検索キーワード： ドラマ化・音声舞台

Jon Kinnally changes his eternal child's psychic diaper.

A deeply funny story by Rob Cohen about the perils of dating and being a "freak magnet".

A deeply funny story by Kevin Rooney about his Father, Labor Day, and the politics of labor in America. KEVIN ROONEY was a writer on The Dennis Miller Show and a frequent guest on Politically Incorrect. This piece was recorded at Un-Cabaret's reading series Say the Word, featuring great comedy writers reading their own original first-person non-fiction at the Skirball Cultural Center in LA.

A deeply funny story by Merrill Markoe about being a very messy girl.

A deeply funny story by Tami Sagher about her love affair with math.

Winnnie Holzman gets honest about porn, her daughter and Suicide Girls.

A deeply funny story by Alan Zweibel about his relationship with the censor at Saturday Night Live, where he was one of the original Emmy-winning writers....

Jon Kinnally explores the darker side of family love in this emotional tour de force.

A deeply funny story by Dan Bucatinsky about letters to the prospective mother of his adopted child and to his own future self.

Margaret Cho learns to believe! She is the writer-performer-comedian-activist behind several books, films, and stage shows, including I'm the One That I Want and Notorious C.H.O.

Over the years, this has proven to be one of Tim’s consistently best-selling audios. This material was recorded on tour in 1992, and Pumping Irony was the first release on Tim’s own record label. The first nine stories were recorded at the University of Maine in Machias; the rest was captured while Tim was touring “out west”, specifically at The Lebanon (N. H.) Opera House. This recording includes the first mention of Tim’s real-life band from the 1970s, The Dubious Brothers.

Beth Lapides finds the limits of her rugged individualism in the great outdoors. She executive produced and hosted Un-Cabaret for Comedy Central. She hosts and curates the Un-Cabaret, Say the Word and the Other Network.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

John challenges himself to make conversation and opens a very intriguing dialog with a vampire. JOHN RIGGI is a writer and co-executive producer on 30 Rock. He was also a writer and co-exec on The Comeback, Will & Grace, The Bernie Mac Show and The Larry Sanders Show.

Patton Oswalt falls in love. This is a classic Un-Cabaret performance, in which Beth's questions push the performer to go deeper and find all kinds of funny.

Beth Lapides' tale of an emergency evacuation - and an art world celebrity crush. BETH LAPIDES executive produced and hosted Un-Cabaret for Comedy Central. She hosts and curates the Un-Cabaret, Say the Word and the Other Network. She is commentator for NPR's All Things Considered and The Huffington Post, and she had her own daily talk show on Comedy World Radio. Her first book, Did I Wake You? Haikus for Modern Living was published in 2007.

Jon Kinnally offers his interpretation of the Noah themes: animals (especially those freakish ostriches), re-creating 1970s disaster movies, and his own personal ark. JON KINNALLY was a writer and co-executive producer of Will & Grace and Ugly Betty. This piece was recorded at Un-Cabaret's reading series "Say the Word", featuring great comedy writers reading their own original first-person non-fiction at the Skirball Cultural Center in L.A.

Cindy returns to her favorite themes in this poignant and hilarious story of a marriage gone wrong and a relationship with a relative stranger gone right.

The classics from "The Pride of Brooklyn" are here in this collection - the best of four of Pat's albums: Our Hero, Spaghetti Sauce and Other Delights, You Don't Havee to Be Italian to Like Pat Cooper, and More Saucy Stories.

Recorded at The Portland Performing Arts Center in 1985, this performance became the basis for Tim’s second Maine PBS prime-time TV special, as well as his second LP for the Bert and I company. In the two years since the release of Downeast Standup, Tim had been busy with over 150 shows a year, and the maturation of his stage presence and storytelling style is evident here.