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From New York Times best-selling author Erik Larson comes his first venture into fiction, an otherworldly tale of intrigue and the impossible that marshals his trademark approach to nonfiction to create something new: a ghost story thoroughly grounded in history. Pioneering psychologist William James leads an expedition to a remote isle in search of answers after a family inexplicably vanishes. Was the cause rooted in the physical world...or were there forces more paranormal and sinister at work? Available only on audio, because as Larson says, ghost stories are best told aloud.

Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure—someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes—a mysterious West Country manor house—where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold.

The titular house in this short story sits not far from the state of Missouri. An old, run-down building, missing windows and doors, it has been overgrown with foliage, and its dilapidated appearance has given it an ‘evil reputation’.

Emma Vane blurs the line between human and plant in this short story featuring a lily that has developed a mouth and can moan. Concern is soon raised for the safety of the central protagonist, botanist Carl Brense.

The story is set in Padua and follows botanist Giacomo Rappaccini’s garden of poisonous plants. A student from the university of Padua falls for a maiden in the luscious garden, but he soon learns some troubling information about his beloved’s true nature.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

Una giovane sposa morbosamente attratta da un ritratto misterioso. Un uomo talmente ossessionato dal proprio trauma da non riuscire a vivere una vita normale. Un grande castello nero, dimenticato da tutti tranne che da un ragazzo che continua a vedere, in sogno, lo stesso identico paesaggio. E ancora la storia di due fratelli che non riescono a perdonarsi, e il drammatico presagio che spiriti, fantasmi e creature dell'oscurità in realtà siano più vicini a noi di quanto pensiamo.

When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish.

With toiletries, hairbands, and notebooks in her bag, and at her mother’s instruction, a nineteen-year-old girl leaves her parents’ home and the seaside town she grew up in. Out the train window, Rafa sees the lit-up mountains and perfect trees—and the Olympic Hotel waiting for her perched above the small village of Strega. There, she and eight other girls receive the stiff black uniforms of seasonal workers and move into their shared dorm. But while they toil constantly to perform their role and prepare the hotel for guests, none arrive.

When 16-year-old Charlotte Goolsby first encounters the mysterious little boy playing in the cemetery, she assumes he belongs to the minister’s family. As sightings of the little boy continue and seemingly go unnoticed by the rest of Keesbury’s residents, Charlotte is forced to confront everything she once believed about life and death. Charlotte finds herself confiding her fears to her father’s shipwright apprentice, Rees Pendleton. Charlotte and Rees will discover that all is not what it may seem in their quiet, seaside village of Keesbury.

Widely considered a classic of the gothic fiction genre, "The Tell-Tale Heart" is a short story by Edgar Allan Poe, first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately, the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards.

Strangling vines and meat-hungry flora fill this unruly garden of strange stories, selected for their significance as the seeds of the villainous (or perhaps just misunderstood) 'killer plant' in fiction, film and video games. Step within to marvel at Charlotte Perkins Gilman's giant wisteria and H.G. Wells' hungry orchid; hear the calls of the ethereal women of the wood and the frightful drone of the moaning lily; and do tread carefully around E. Nesbit's wandering creepers. Every strain of vegetable threat can be found within this new collection.

"El monje y la hija del verdugo" es una una novela gótica, en la que prima el misterio y lo sobrenatural. La novela narra el amor prohibido y fatal que siente un joven monje franciscano, llamado Ambrosius, por una muchacha, Benedicta. Ambrosius, junto con otros dos monjes franciscanos, es enviado por sus superiores al monasterio de Berchtesgaden, cerca de la ciudad de Salzburgo. Ya casi al final de su viaje se topan con un cadalso, de cuya horca pende un ajusticiado.

Ирландия, 1837 год. Джони Гленгаллу восемнадцать лет, он только-только унаследовал титул графа. Да, а еще его убили. Но разве это повод унывать и отчаиваться? Вовсе нет, особенно если у тебя есть брат-гений, который может возвратить тебя к жизни. Или, во всяком случае, превратить тебя в зомби.

Mia: It was so close, I'd tasted it - the freedom. But the only thing I could taste now was the end. Over the last two years, I’d let all outside forces dictate my life, my feelings, my head. I’d allowed everyone to control what my punishment should be for all my wrong-doings. I’d been tested and learned my lesson. I’d paid my dues and suffered long enough. Because in the end, even the once-upon-a-damned deserved to be happy too.

Mary Shelley hat als 18jährige etwas vollbracht, was noch kein Mensch vor oder nach ihr geschafft hat: In diesem zarten Alter einen Roman zu verfassen, der die Zeiten überdauert und eine bis heute aktuelle Thematik behandelt. Können, dürfen und sollen wir Leben auf Basis aller uns zu Verfügung stehenden technischen Mitteln ermöglichen oder sind Gottes bescheidene und beschränkte Grenzen Sperrgebiet für unseren Intellekt?

Caterina Alfera. My enemy. My obsession. My queen. I have left it all on the line for Caterina Alfera. She holds the keys to everything I have ever wanted. But would she do the unthinkable for me - the right thing?

A lush gothic from best-selling author London Clarke, Dunmoor is a tale of generational curses that threaten to destroy the most innocent and vulnerable. England, 1818. Lady Helena Winters hasn’t seen her husband in over a year - not since he disappeared without a trace. Torn between seeking a new purpose for her life and longing for her husband to return, Helena travels with her father to Dunmoor House for a fundraising ball. Although the estate was once her husband’s ancestral home, it has recently been purchased by Luke Lennox.

When Scarlett meets taxidermist Henry, a passionate love affair commences. One year later, on Christmas Day, Scarlett recalls the ebb and flow of their intense relationship and tries to unravel her obsession with Henry’s taxidermy creatures and the influence of his rival, Felix. Both enchanted and entrapped by the isolated rural environment on the Somerset moorland she calls home, Scarlett reaches out to her only remaining family, twin brother Rhett, to make sense of the secrets they share. Soon Scarlett realizes that past promises have far reaching consequences.

Eliza lives darkness’ dream. A maid in a great house, owned by indifferent aristocrats, run by their three cruel daughters. Daily beatings, tricks, and cruelties by the Norlane sisters have left Eliza a mute shell, a vacant vessel besieged by fear. Yet, alone as she feels, as small and insignificant as her life seems, something is watching her. Darkness lives in the forbidden forest beyond the neat and orderly civility of Norlane Hall. Wickedness hears Eliza’s silent tears, rises to the vibrations of her body that quivers in terror.