検索キーワード： 戯曲

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

Richard II is dangerously out of touch with his kingdom. He wastes money, raises taxes to support his lavish lifestyle, plays favorites, and cares more about his vanity than the common good. When Henry Bolingbroke - father of the future Henry V - challenges Richard for the throne, it's a fight the king can't win. But in losing his crown he gains far greater things: his humanity and his soul.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

The idealistic Lydia Languish, reads nothing but romantic novels, and in doing so, believes she can only find true love in the arms of a man without wealth. Captain Jack Absolute has fallen in love with her, and pretends to be a penniless ensign to win her heart. Coming between these two lovers are some of the most extraordinary comic characters ever to grace a stage; the autocratic Sir Anthony Absolute, the misspeaking Mrs. Malaprop, the fiery Irishman from Clod hall - Sir Lucius O’Trigger; and poor Bob Acres, a country squire who finds himself with a dueling pistol in his hand.

Written a year before his death, this collection of short plays by Miguel de Cervantes is a fine example of his genius. Oftentimes overlooked, these eight vignettes are funny and touching at the same time. Designed to be performed in between larger acts, they give a glimpse into a world far less glamorous than courtly life.

This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.

The Tempest is a beautiful and sweeping drama by William Shakespeare and is one of the Bard’s last plays. With a role written as a farewell to the theater, this emotional drama is a beautiful testament to Shakespeare’s talents as a storyteller and writer. The play centers around Prospero, a usurped ruler and powerful sorcerer who lives out his days on a remote island with few humans with whom to interact. Prospero seeks his revenge on his brother by causing his ship to wreck on his island, and the adventure of the play begins.

A Midsummer Night’s Dream is one of William Shakespeare’s most well-known comedies and is arguably one of his most beloved plays. The play tells the tale of the misadventures of the people gathering to participate in their marriage of the duke of Athens and Hippolyta, former queen of the Amazons.

Nearly three thousand years after they were composed, The Iliad and The Odyssey remain two of the most celebrated and widely read stories ever told, yet next to nothing is known about their author. He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early seventh centuries BCE Authorship is traditionally ascribed to a blind poet named Homer, and it is under this name that the works are still published.

Italien 1211: Die junge Cecilia begibt sich auf eine wagemutige Reise, um ihren Vater im fernen Sachsen zu finden, nachdem ihr herzoglicher Gemahl an ...

This transformative audiobook invites you to imagine scenes like David, Saul, Doeg, and Ahimelech brought to life on stage, blending tragedy with a surprising dose of divine humor. Yes, humor—because the Bible shows us a Yahuwah with a profound sense of joy and laughter. As Solomon wisely said, "A merry heart does good like medicine," and the Apostle Paul reminds us, "I can do all things through Christ who strengthens me." Jesus himself was anointed with the oil of joy, bringing laughter, light, and healing wherever he went.

Argán es prisionero de sí mismo. El terror a la muerte y el miedo a enfrentarse a la vida le tienen encadenado a su propio lecho, nada le importa, ni su familia, ni su mujer; es una persona cegada y egoísta, a la vez víctima y verdugo. Tan solo la astucia de Toñita, la criada, auténtico motor de la acción hará posible un desenlace donde triunfe el amor y queden en evidencia los intereses de las malas personas.

Martin ze Stvolna opouští z pověření Karla IV. s malou výpravou České země. Jeho úkolem bude získávat v zahraničí pro katedrálu svatého Víta ostatky svatých. Ani na této cestě není ochuzen o ženskou společnost -⁠ doprovází jej Johanka, stále ještě zákonná manželka třeboňského kata. Nejprve putují do Německa, kde se Martin ze Stvolna setkává s dávným přítelem a později nepřítelem na život a na smrt, Konrádem z Wormsu. Potíže s inkvizicí však způsobí, že královský vyslanec musí brzy uprchnout do Itálie.

Ein klassisches Schauspiel von Johann Wolfgang von Goethe nach der Vorlage von Euripides’ "Iphigenie bei den Taurern." Es gilt als ein Meisterwerk der Weimarer Klassik, ebenso kunstreich wie sinnvoll. Goethe bringt einen alten Mythos zurück, und veranschaulicht sowohl die künstlerischen Bewegungen dieser Zeit als auch die Ideale von Humanität, Gerechtigkeit und Unschuld.

Escrita en 1931, Bodas de sangre es una obra de teatro que trata de dos jóvenes que se van a casar, pero el día de su boda, la novia vuelve a ver a Leonardo, su antiguo novio, de quien siempre ha estado enamorada. Por eso, después de la ceremonia, los dos huyen juntos llevados por su amor. Pero el marido sale a buscarlos lleno de dolor y de rabia…

The story of Medea is only one part of a myth about the Argonauts' campaign. It portrays Jason joining a battle with fire-breathing bulls and a dragon guarding the Golden Fleece; Medea is helping him tame the beasts. She then follows him to Greece, because she falls in love. It is also a story of how a once young, beautiful and joyful woman transforms into a monster, hungry for revenge; she kills even her own children. A long trail of horrible deaths, tied to her life path, is hard to imagine.

Prometheus gehört dem Göttergeschlecht der Titanen und ist er der Herrschaft des Göttervaters Zeus unterworfen. Bei einem Tieropfer greift er zu einer List, um Zeus zu täuschen: er überlässt ihm nur die wertlosen Teile des Opfertiers und behält das genießbare Fleisch für die Menschen, da sie seine Schützlinge sind. Zur Strafe dafür verweigert der erzürnte Zeus den Sterblichen den Besitz des Feuers. Darauf entwendet Prometheus den Göttern das Feuer und bringt es den Menschen. Deswegen wird er auf Befehl des Göttervaters gefesselt und im Kaukasusgebirge festgeschmiedet.

Ödipus ist eine antike Tragödie. Das Orakel von Delphi sagt Laios, dem König von Theben voraus, dass sein Sohn ihn töten und mit seiner Mutter Iokaste Kinder zeugen werde. Um dies zu vermeiden, gibt er seinen neugeborenen Sohn an einen Hirten, um ihn auszusetzen. Dieser gibt ihn aber stattdessen einem befreundeten Hirten in Korinth. Schließlich wird er aber von dem König und der Königin von Korinth aufgenommen und erhält den Namen Ödipus. Als er jedoch erfährt, dass das Orakel vorausgesagt hat, dass er seinen Vater tötet, verlässt er Korinth.

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.