検索キーワード： 制作 "HighBridge, a division of Recorded Books" ハードボイルド

Rick and Frank are recovering addicts and accomplished house thieves. They do not steal randomly—they steal according to order, hired by a mysterious handler. The jobs run routinely until they're tasked with taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value. Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy.

A new Nissan plant is coming to the depressed Rust Belt town of Baxter, and Captain Delia Mariola has been busy cleaning up the crime-addled city ever since the deal was announced. But when the fifteen-year-old daughter of the lead bidder on the construction project—a wealthy out-of-towner—suddenly disappears, and it becomes clear that a professional kidnapping ring may be responsible, Delia realizes that the factory's influx of cash could bring with it an entirely new sort of danger, never before considered in this working class milieu.

Expelled Harvard student and ex-Special Forces operative Joe Brody is getting his life back together, living with his grandmother in Queens and taking what should be a simple job as a bouncer at a strip club where he can spend most of his night reading the classics. The only catch is that his childhood friend Gio Caprisi, now head of New York's Italian Mafia, relies on Joe's expertise when things get particularly nasty—in an agreement between Gio and the rest of the city's biggest crime syndicates where it's understood that Joe is sheriff for an industry that doesn't call the cops.

Having jeopardized their careers in an unauthorized investigation that threatened to reveal the corruption in South Africa's halls of power, Benny Griessel and Vaughn Cupido have been demoted from the elite Hawks police unit. While waiting to be transferred from Cape Town to seemingly mundane duty in Stellenbosch, Griessel receives a disturbing, anonymous letter: "I can only trust you and Captain Cupido. There is an adder in our bosom. Be careful of phone calls."

While in the hospital recuperating from a gunshot wound, Chicago PI Sam Kelson is approached by a nurse who's troubled by three recent deaths. No pattern, no connection - except that three patients died when they shouldn't have. Initially skeptical, Kelson starts asking questions - and the more he uncovers, the clearer it becomes that something isn't right. What exactly has been going on at Clement Memorial Hospital? Has someone been killing patients? If so, why? As Kelson digs deeper, he comes to realize that someone is determined to prevent him from finding out the truth.

Git O'Rourke is from the wrong side of the tracks - even if, in the depressed Rust Belt town of Baxter, it's not always clear where that designation begins. A single mother, she works hard to support her daughter, Charlie, but still finds time to cut loose every once in a while, to go to a local bar, drink martinis, and find a companion for the night. Which is exactly how she ends up in a hotel room with a strange man passed out on heroin and how she comes to possess the bag of money and guns that he left open as he got his fix.

When an anonymous rival demands that master illusionist Harry Blackstone reveal his secrets on stage or die, the magician hires Toby Peters and his brother, ex-cop Phil Pevsner, to run security for his show at the famous Pantages Theater in Hollywood. Of course, Peters doesn't expect the job to include replacing a showgirl for Blackstone's show-stopping sawing-a-woman-in-half trick after the saboteur has stolen the blade.

Mildred Minck is an unremarkable woman - until one tragic night in June 1944 when she becomes the first citizen of Los Angeles to be murdered by crossbow. The prime suspect is her husband, dentist Sheldon Minck, who's found standing over her body with the weapon in hand, raving that only Joan Crawford can identify the killer. It seems like a natural insanity defense, but Sheldon wants his neighbor, Private Investigator Toby Peters, to prove his innocence. The dentist is telling the truth about one thing: Joan Crawford was there.

In 1943, Charlie Chaplin is far from the most popular man in America. His communist sympathies and romantic indiscretions with young women have enraged everyone from right-wing radicals and the Ku Klux Klan to furious fathers. But when a knife-wielding intruder breaks into his house one night, the maniac isn't talking politics. He demands Chaplin stop making his latest black comedy about a man who murders wealthy women for their money - and specifically tells him to stay away from one Fiona Sullivan.

