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孤独な弁護士と人殺しの罪を背負う男 僕らは友達になれるだろう？ 二人は「過去」という「籠」から羽ばたけるのか。著書25作目、もっともハートフルな長篇ミステリーの誕生！

Yuki Hirano is just out of high school when his parents enroll him, against his will, in a forestry training program in the remote mountain village of Kamusari. No phone, no internet, no shopping. Just a small, inviting community where the most common expression is “take it easy.” At first, Yuki is exhausted, fumbles with the tools, asks silly questions, and feels like an outcast. Kamusari is the last place a city boy from Yokohama wants to spend a year of his life. But as resistant as he might be, the scent of the cedars and the staggering beauty of the region have a pull.

小6の拓人、忍、宇太佳はスケボーが大好きな仲良し三人組。新たに見つけた格好のスケボー練習場所で出会ったのが神社の管理人、田中さんだ。その日から、11歳と85歳の交流が始まった。いつも穏やかに話を聞いてくれる田中さん。

【原作　吉川英治】歴史をテーマにした大衆小説を多数執筆。史実にもとづいた話の中で、魅力的なキャラクターが活躍する。幅広い読者層に親しまれ「国民文学作家」と呼ばれている。

15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And every year that follows?

Have you ever wondered about all the people who lived in your house before you? 25 Library Terrace in Edinburgh is a house where lives are changed.

Mrs Harris is a salt-of-the-earth London charlady who cheerfully cleans the houses of the rich. One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life - a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her, and she's never wanted anything as much before. Determined to make her dream come true, Mrs Harris scrimps, saves and slaves away until one day, after three long uncomplaining years, she finally has enough money to go to Paris.

Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward and spiritless woman who has lacked the strength to change her life and decides to do something about it.

Hatoko a vingt-cinq ans et la voici de retour à Kamakura, dans la petite papeterie que lui a léguée sa grand-mère. Le moment est venu pour elle de faire ses premiers pas comme écrivain public, car cette grand-mère, une femme exigeante et sévère, lui a enseigné l'art difficile d'écrire pour les autres. Le choix des mots, mais aussi la calligraphie, le papier, l'encre, l'enveloppe, le timbre, tout est important dans une lettre. Hatoko répond aux souhaits même les plus surprenants de ceux qui viennent la voir.

When four graduates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their centre of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride.

Lily and her ex-husband, Ryle, have just settled into a civil co-parenting rhythm when she suddenly bumps into her first love, Atlas, again. After nearly two years separated, she is elated that for once, time is on their side, and she immediately says yes when Atlas asks her on a date. But her excitement is quickly hampered by the knowledge that, though they are no longer married, Ryle is still very much a part of her life—and Atlas Corrigan is the one man he will hate being in his ex-wife and daughter’s life.

In Heaven, a 14-year-old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror?

"Non c'è posto al mondo che io ami di più della cucina". Così comincia il romanzo di Banana Yoshimoto, Kitchen. Le cucine, nuovissime e luccicanti o vecchie e vissute, riempiono i sogni della protagonista Mikage, rimasta sola al mondo dopo la morte della nonna, e rappresentano il calore di una famiglia sempre desiderata. Ma la famiglia si può non solo scegliere, ma anche inventare. Così il padre del giovane amico Yuichi può diventare o rivelarsi madre e Mikage può eleggerli come propria famiglia, in un crescendo tragicomico di ambiguità.

Two kids meet in a hospital gaming room in 1987. One is visiting her sister, the other is recovering from a car crash. The days and months are long there. Their love of video games becomes a shared world—of joy, escape and fierce competition. But all too soon that time is over, fades from view. When the pair spot each other eight years later in a crowded train station, they are catapulted back to that moment. The spark is immediate, and together they get to work on what they love—making games.

이 책 『샴페인 친구』는 1997년, 30세 젊은 작가 노통브가 자신의 책 『사랑의 파괴』(1993) 사인회에서 만나게 된 페트로니유라는 22세 여성 팬과의 우정 이야기다. 아멜리 노통브는 샴페인을 좋아하지만, 혼자 마시기를 즐기지는 않는다. 그래서 술친구로 삼을 만한 사람을 찾아 나선다. 자신의 사인회를 찾아온 열다섯 불량소년처럼 생긴 페트로니유를 본 순간, 노통브는 직감한다. 페트로니유가 자신이 그동안 찾던 바로 그 사람이란 것을!

Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste. Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape.

After losing her job in New York, Amber Green isn’t looking forward to visiting her godmother in the sleepy village of Cranbridge. With its empty lanes and rundown shops, it’s hardly a place to mend her lonely heart. But when Amber discovers that Cranbridge Stores, owned by her godmother, Cathy, and son, Josh, is under threat of financial ruin, she realises that her skills as a window dresser might just be able to help save the struggling shop.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart.

A bestseller in Japan—a beautiful story about shared self-discovery and friendship involving an unlikely group of students who decide to defy the odds and pursue a seemingly impossible goal together.

Twenty-five-year-old Takano has never liked reading, although the Morisaki bookshop has been in her family for three generations. It is the pride and joy of her uncle Ojisan, who has devoted his life to the bookshop since his wife Momoki left him five years earlier. When Takano's boyfriend reveals he's marrying someone else, she reluctantly accepts her eccentric uncle's offer to live rent-free in the tiny room above the shop. Hoping to nurse her broken heart in peace, Takano is surprised to encounter new worlds within the stacks of books lining the Morisaki bookshop.