検索キーワード： 制作 "HighBridge, a division of Recorded Books" 家庭生活

It's 1971 when Louise leaves Oregon for Düsseldorf, a city grappling with its nation's horrific recent history, to study art. Soon she's embroiled in a scene dramatically different from the one at home, thanks in large part to Dieter, a mercurial musician. Their romance ignites quickly, but life gets in the way: an unplanned pregnancy, hasty marriage, the tense balance of their creative ambitions, and - finally, fatally - a family secret that shatters Dieter, and drives Louise home. But in 2008 she's headed to Dieter's mother's funeral.

David and Judith's fragile marriage is threatened by the sudden death of their beloved 13-year-old daughter, Melanie. As they struggle to cope with their loss, they confront bewildering challenges. But instead of turning to each other, they find comfort with others. David is drawn to Nancy, a colleague and single mother, and a survivor of her own personal tragedy, while Judith grows close to Jeffrey, a recently widowed physician whom she meets through her volunteer work at a thrift shop, itself the scene of multiple daily dramas.

Abdel Latif, an old man from the Aleppo region, dies peacefully in a hospital bed in Damascus. His final wish, conveyed to his youngest son, Bolbol, is to be buried in the family plot in their ancestral village of Anabiya. Though Abdel was hardly an ideal father, and though Bolbol is estranged from his siblings, this conscientious son persuades his older brother Hussein and his sister Fatima to accompany him and the body to Anabiya, which is - after all - only a two-hour drive from Damascus. There's only one problem: Their country is a war zone.

Peter Rock's stunning autobiographical novel begins in the '90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears.

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief.

A yacht races to outrun a tsunami. A young man jailed on a drug charge forms a relationship with his cellmate that is by turns tender and brutal. A family buys a rural slaughterhouse, and tensions quickly escalate between them and their religious neighbors. A teen raised by his eccentric gay father, a Turkish immigrant, finds his life fractured by violence. A fictionalized Coretta Scott King, surveilled and harassed by the FBI, considers the costs of her life with her husband. Here Is What You Do is a bravura, far-ranging collection, its stories linked by sorrow and latent hope.

In 1961 Charlotte, North Carolina, the predominantly black neighborhood of Brooklyn is a bustling city within a city. Self-contained and vibrant, it has its own restaurants, schools, theaters, churches, and night clubs. There are shotgun shacks and poverty, along with well-maintained houses like the one Loraylee Hawkins shares with her young son, Hawk, her Uncle Ray, and her grandmother, Bibi. Loraylee's love for Archibald Griffin, Hawk's white father and manager of the cafeteria where she works, must be kept secret in the segregated South.

Erin Marinelli has her work cut out for her when she arrives at her late grandmother's Wisconsin home to prepare for an estate sale. But sifting through the overwhelming collection of figurines, outdated appliances, and dusty books, she finds something that captures her attention: a yellowed envelope of old photographs. In one, taken almost a century ago, a beautiful woman is seated with a young boy who looks uncannily like Erin's five-year-old autistic son, Will. Intrigued, Erin looks further into her family's history, and discovers parallels to her present-day life.

Growing up on their hardscrabble farm in rural Kentucky, 15-year-old Albertina "Bertie" Winslow has learned a lot from her mama, Polly. She knows how to lance a boil, make a pie crust, butcher a pig, and tend to every chore that needs doing. What she doesn't know, but is forced to reckon with all too soon, is how to look after children as a mother should. When Polly succumbs to a long illness, Bertie takes on responsibility for her four younger siblings and their dissolute, unreliable daddy.

Liv Ridgely prides herself on being the responsible wrangler of all things family: stay at home mom, caretaker of elderly parents, supporter of husband Oscar's career, savior of her wayward sister. Now, with her son off to college, and her ambitious daughter, Hazel, a year away from following him, it's Liv's turn. She's even established her dream career of bringing beautiful old homes back to life in the most picturesque part of Maine. Until she learns that 16-year-old Hazel is three months pregnant.

Bess has long been sure of two things - that her group of college friends would stay close, and that love is worth the wait. At 42, she's found the right man, and she's celebrating her upcoming wedding by inviting her best friends to beautiful Kennebunkport. Bess has always been at the helm of these reunions, herding everyone together. As usual, Marta and Mike journey from their home near New York City, while Chuck and his husband, Dean, travel from Los Angeles. But Allison, half of a devoted couple since college, is making the trip from Chicago without her husband, Chris.

Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation, American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator - one about a white photographer, the other about a Filipino schoolteacher.

A tragic accident: One woman is left dead after she and another woman, both running away from their marriages, collide in the fog on a highway. The survivor, Isabelle, is left to pick up the pieces, not only of her own life but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why.

Avis Muir is a brilliant pastry chef, Brian Muir a corporate real estate attorney. Their son, Stanley, is the proprietor of a trendy food market. Their beautiful daughter, Felice, is missing. A runaway at 13, Felice has spent five years modeling tattoos, skateboarding, clubbing, and sleeping in a squat house or on the beach. She's about to turn 18. Soon all of the Muirs will be forced to confront their anguish, loss, and sense of betrayal.

Pregnant and secretly married, Cheryl Anway scribbles what becomes her last will and testament on a school binder shortly before a rampaging trio of misfit classmates gun her down in a high school cafeteria. For a handful of people still reeling from that horrific day, life remains derailed.

Meet the Pomeroys: a church-going family living in a too-red house in a Texas college town. Roger, the patriarch, has impulsively gone back to school, only to find his future ambitions at odds with the temptations of the present. His wife, Georgia, tries to keep things afloat at home, but she's been feeding the bill drawer with unopened envelopes for months and never manages to confront its swelling contents. In an attempt to climb out of the holes they've dug, Roger and Georgia make a series of choices that have catastrophic consequences for their three children

Saddled with student loans, medical debt, and the sudden news of her infertility after a major car accident, Shannon, an African American woman, follows her boyfriend to Morocco in search of relief. There, in the cobblestoned medina of Marrakech, she finds a toddler in a pink jacket whose face mirrors her own. With the help of her boyfriend and a bribed official, Shannon makes the fateful decision to adopt and raise the girl in Louisville, Kentucky. But the girl already has a mother.

Home, for Noah York, is Oakland, New Hampshire, the sleepy little town where Noah's mother, Virginia, had a psychotic breakdown and Noah got beaten to a pulp as a teenager. Then there were the good times—and Noah's not sure which ones are more painful to recall. Now thirty-seven and eking out a living as an artist in Providence, Rhode Island, Noah looks much the same—and swears just as colorfully—as he did in high school.

In the endless days of the pandemic, a woman spends her time sorting fact from fiction in the life and work of Herman Melville. As she delves into Melville's impulsive purchase of a Massachusetts farmhouse, his fevered revision of Moby-Dick there, his intense friendship with neighbor Nathaniel Hawthorne, and his troubled and troubling marriage to Elizabeth Shaw, she becomes increasingly obsessed by what his devotion to his art reveals about cost, worth, and debt.

Rowan McNamara doesn't open the door to her new life—she's thrown through it. Following an argument with her abusive fiance, Rowan runs. With no family except for her estranged sister, Celia, Rowan takes refuge in an idyllic New England town. There, she meets Gabriel, the eleven-year-old son of her neighbor, Lee. Lee is welcoming, friendly, and a little too helpful. But Gabriel is a mystery: withdrawn, often bruised, and only willing to speak to Rowan through his basement window. When she discovers that Lee has kept Gabriel imprisoned for the past three years, Rowan is desperate to save him.