Under names like Otis J. Raisincluster, Quigley E. Sneersight, and Cormorant Beecham III, W. C. Fields squirreled away nearly a million dollars in banks across the country during his vaudeville days - before he became one of the silver screen's most recognizable funnymen. But it's no laughing matter when a burglar has the audacity to rob him blind, stealing his bankbooks and cleaning out his accounts. Steaming, the comedian hires Hollywood private investigator Toby Peters to track down the missing dough and protect what remains of his nest egg.

Luna Martin, the moll of a well-known Los Angeles gangster nicknamed "Fingers" (because he likes to cut them off), has demanded dance lessons from Hollywood's finest hoofer - and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna's throat, the grieving gangster makes Peters an offer he can't refuse: Find the killer - or go from having two left feet to one foot in the grave.

On December 10, 1938, Atlanta burned again. In the back lot at David O. Selznick's studio, sets from a dozen old pictures were pushed together and set ablaze to provide a backdrop for the climax of what Selznick promised to be the movie of the century: Gone with the Wind. Toby Peters, then just a studio security guard, was on hand to help keep the Confederate extras in line. When the fire was over, he found one of them dead, impaled on his own sword.

Working in Hollywood, Private Eye Toby Peters has met a lot of phonies. But his newest case concerns a four-legged faker who threatens the fate of the free world. A few classy dames have crossed the detective's doorstep, but none can touch the hem of the dress of the first lady herself, Eleanor Roosevelt, who's come to him on a matter of top-secret national security.

In February 1942, Californians may be living in fear of a Japanese attack, but the show must go on. The circus is in town - unfortunately so is a killer saboteur who's targeting the star attractions. Private detective Toby Peters is no stranger to going undercover, but this is the first time his disguise will include a red nose.

It's 1941, and the Marx Brothers' first movie for MGM, Go West, has the country in stitches. But now Chico Marx is worried he's going to need stitches when he receives a severed ear in the mail - a simple message from a Chicago bookie who wants $120,000, or else. Chico is baffled because, although he loves to gamble, he's never made a bet in Chicago. Desperate, he turns to the king of Hollywood, Louis B. Mayer, who puts in a call to Toby Peters.

A year after The Wizard of Oz's smash success, the yellow brick road is crumbling. The famous sets have been left standing on a soundstage in the depths of the MGM back lot in case the studio greenlights a sequel. But that doesn't explain what Judy Garland is doing there - or why she finds a Munchkin in full costume, lying facedown with a knife buried in his back.

Hollywood, 1940: It's been four years since security guard Toby Peters got fired from the Warner Brothers lot for breaking a screen cowboy's arm. Since then he's scratched out a living as a private detective - but now his old friends, the Warners, have a job for him. Someone has mailed the studio a picture of Errol Flynn caught in a compromising position with an underage woman. Although Flynn insists it's a fake, the studio is taking no chances. Peters is to deliver the blackmailer 5,000 dollars and return with the photo negative.

When the wife of a mob witness is killed and his teenage son is kidnapped, the ransom isn't cash - it's his life. The dead can't testify. If the witness kills himself, the mob will let his son live. Now veteran cops Abe Lieberman and Bill Hanrahan need to protect their witness from himself while they turn Chicago's gangland upside down to save the kid. It doesn't help that Hanrahan is newly sober in AA, battling drink urges and the guilt of recently losing another informant. Lieberman has seen his partner at his worst with the booze and always had his back.

Most days, the counters at Maish's Deli on Chicago's North Side are crowded with elderly Jewish men who trade stories and crack wise. But today, the mood at Maish's is grim. Someone has vandalized the local temple - the fifth in a row - and stolen a priceless Torah, and only Abe Lieberman can set things right. A veteran cop whose low-key attitude and sardonic humor conceal an intense commitment to justice, Lieberman is taking the break-in very personally - the synagogue's president just happens to be his wife.

It should have been an easy score - a suburban house on a quiet cul-de-sac, with the owners scheduled to be gone all night. But career burglar George Patniks has chosen the wrong time to go breaking and entering, because tonight Harvey Rozier will murder his wife. Patniks is the only witness to the brutal killing, but, of course, he can't go to the police.