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Why does a high powered, high profile, high heeled global consultant and cabaret singer return to a small town in Texas after fleeing for over forty years and swearing never to live there again? Everything’s a Two-Step but a Waltz: The Reluctant Texan Comes Home, is the “coming of aging” story of a late-life collision between New York Class and Texas Sass, the idyllic life Chick Morgan was living that crashed and burned on a single day with an unimaginable double-barreled heartbreak.

This is a story of what happens when an angst-ridden kid who grew up in the desert experiences his parents’ bitter divorce, moves around the country, switches identities from dork to goth to skate punk, and eventually meets his best friend who just so happens to be his musical soulmate. Bassist, songwriter, and vocalist for renowned pop-punk trailblazers blink-182, Mark Hoppus, tells his story in Fahrenheit-182.

ReaDY has descriptive copy which is not yet available from the Publisher.

Plus que de simples mémoires, l'autobiographie de Philippe Manœuvre est une plongée dans la vie de celui qui est devenu une légende du rock à lui tout seul, un personnage vibrionnant, un Tintin du rock'n'roll immanquablement chaussé de ses Ray-Ban, le critique rock le plus célèbre de France de ces quarante dernières années. Proche d'Iggy Pop, de Polnareff, de Gainsbourg et de tant d'autres, intervieweur des Stones plus de vingt fois, il a fréquenté les plus grandes stars et parle aux baby-boomers comme au public de la Nouvelle Star.

A groundbreaking book exploring the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today. From Sia to Elton John, from Billie Holiday to David Bowie, LGBT musicians have changed the course of modern music. But before their music - and the messages behind it - gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who would follow them?

In the spring of 1933, more than 8,000 Jewish musicians, actors, and other artists were expelled from their positions with German orchestras, opera companies, and theater groups. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created to allow Jewish artists to perform for Jewish audiences.

Peter Asher met the Beatles in the spring of 1963, the start of a lifelong association with the band and its members. He had a front-row seat as they elevated pop music into an art form, and he was present at the creation of some of the most iconic music of our times. But Asher was also a talented musician in his own right, with a great ear for what was new and fresh. Once, when Paul McCartney wrote a song that John Lennon didn’t think was right for the Beatles, Asher asked if he could record it.

David Roberts was Whitney Houston's bodyguard, the real one. Roberts was hired in 1988 for Houston's UK portion of the Moment of Truth world tour. Accustomed to working for diplomats and Fortune 500 clients, Roberts had reservations about working with a pop star. But Houston's heart of gold won him over from the moment they met at Heathrow airport.

Reclaiming Venus: The Many Lives of Alvenia Bridges chronicles the remarkable journey of Alvenia Bridges from segregated Kansas to the heights of fashion and rock 'n' roll, breaking barriers and rubbing shoulders with legends. It is a powerful testament to resilience and the pursuit of dreams against all odds.

From prolific metal guitarist and songwriter for Exodus (and formerly Slayer) Gary Holt comes an entertaining and deeply personal memoir of Holt's "destruction-laden" life, along with a firsthand account of the genesis of the Thrash Metal scene, from its origins in the Bay Area to its world domination

Imagine that Isaac Babel’s Cossacks were sailing together with Runyonesque Liverpool Jews outside the plate-glass window of a Hampstead café where a Klezmer band is playing to a packed and tea-drinking congregation of jazzmen, Hasidic scholars, surrealists, old soldiers; and you have the tone and temperature of this unique and unclassifiable memoir – no, not memoir, more a stream-of-consciousness novella – no, not a novella but a piece of autobiographical fiction – no, not autobiography but a picaresque drama conquered from the unreliable and fertile brain of the eponymous Fastovski.

Like hordes of others, best-selling author Dave Dawson has spent decades crisscrossing the country as a solo full-time professional musician. During his 30 years on the road, he has performed thousands of shows before tens of thousands of people, yet still remains one of the army of anonymous entertainers who literally sing for their supper, as part of the "Never Ending UK Tour". From pubs to clubs, dives to luxury hotels, theatres to gardens, and hen nights to care homes, there’s hardly a live environment that he hasn’t encountered, enjoyed or endured.

To Ease My Troubled Mind is a mosaic portrait collated over a year of interviews with Childish, as well as with close family, ex-girlfriends, bandmembers past and present, friends, foes, collaborators, even his therapist. It is an unflinching, yet frequently spiritual and funny portrait of an artist whose obstacle-strewn upbringing formed the backbone of his work: raised in a broken home and abused as a child, Childish was an undiagnosed dyslexic in remedial class at school who is nevertheless now Britain's most prolific and uncompromising creative force.

Red Letter Days follows the life of a musician growing up, on the road, and following his dream of being a successful musician. Taken from journal entries from 1990–2000, the book is a collection of short vignettes about Pryor’s experiences crisscrossing the country (and the continents) with the band and the cast of characters he meets along the way told via first-person accounts of his most memorable moments.

In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes-what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

Was haben so unterschiedliche Künstler wie Alexandra, GG Allin und Michael Hutchence gemeinsam? Sie sind alle tot. Und niemand von ihnen starb an Altersschwäche. Was die Menschheit bei einem selbst – in hoffentlich erst vielen Jahren – achselzuckend zur Kenntnis nehmen wird, erschüttert im Falle der Popstars Millionen: Der Tod. Ehrliche Trauer mischt sich mit Sensationslust, der Kontrast zwischen der (mehr oder weniger) fröhlichen, lebensbejahenden, glamourösen Welt der Popmusik und dem unwiderruflichen Ende könnte größer nicht sein.

Just Don’t Be a D**khead and Other Profound Things I’ve Learnt is a whirlwind of great stories, rock-solid life lessons and Kasey Chambers at her most heartfelt and honest. From her childhood in the Australian outback to the heights of her chart-topping international success as a singer/songwriter, Kasey has trusted her gut, stuck to her values and learned some hard truths, always while trying to live by the best advice she’s ever received: just don’t be a d**khead.

Doté de fabuleux moyens, le Brésilien Nelson Freire est depuis son plus jeune âge l'un des plus grands pianistes au monde. Sa carrière a pourtant mis du temps à se hisser à la hauteur de son talent. Hypersensibilité maladive, caractère indocile et une sorte de malédiction l'ont maintenu à part, jusqu'à l'apothéose des dernières années. Son jeu noble, puissant, sensuel et coloré a fini par lui valoir l'amour du public en plus de l'admiration des musiciens. Très proche de Martha Argerich, avec laquelle il a formé un duo de légende, il reste un interprète miraculeux de Chopin, Schumann, Brahms, Debussy ou Villa-Lobos.

Esposo mío: Un viaje conmovedor de amor y resiliencia frente a la adversidad. El 28 de diciembre de 2023, Pedro Suárez-Vértiz falleció y el Perú perdió a su gran estrella del rock, a una de las figuras más carismáticas del país, a un influyente personaje de las redes sociales. Sin embargo, ese día Cynthia Martínez también había perdido algo más: al amor de su vida, al padre de sus hijos, al hombre que le despertaba una extraordinaria sensualidad.

Las primeras memorias de un miembro del núcleo fundacional de la banda de rock duro más grande la historia: Mark Evans, el primer bajista de AC/DC. Corre el mes de marzo de 1975. Mark Evans entra en un bar para echarle un ojo a un grupo y su vida cambia para siempre: en cuestión de días, da su primer concierto como bajista de AC/DC.