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Drawing on over 150 interviews with Lin Manuel Miranda’s family, friends, and mentors, including insights from Miranda himself, Daniel Pollack-Pelzner delves into the formative experiences that shaped Miranda’s artistic vision. From his early musicals in high school and college to the creation of his professional masterpieces, this book reveals the sources of Miranda’s creativity—not only as innate genius, but also as a result of exceptional openness and collaboration. .

How do you navigate a career as an entertainment designer while maintaining a sense of self-worth and value in the various off-ramps and sidestreets you may choose to take on the journey? The Art of Scenic Design provides an in-depth look at the scenic design process for young designers as well as creative entrepreneurs seeking to nurture a collaborative environment that leads to rediscovery and innovation in their work.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.

അരങ്ങിന്റെ വെള്ളിവെളിച്ചത്തില്‍ നിന്ന് തലമുറ കളെ ആനന്ദിപ്പിച്ച ജനപ്രിയനാടക കലാകാരന്മാരെ മറവിയുടെ കൂരിരുട്ടില്‍നിന്ന് ഓര്‍മ്മയുടെ പൂമുഖത്തേക്കു കൊണ്ടുവരുന്നു.

While society called his disability an obstacle and limitation, Neil argued that his "flourishing dystonia" allowed him to think, explore, and create art in a way most people cannot. True to his words, Neil embraced every opportunity to experience life to its fullest, from navigating the Alaskan wilderness in a wheelchair to commanding the spotlight on stage. In this deeply personal account, Neil invites listeners into his world as he remembers adventures and escapades, triumphs and disappointments.

Leaving behind a wife and three young children in Stratford-upon-Avon, Shakespeare moved to London for its thrilling theater scene, where everyone mixed freely across ages, classes, and ranks. It was through their mutual passion for the theater that the handsome twenty-seven-year-old playwright first met and fell deeply in love with the effeminate seventeen-year-old earl who beguiled men and women alike and avowed that 'desire and pleasure [should] sometimes triumph over reason.'

From award-winning actress, audiobook narrator, and performance coach Marni Penning comes a powerful new tool for calming anxiety and nerves for actors and presenters! The Penning Method for the Panicked Actor™ introduces performers of all disciplines—whether stage, television, film, public speaking, or musical—to 10 simple markings that can help you analyze your script in record time so you can relax and play in your auditions.

Si deseas mejorar tus habilidades como actor o actriz, ahora puedes aprender de manera accesible y dinámica con la versión audiolibro de este Manual Práctico de Actuación para Principiantes. Descubre poderosas técnicas para tu formación profesional en las artes escénicas, con una guía clara y detallada que te ayudará a dar tus primeros pasos en el mundo del teatro y el cine. Escucha, practica y sumérgete en el arte de la interpretación con este recurso diseñado para acompañarte en cada paso de tu camino como actor o actriz.

Broadway is one of New York’s greatest treasures, and where there is treasure, there is a backstory. When it comes to Broadway, that backstory is fittingly juicy, dramatic, and unexpected. And no one knows these hidden histories like Teale Dvornik, who has been leading Broadway fans on tours of the theater district since 2017. With her immense knowledge and passion for the theater, Dvornik now takes listeners on her one-of-a-kind tour of Broadway.

This book is a comprehensive guide designed to help aspiring actors achieve success in the entertainment industry. It focuses on building skills, navigating industry challenges, and fostering a sustainable acting career.

Samantha Bee wants to talk about menopause. Okay, she actually doesn’t want to, but she must. Half of the world’s population will spend one third of their lives in it, yet it’s been completely shrouded in secrecy—until now. The Emmy Award-winning host of Full Frontal with Samantha Bee shares everything she has learned in her new one-woman show, How to Survive Menopause. Because everyone needs that one best friend who will keep it real for them—like, really real.

"Mistero Buffo" è il testo più celebre e significativo della ricerca di Dario Fo sulle radici del teatro popolare. Dario Fo, moderno giullare, ricorre a un linguaggio reinventato – il grammelot, gioco verbale e mimico con cui recitavano i giullari di un tempo per raccontare con ironia e sarcasmo la tacita, millenaria storia delle classi subalterne. anche a fini di protesta e di contestazione sociale. Va in scena per la prima volta nel 1969. La registrazione dalla quale è stato estratto l'audio è del 1977.

Tre esilaranti monologhi scritti e interpretati da Dario Fo ispirandosi ai fabliaux francesi del XI-XII secolo: giullarate scurrili che, per indurre il pubblico all’ilarità più sfrenata, ricorrevano a situazioni grottesche o scabrose. Il tutto è impreziosito dalla mimica insuperabile di Fo e dall’uso del suo colorato ed espressivo dialetto padano. Va in scena per la prima volta nel 1982. Le registrazioni dalle quali è stato estratto l’audio sono del 1991 e del 2002.

La storia di un matrimonio "democratico" e "progressista" vissuto sulla scia di un Sessantotto interpretato in maniera discutibile, dove le spinte alla liberazione sessuale e al rifiuto dei tabù e delle convenzioni "borghesi" si scontrano con gli equivoci di una morale ipocrita. Va in scena per la prima volta nel 1983. La registrazione dalla quale è stato estratto l’audio è del 1991.

"Mistero Buffo" è il testo più celebre e significativo della ricerca di Dario Fo sulle radici del teatro popolare. Dario Fo, moderno giullare, ricorre a un linguaggio reinventato – il grammelot, gioco verbale e mimico con cui recitavano i giullari di un tempo per raccontare con ironia e sarcasmo la tacita, millenaria storia delle classi subalterne. anche a fini di protesta e di contestazione sociale. Va in scena per la prima volta nel 1969. La registrazione dalla quale è stato estratto l'audio è del 1977.

A Broadway understudy faces his worst fears when he has to go on at the last minute for the star of one of the biggest hits in musical theatre history, Mel Brooks’ The Producers. If he fails, he knows it’s curtains for his career.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

A daughter longs to guide her mother through the hardest of journeys of memory loss, paving a way with her own remembrance; for memory is an actor’s most powerful tool. Before the settling and subsidence of life, Hayley prepares to perform a show to honour her mother, Joan.

Não há última deixa: mesmo com todos os preconceitos e mortes anunciadas, o teatro existe desde que existe o mundo. E, durante a pandemia CoVid-19, continuou a existir. O que se lê neste livro comprova isso mesmo e, mais ainda, que um espetáculo teatral é um ser vivo que nasce e morre todos os dias e cuja existência depende de uma grande equipa. Este é o álbum de família da peça Só Eu Escapei, levada à cena no Teatro Aberto, em Lisboa, entre o Outono de 2020 e a Primavera de 2021.