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In the hands of Sophocles, the master dramatist, the anguished tale of a man fated to kill his father and marry his mother retains its power to shock and move beyond any Freudian reference.

He after honor hunts, I after love. He leaves his friends to dignify them more, I leave myself, my friends and all, for love....

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

 A Midsummer Night’s Dream is one of William Shakespeare’s most well-known comedies and is arguably one of his most beloved plays. The play tells the tale of the misadventures of the people gathering to participate in their marriage of the duke of Athens and Hippolyta, former queen of the Amazons.  

Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play, Shakespeare effectively re-invented tragedy after an interval of roughly 2,000 years - you would have to go back to the Greek dramatists of fifth century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

Twelfth Night, nowadays one of Shakespeare's best-loved and most-admired comedies, was not always so regarded: Samuel Pepys saw the play three times in the 1660s and judged it 'silly'. Modern audiences, critics, and directors seem better attuned to its delicate counter pointing of romance and realism....

The dour, Mr. Darcy is anything but popular with the Bennets, especially when he fancies a member of their clan. And as Elizabeth reluctantly deals with Mr. Darcy’s advances, their romance seems destined to fail. Jane Austen’s Pride and Prejudice set the standard for romantic comedies when it debuted in 1813, and it still speaks to audiences worldwide through countless adaptations.

In Sophocles' tragedy, Oedipus discovers that he has been caught in his terrible destiny, unknowingly murdering his father and marrying his mother.

This multicast dramatisation of Arabian Nights: Volume 1 is an Audible Original reenvisioning of three iconic tales - with a twist. Adapted by the great Marty Ross, whose previous audio dramas include Romeo and Jude, Dark Shadows, Doctor Who and Blood and Stone, listeners can expect to hear Sheherezade, Ali Baba & 40 Thieves and Julnar the Sea Born as they've never done before.

Enjoy the most notable plays of William Shakespeare: Romeo and Juliet, Hamlet, Macbeth, and Othello. Shakespeare was known for his writings on tragedies and these four works are known to be some of the finest tragedies ever written.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.  

Pygmalion remains one of the most popular stories, but mainly in the medium of the musical; the evergreen My Fair Lady. But much of the charm and wit comes from the words and timing in Shaw's original play. Here are the characters of Professor Higgins, his friend Colonel Pickering, and their charge, Eliza Doolittle.

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

Among the ancient artifacts concealed in a London Victorian mansion lies an ornate human-sized sarcophagus which houses the body of an ancient Egyptian sorceress dead for centuries...or is she?

Liebe, Macht und Wahnsinn - darum drehen sich die großen Tragödien von William Shakespeare. Anlässlich seines 450. Geburtstages erscheinen nun die vier wichtigsten Shakespeare-Stücke in grandiosen Hörspieladaptionen. Sie versammeln die großen Stimmen der 60er bis 80er Jahre: Zu hören sind unter vielen anderen Bernhard Minetti in der Rolle des König Lear und Christiane Hörbiger als Hamlets Mutter.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

In this time-honored story of horror, a ghost is thought to be the cause of the discomfort of performers in the Paris Opera House. Then the beautiful star disappears.