her accountant absconded with her life savings, newly bankrupt Poppy is on the verge of losing her home when an old flame, now a hotshot producer, gives her a surprising way out: a job in costumes on a Hollywood film set. It’s a bold move to pack her bags, keep secrets from her daughter, and head to Los Angeles, but Poppy's a capable person—how hard can a job in wardrobe be?

Rose Wallace’s world revolves around all things Jane Austen, and with the annual festival in Bath - and the arrival of dishy archaeologist Dr. Aiden Trevellyan - just around the corner, all is well with the world. But then a mysterious woman who bears more than a passing resemblance to the great author moves in upstairs, and things take a disastrous turn. Rose’s new neighbour is none other than Jane Austen herself, now trapped in the 21st century after her time-travel adventure was sabotaged by a mischievous dog. Rose’s life is instantly changed.

Meg's neighbors, the Smetkamps', have won a makeover for their old home from Marvelous Mansions, a flashy, yet dubious company, focused on making historic homes more "modern." The company already several days into its makeover of the Smetkamps' house, and tensions are running high—not only between the officious, demanding Mrs. Smetkamp and her neighbors, but also between her and the renovation crew.

Meg is relaxing in the hammock, taste-testing Michael’s latest batch of Arnold Palmers and watching the hummingbirds at their feeders when her hopes for a relaxing early summer morning are dashed. First her father recruits her to help him install a new batch of bees in the hive in her backyard. Then Mayor Shiffley recruits her to placate the NIMBYs (Not in my backyard), as she calls them—a group of newcomers to Caerphilly who have built McMansions next door to working farms and then do their best to make life miserable for the farmers.

Mrs. Harris is a salt-of-the-earth charlady, content with her lot, cleaning the homes of the rich. However, her knack of setting things straight often has the tendency to stray beyond keeping things neat and tidy. In Mrs Harris MP, the honest as-ever old char impresses her employer with her no-nonsense political views to such an extent that he—an MP, no less—encourages her to become a voice for the people of Battersea and stand for election herself.

One of the first major American novels to satirize the political milieu of Washington, and the wild speculation schemes that exploded across the nation in the years that followed the Civil War, The Gilded Age gave this remarkable era its name. This rollicking novel is rife with unscrupulous politicians, colourful plutocrats, and blindly optimistic speculators caught up in a frenzy of romance, murder, and surefire deals gone bust.

Gwen Turner, 29, entrepreneur and part-time barista. Likes: true-crime podcasts, cheese-based snacks (the more unnaturally orange the better) and constantly refreshing her dating apps. Dislikes: two-day hangovers, people who refer to themselves as entrepreneurs... and discovering her latest match is actually a serial killer (probably should have put that top of the list). They say romance is dead—but if Gwen can't catch the mystery killer who's targeting every man she's ever dated—it's about to get a whole lot more deadly.

Diane Williams, "godmother of flash fiction" (The Paris Review), returns with thirty-three brilliant short stories. In Williams's stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life.

After being court-martialed by the Space Legion for ordering the strafing of a treaty-signing ceremony, multimillionaire Willard Phule receives his punishment: He must command the misfit Omega Company on Haskin's Planet, a mining settlement on the edge of settled space. At his duty station, he leverages his personal money and a knack for managing people to get the company to come together as a unit.

As it turns out, an awful lot. Bunny and co are supposed to be keeping a low profile, but nature calls and ironically, one of their party has a hard and fast rule about not answering that call while surrounded by nature. This is how they end up in the wrong bar, surrounded by the wrong people at the wrongest of wrong times. The local right-wing militia has a big week planned, and Bunny and the boys have inadvertently crashed the party. Before they know it, they’re in a desperate fight for survival against a bunch of people who refuse to believe they’re not who they think they are.

From the Thurber Prize-winning author of New Teeth, hailed as “a triumph of sustained humor” (Sarah Lyall, New York Times Book Review), comes a hilarious and powerful collection of short stories chronicling the plight of aging millennials. ​

As the new owner of the worst business in history, Jack has a lot on his plate. His self-appointed “biggest fan” wants to finally meet, and won’t take no for an answer. The annoying cultists are back and cultier than ever. Plus, there’s a creature living under the building's crawlspace that must be fed regularly (or else). To top it all off, the entire town’s collective memories have been haphazardly rewritten, and Jack's placement in these recollections are decidedly unflattering.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

The story of The Happy Prince has three major themes. Firstly it shows that apparent beauty is nothing and the real beauty is to bestow love and sacrifice. Secondly, it discusses that love and sacrifice are two saving forces. Thirdly, it shows that there is a large gap between rich and poor people the rulers and the masses. When the happy prince is alive he lives a happy life without sorrows, he is living a care free life but after his death he sees through a tall Colum that life has another view except happiness and that is helplessness poverty, hypocrisy and corruption of elite and ruling class.

Penguin presents the unabridged, downloadable audiobook edition of How to be Good by Nick Hornby, read by Claire Higgins. According to her own complex moral calculations, Katie Carr has earned her affair. She's a doctor, after all, and doctors are decent people, and on top of that, her husband David is the self-styled Angriest Man in Holloway.