検索キーワード： 女性学

On Friday 24 June 2022, women's rights suffered an extraordinary and unprecedented blow. Five US Supreme Court justices made a decision that will impact millions of lives for years to come. In this gripping blend of reportage and history, journalist Becca Andrews tells the story how we have arrived at this devastating turning point. No Choice introduces the origin of abortion and its practice in global cultures, before focusing its gaze on the battle that has been waged for the past century across America.

En este libro, Catalina Ruiz-Navarro, una de las voces más destacadas de este movimiento en Latinoamérica, recorre, a partir de un testimonio profundamente honesto y agudo, un camino que aborda el cuerpo, el poder, la violencia, el sexo, la lucha activista y el amor. A su vez, once heroínas, entre las que se cuentan María Cano, Flora Tristán, Hermila Galindo y Violeta Parra, bellamente retratadas por Luisa Castellanos, alzan la voz y evidencian que hablar de feminismos es necesario, es importante, es la resistencia.

Deborah Levy arranca estas memorias recordando la etapa de su vida en que rompía a llorar cuando subía unas escaleras mecánicas. Esemovimiento inocuo la llevaba a rincones de su memoria a los que no quería volver. Son esos recuerdos los que forman Cosas que no quiero saber, el inicio de su «autobiografía en construcción». Esta primera parte de lo que será un tríptico sobre la condición de ser mujer nace como respuesta al ensayo «Por qué escribo», de George Orwell. Sin embargo, Levy no viene a dar respuestas.

October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend.

When Camonghne Felix goes through a monumental breakup, culminating in a hospital stay, everything—from her early childhood trauma and mental health to her relationship with mathematics—shows up in the tapestry of her healing. In this exquisite and raw reflection, Felix repossesses herself through the exploration of history she’d left behind, using her childhood “dyscalculia”—a disorder that makes it difficult to learn math—as a metaphor for the consequences of her miscalculations in love.

This book is about a movement. A movement made up of women and men around the world who are no longer afraid to speak out about violence, abuse, harassment, sexism, abuse of power and patriarchy. A movement which started with the courage of a number of women in the media and advertising industries and has spread across countries, industries and social class. This movement has uncovered the global scale of gender discrimination, sexual abuse and exploitation which women and girls face. As the years have passed, the movement has grown.

In 2018, boundary-breaking visual and sonic artist Cosey Fanni Tutti received a commission to write the soundtrack to a film about Delia Derbyshire, the pioneering electronic composer who influenced the likes of Aphex Twin and The Chemical Brothers. While researching Derbyshire's life, Tutti became immersed in her story and uncovered fascinating parallels with her own life. At the same time, Tutti began reading about Margery Kempe, the fifteenth-century mystic visionary who wrote the first English-language autobiography. The connections between the three women soon shifted into focus.

"Respondona" trata sobre el significado de la conciencia feminista en la vida diaria, la recuperación personal, la superación de la supremacía blanca y masculina, las relaciones íntimas y, todo ello, explorando el punto donde lo público y lo privado se encuentran. Cuando era niña, bell hooks aprendió que dirigirse de igual a igual a una figura de autoridad y atreverse a estar en desacuerdo o a dar una opinión significaba ser "respondona". En esta colección de ensayos tan personales como teóricos, hooks reflexiona sobre sus temas clásicos.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

De la grossesse à la charge mentale, en passant par l'accouchement et la place du père dans le quotidien... Un livre drôle et cash pour libérer la parole des mères et aider les femmes à se poser les bonnes questions pour se réapproprier leur parcours de maternité. Votre gynéco est-il obligé de vous tâter le col à chaque visite de suivi de grossesse ? Pourquoi les mères se retrouvent-elles préposées au caca ? Si elles sont si fatiguées, est-ce parce qu'elles sont mal organisées ?

Meet the mystical women and nonbinary people from US history who found strength through the supernatural—and those who are still forging the way today. From the celebrity spirit mediums of the nineteenth century to contemporary activist witches hexing the patriarchy, women have long used magic and mysticism to seize the power they’re so often denied. Organized around different approaches women have taken to the occult over the decades, this book shines a light on underappreciated magical pioneers.

Strawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colors and fruity flavors—these are the girly drinks. From the earliest days of civilization, alcohol has been at the center of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? With whip-smart insight and boundless curiosity, Girly Drinks unveils an entire untold history of the female distillers, drinkers, and brewers who have played a vital role in the creation and consumption of alcohol

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

With chapters covering sexual and cultural identity, body hair, colourism and mental health, and a particular focus on the suffocating beauty standards South Asian women are expected to adhere to, Sharan Dhaliwal speaks openly about her journey toward loving herself, offering advice, support and comfort to people that are encountering the same issues.

Claudia Palacios entrevistó a 83 mujeres de todo tipo, desde estudiantes de colegio hasta la última sobreviviente de la lucha por el voto femenino en los años cincuenta, pasando por artistas, emprendedoras, militares, pioneras, políticas, religiosas, víctimas de violencia, para crear un auténtico coro de voces que da cuenta de lo que representa ser mujer en este momento en Colombia.

Drawing on examples from around the world—from Uganda, Nigeria and South Africa to Saudi Arabia, the Americas and Europe—Gqola traces the construction and machinations of the female fear factory by exposing its lies, myths and seductions. She shows how seemingly disparate effects like driving bans, higher education rape, sexual harassment and femicide are all premised on the construction of people, mostly women, as female, and thereafter the use of fear as a tool of patriarchal subjugation and punishment.

As a breastfed baby herself, Joanna Wolfarth assumed it would come easily to her when she had her first child. Yet three weeks after the birth, she was back in hospital with an underweight baby, bewildered by the inconsistent advice and myriad problems she was encountering. As a cultural historian, Joanna's impulse was to look to the past. What she discovered, neglected in the archives, amazed and reassured her. She found connection and solace in communities from the past.

Como una suerte de memorias, que van desde la infancia hasta la adultez, Desirée Bela-Lobedde, activista afroespañola, nos cuenta cómo es vivir siendo mujer y negra en España, cómo es sentirse siempre diferente y cómo es ser testigo del racismo que todavía existe en este país. Y lo hace desde el corazón y desde la profunda convicción de que esto puede cambiar y que, finalmente, todos podemos llegar a ser mejores personas si dejamos los prejuicios y la intolerancia de lado.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina.

Rich, privileged and powerful men have teams of lawyers at their disposal to suppress allegations and prevent newspaper stories from running. Individual women, frontline services, advocacy groups and journalists find themselves fighting against censorship. The weaponising of the law to silence survivors from speaking about their abuse, and anyone who might report on it, has been described as the 'perverse twist' of MeToo. Leading human rights barristers Jennifer Robinson and Dr Keina Yoshida set out to investigate this global problem.