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Maud is an irascible 88-year-old Swedish woman with no family, no friends, and...no qualms about a little murder. Ever since her darling father's untimely death when she was only 18, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late 80s, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way.

The Hospital Ship is no more, and Yang Wei awakens to find himself at the mercy of monstrous doctors and the tumult of his own mind. Not helping matters, of course, is the Mars Hospital’s Pool of Dead Souls. A ghastly body of water, it traps people in an endless cycle of treatment, death, and resurrection. When an unruly band of patients revolts against this suffering, the Hospital descends into chaos, the likes of which have never been seen before.

The three Cadogan children, Jessica, Kirsty and Patrick, haven't spoken to each other for three years. An argument after their mother's death was the latest excuse to blame one another for their family's troubles in a long, unhappy series that's lasted almost a decade. When their father, Gerry, dies, they are given instructions as to where he wants his ashes to be scattered. But first they must together drive his old camper van up the country to the Scottish Isle of Islay.

American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Kurt Vonnegut turns black and white into a chilling shade of grey with a verdict that will haunt us all. Mother Night is a daring challenge to our moral sense.

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Stacey was trying to live her best life, but now she's dead. But why hasn't she passed on? Could it be her fatal car accident is actually murder? Detectives Ed Beaufontaine and Rose Garafino have a long list of suspects, chief among them Stacey's fiancé, Liam. His business dealings and new relationship with Emily Jackson are raising a few eyebrows. As the detectives dig deeper, so does Stacey. With nothing but time on her hands, she forensically examines her past relationships realizing she might have been better off without them.

Dwayne Devero is just like you and me, except he simply doesn’t give a sh*t anymore. He’s had enough. He’s done with people living life wrong. You’ll do it right, or he’ll bury you under the bases at the ballpark where he coaches. It’s just that simple. Tired of poor decisions being made all around him, from the politics of player positions on his son’s little league baseball team to the philandering of his wife in his own bedroom, Dwayne decides that breaking is better than bending.

A charismatic young tech entrepreneur, Chase Stapp, played by Haley Joel Osment (Goliath, The Kominsky Method), concocts a designer cannabis brand and has high hopes of disrupting the entire budding industry.

A dark comedy wrapped in a techno thriller's skin, Mal Goes to War provides a satirical take on war, artificial intelligence, and what it really means to be human.

At dinner parties and over coffee, Rabih and Kirsten's friends always ask them the same question: how did you meet? The answer comes easily - it's a happy story, one they both love to tell. But there is a second part to this story, the answer to a question their friends never ask: what happened next? Rabih and Kirsten find each other, fall in love, get married. Society tells us this is the end of the story. In fact it is only the beginning.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

We meet our ill-tempered protagonist—the story’s titular “brat”—at a low moment, but not yet at rock bottom. The Gabriel of the novel is mourning the death of his father as well as a recent breakup and struggling to finish writing his second book. Alone and aimless, he agrees to move back into his parents’ house to clear it out for sale. Here, the clichés end.

Meet Daniel Losman—an American in Copenhagen, translating books and living a solitary existence. His longtime girlfriend has left him, and the only highlights in his life are encounters with an offbeat artist he thinks he’s in love with and weekends with his three-year-old son, whom he worries has inherited his Tourette syndrome.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

One of the many well-educated Ivy League graduates with literary ambitions who flock to New York City every year, 25-year-old Melissa Fleischer has the great fortune to work as the assistant to Austin Bloch, an editor responsible for refining and publishing the work of some of America's most esteemed writers. But after she begins working at this prestigious magazine in the late 1970s, Mel soon learns that the extravagantly long lunches her boss indulges in actually belie his affairs with a stream of young women.

Os presentamos a Grace Bernard: hija, hermana y asesina en serie. Grace lo ha perdido todo y no se detendrá ante nada para vengarse.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed.

Peter Fey versteht es hervorragend, Spannung mit einer tüchtigen Prise Humor zu würzen. Schwarzem Humor, der regelrecht süchtig machen kann. Dann jedenfalls, wenn jemand wie er ihn serviert, auf seine ganz spezielle Art. Dies hier ist die zweite Sammlung seiner tückischen kleinen Stories. Eine dritte wird folgen - ebenfalls von ihm selbst gesprochen. Und es macht wahrhaftig Spass, ihm zuzuhören.

Zur Belohnung meiner Standfestigkeit ging ich ebenfalls zu Selma in die Küche und ließ mir ein extra großes Stück Mandarinentorte geben. Eine Entschädigung für meine entgangene Detektivarbeit musste sein... Die Ostfriesin Tilda Holthusen, die robuste Geschäftsführerin der Firma Fischgroßhandel Holthusen in Neuharlingersiel, vermisst ihren zehn Jahre jüngeren Verlobten, einen smarten Immobilienmakler aus Hannover. Auf Drängen ihrer Freundin Teelse, bittet sie Emely Petersen, Inhaberin des Café Kluntje am Hafen des Küstenortes um Unterstützung.

Molly Gray has risen through the ranks to become Head Maid at the esteemed Regency Grand Hotel. She owes her penchant for polishing to her beloved Gran – a maid who passed on every cleaning tip she knew. But there’s more to Gran’s story than Molly once thought. In the pages of a diary, kept under lock and key, Molly discovers a past blotted with secrets. Why does it feel like something’s hidden in the family history? What happened to make Gran cut ties? Why didn’t Molly have a clue?