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In this sweeping history of popular music in the United States, NPR's acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race.

The author of the critically acclaimed Your Favorite Band Is Killing Me offers an eye-opening and frank assessment of the state of classic rock, assessing its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

While scores of books have been written about Elvis Presley, this is the first meticulously researched biography of Tom Parker written by someone who knew him personally. And for anyone truly interested in the performer many consider the greatest and most influential of the 20th century, it is impossible to understand how Elvis came to be such a phenomenon without examining the life and mind of Parker, the man who virtually controlled Elvis' every move.

Samuel Charters has been studying and writing about New Orleans music for more than 50 years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages - African American, white, and Creole - in jazz's formative years.

Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of miraculous love and unbearable grief. A time that spanned seven years, it started when he met the girl of his dreams, and ended when he watched her die in his arms.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

This collection of uplifting, informative stories behind your favorite hymns will warm your heart and revitalize your worship. Each entry comes with the hymn's full text and musical score. Perfect for devotions, sermon demonstrations, bulletin inserts, and introducing congregational hymns, each hymn story includes information about the author, composer, the tune's name, and scriptural basis.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

With a wide-ranging mix of rants on pop culture, politics, and coping with the present, Parker’s personal stories show you how to conquer problems with poise. Using Parker’s toolbox of humor, irony, and common sense, you too can take on any challenge.

In the second half of the 20th century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war.

Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A. gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever: Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records.

It's 1963, and Detroit is on top of the world. The city's leaders are among the most visionary in America. It was the American auto makers' best year; the revolution in music and politics was underway. Walter Reuther's UAW had helped lift the middle class. Once in a Great City shows that the shadows of collapse were evident even then. Yet so much of what Detroit gave America lasts.

The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him. When Garcia passed away suddenly in 1995, the remaining band members experienced full crises of confidence and identity. So long defined by Garcia's vision for the group, the surviving "Core Four", as they came to be called, were reduced to strained relationships, and catastrophic business decisions. It would take 20 years before relationships were mended enough for the Grateful Dead as fans remembered them to once again take the stage.

In this audio-original production, author Richard Fawkes traces the development of the musical, highlighting composers and lyricists including Irving Berlin, George Gershwin, Rodgers and Hammerstein, Lerner and Loewe, Andrew Lloyd Webber and Stephen Sondheim. Presented by the vivacious singer Kim Criswell, star of Cats, and including nearly 100 famous musical extracts.

Da Andrea e Franz Campi, musicisti e artisti della scena bolognese, da sempre appassionati di musica italiana e di teatro. La canzone popolare italiana ha segnato un'epoca, due secoli fatti di versi e musica, dove i protagonisti sono le persone del popolo, prive di qualsivoglia cultura o preparazione accademica, ma dotate di un grande senso del ritmo, della poesia e della musicalità. Dal popolo sono nate "canzonette" ormai simbolo della nostra cultura, come "O Sole mio", "O surdato 'nnammurato", "Mamma" e "Volare".

Con uno stile raffinato e trascinante, Vittorio Sermonti "spiega al popolo" quattordici opere di Verdi, "il più spudorato genio della musica per teatro", dal Nabucco all'Otello, passando per l'Aida, il Rigoletto, il Trovatore e la Traviata. Ci fa riscoprire i celebri melodrammi attraverso il racconto della trama e persino della musica, l'analisi dei personaggi, riferimenti alla vita e alle lettere di Verdi, accenni alle vicende del libretto, notizie sparse sulle prime esecuzioni, annotazioni storiche sull'Italia del Risorgimento e dell'Unità.

Dal primo nucleo di quelli che diventeranno i Rolling Stones, all'arrivo di Brian Jones, che ne sarà l'anima per qualche tempo, fino alla costituzione della vera "fabbrica" Jagger/Richards. Questo audioBook è un viaggio avventuroso e a volte impietoso lungo le tappe di una delle carriere più "granitiche" del rock: quella delle Pietre per eccellenza, i Rolling Stones. Un disco dopo l'altro per raccontare l'avventura della band più longeva della musica senza dimenticare qualche aneddoto curioso e, soprattutto, dando il giusto spazio a quello che più conta.

A chi è dedicata questa collana? A chi ha spesso sentito parlare di un certo artista o di un certo genere musicale ma non lo conosce perfettamente. A chi non è interessato a biografie "vita morte e miracoli" e a noiosi trattati su un genere o un altro, ma unicamente a ciò che in ambito musicale conta davvero: la musica.

A chi è dedicata questa collana? A chi ha spesso sentito parlare di un certo artista o di un certo genere musicale ma non lo conosce perfettamente. A chi non è interessato a biografie "vita morte e miracoli" e a noiosi trattati su un genere o un altro, ma unicamente a ciò che in ambito musicale conta davvero: la musica.