検索キーワード： 心理学

Beth lives by Camden Lock with her partner Sol and their daughter Fern. Life is peaceful, but Beth is troubled by increasing unease. It could be to do with her mother's disappearance years ago. It could be her sense that Fern is keeping secrets from her. So she goes to therapy. Dr Tamara Bywater is there to help her patients and soon their sessions become the highlight of Beth's week. But Beth is in over her head before she realises that Tamara might not be all she seems.

When I step into the elevator that sweltering morning, I barely notice the woman standing next to me. She seems out of place, with her floaty linen clothes in a building full of suits. But that’s none of my business. A minute later, there’s a sudden jerk. The elevator stops. The lights go out.

Casey's cabin in the wilderness is not built for a hurricane. Her roof shakes, the lights flicker, and the tree outside her front door sways ominously in the wind. But she's a lot more worried about the girl she discovers lurking outside her kitchen window. She's young. She's alone. And she's covered in blood.

Though Diane Randall’s jewelry business is a great success, her marriage is not, and she finds herself growing lonely as her children near adulthood. Meanwhile, her eighteen-year-old daughter Julia is falling dangerously in love, and Diane’s mother, Jean, is relishing her newfound freedom as a single woman in Europe. Distracted by their individual concerns, the three women are ill-prepared for the crisis that suddenly appears on Diane’s doorstep in the form of a handsome FBI agent asking about an explosive secret that’s laid buried for decades.

Hannibal Lecter emerges from the nightmare of the Eastern Front, a boy in the snow, mute, with a chain around his neck. He seems utterly alone, but he has brought his demons with him. Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki. But Hannibal’s demons visit him and torment him. When he is old enough, he visits them in turn. He discovers he has gifts beyond the academic, and in that epiphany, Hannibal Lecter becomes death’s prodigy.

Best selling author James Patterson has written a love story! Suzanne's Diary for Nicholas is a powerfully moving and suspenseful novel about families, loss, new love, and hope. Browse more Patterson.

In this novel of a writer’s revenge, an uneducated farmer’s wife delivers a paper bag filled with scraps of her poems to the publisher of a small press. Hours later, she’s dead, murdered by her husband. Fifteen years on, her book of 125 poems - Mary Swann’s sole claim to fame - is discovered by an American academic. And a literary odyssey begins.

Bright, willful Maggie Tulliver longs for acceptance from Tom, her obstinately responsible brother whom she cherishes above all. As their father falls ill and loses Dorlcote Mill in a lawsuit, Maggie and Tom are forced down two divergent paths in life, each dictated by familial and societal expectations. Wasting away in the Tullivers' home, Maggie is soon inspired to follow her heart and lead a life of passion and impulse, which results in her brother renouncing her. As the siblings drift apart, only tragedy along the River Floss can bring them together again.

Don Quixote, a man driven by chivalrous ideals and wild delusions, adopts sword and lance as a knight-errant to defend the weak, slay the ignoble, and win the heart of the farm girl he envisions as a princess. In his world of fantasy - where inns are castles, peasants are kings, and windmills are beasts - Quixote, his nag, and his sound but devoted squire, Sancho Panza, set forth on a picaresque adventure conceivable only to a man obsessed.

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

After an uneventful Friday at the Dublin office, Cathal faces into the long weekend and takes the bus home. There, his mind agitates over a woman named Sabine with whom he could have spent his life, had he acted differently. All evening, with only the television and a bottle of champagne for company, thoughts of this woman and others intrude - and the true significance of this particular date is revealed.

Vera and Thea are mother and daughter. Vera writes for the internet: she constructs identities and scenarios for brands to cater to the ideal consumer. Yet she also consumes the offerings of the online world herself: the addictive pursuit of a cure, the narratives she craves in which mother and daughter find a way out of the shared experience of chronic illness. She becomes preoccupied with a blog written by a woman named Claudia, a mother whose daughter also has a chronic illness.

Fire in the Head addresses a deep taboo in Australian society—the legacy of child sexual abuse and what victims must endure to bring perpetrators to justice.

Es läuft nicht gut für Aiden. Vor Kurzem war er noch ein erfolgreicher Anwalt, mit einem schicken Apartment im East Village und einer glamourösen Verlobten. Jetzt steht er vor den Trümmern seiner Existenz und hat obendrein das Gefühl, den Verstand zu verlieren. Wanda ist es gewohnt, knapp bei Kasse zu sein. Dass ihr neuer Auftraggeber ihr gleich einen ordentlichen Vorschuss zahlt, findet sie ungewöhnlich, aber normal ist an diesem Job ja sowieso nichts.

A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behaviour in the guise of treatment will leave you breathless.

In Thomas Mann's novella Death in Venice, a distinguished writer's holiday from the burdens of his work turns out very differently from what he expected. By means of the story, Mann explores the relationships between disciplined intellect and ungoverned passion, and between decaying age and youthful beauty, against a background that resonates today in a time of pandemics. It was first published in German (as Der Tod in Venedig) in 1912.

Ten years ago, Izzy Stone's mother fatally shot her father while he slept. Devastated by her mother's apparent insanity, Izzy, now 17, refuses to visit her in prison. But her new foster parents, employees at the local museum, have enlisted Izzy's help in cataloguing items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades-old journal, and a window into her own past.

London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. But she soon finds herself drawn into a world in which she can no longer be certain of anything. Even her own character.

Stacy Keach and Jane Kaczmarek star in this 1949 masterpiece by Arthur Miller, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play's iconic traveling salesman, whose family is torn apart by his desperate obsession with greatness and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions.

Amanda is a hardworking single mum, completely focused on her job and her daughter, Louise. She’s been saving for years, and now, finally, she can afford to give up work and chase her dream. But then, on her commute home from London to Brighton, she meets a charming stranger - who seems to know everything about her. He delivers an ultimatum. She needs to give him the code for the safe where she keeps her savings before the train reaches Brighton - or she’ll never see Louise again.