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Beloved contemporary Christian musician Rich Mullins lived his life with abandon for God, leaving the spotlight to teach music among a Navajo community. An accident cut his life short in 1997, but his songs and ragamuffin spirit continue to teach many. In honor of the twenty-fifth anniversary of Rich's homegoing, this edition of Rich Mullins: An Arrow Pointing to Heaven delivers an intimate look at the experiences that sparked praise hits and the values behind his Christ-like candor.

How is that hope both expressed and experienced in contemporary worship? In this volume in the Dynamics of Christian Worship series, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together. Through his analysis and reflection, we find that Christian worship is crucial to both the proclamation and the formation of Christian hope.

Throughout American history, Black people were not given the freedom to acknowledge their suffering. A. D. Thomason believes that the Holy Spirit brings freedom and liberation as we're able to name our pain, recognize its roots in history and society, and seek healing.

Handel’s oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt — and also misunderstanding.

Two-time Grammy-winning rap artist, Lecrae, learned this lesson through more than his share of adversity - childhood abuse, drugs and alcoholism, a stint in rehab, an abortion, and an unsuccessful suicide attempt. Along the way, Lecrae attained an unwavering faith in Jesus and began looking to God for affirmation. Now as a chart-topping industry anomaly, he has learned to ignore the haters and make peace with his craft.

Why do you sing at church? It's a question we almost never ask out loud. Yet, this is a question that is central to the lives of Christians who regularly gather together for worship. Do you sing to God? Or do you "address one another in hymns and spiritual songs", as the scripture says? Do you close your eyes? What is your posture in worship? This book is designed with these questions in mind.

In this book, Leah Payne traces the history and trajectory of Contemporary Christian Music (CCM) in America and, in the process, demonstrates how the industry, its artists, and its fans shaped—and continue to shape—conservative, (mostly) white, evangelical Protestantism.