検索キーワード： 女性学

Sound interesting? The author thinks so too! Listen to Transgender Rights vs. Women’s Rights from Conflicts to Co-Existence and learn about basic human rights.

The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag 11 years later after a tweet by White actor Alyssa Milano. Mainstream movements like #MeToo have often built on and coopted the work of women of color, while refusing to learn from them or center their concerns. Far too often, the message is not "Me, Too" but "Me, Not You". Me, Not You argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential.

Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever "speak for themselves."

In The Wicked Witch of the West: The Enduring Legacy of a Feminist Icon, Lona Bailey explores the radical feministic undertones of one of the most enduring characters in popular culture. This book traces her transformation over the past century, highlighting how she has evolved through countless adaptations from The Wizard of Oz to the film adaptation of Wicked while maintaining her core identity as a powerful, defiant figure.

Seit Jahrhunderten werden Frauen unterdrückt. Frauen, die in irgendeiner Weise Stärke ausgestrahlt, sich selbst ermächtigt und zur Wehr gesetzt haben, werden belächelt, verurteilt und dämonisiert. Auf der Suche nach den Ursprüngen von Female Rage taucht Tara-Louise Wittwer (Sorry, aber …) in die europäische Geschichte ein und erzählt die ungehörten Geschichten der Frauen, die sich gegen das männliche Narrativ der Schwäche und Passivität gestemmt haben. Von den Sagen der Antike, bis zur Realität des 21.

Sandra Hunke ist Anlagenmechanikerin für Sanitär, Heizung und Klimatechnik. Sie baut schöne Bäder und Heizungen ein. Schon als Kind war es ihr größter Wunsch, Handwerkerin zu werden, doch der Weg dorthin war steinig: In der Berufsschule behandelte man sie wie einen Fremdkörper, sie wurde ausgegrenzt und im Unterricht nicht ernst genommen. Abwertung und Kritik von Kollegen, Kunden und Fremden machten es ihr schwer, an sich und ihre Fähigkeiten zu glauben. Bis heute hat sich die Lage für Frauen im Handwerk kaum verbessert.

What do novelist Jane Austen, suffragist Susan B. Anthony, and Hollywood icon Greta Garbo have in common? They all subverted societal expectations and carved unique paths in history by remaining single and childless. There are many reasons why a woman might choose to remain single, from challenging gender norms, to financial independence, to the dislike of marriage as an institution. Author Emma Duval categorizes iconic and overlooked single women in history based on their motivations for singledom, celebrating their choice in a world that maligned the very notion.

La parola « femminista » non conosce mezze misure: la ami o la odi, la dici o la bruci. E ancora dopo anni da quando è stata usata per la prima volta continua a evocare una grande varietà di significati, immagini e letture. Sembra arduo pensare a una definizione che ne comprenda le diverse sfumature e ne mostri l'evolversi nel tempo e nello spazio. Eppure, in questo saggio, Vanessa Roghi riesce a farlo in modo brillante.

En esta nueva aventura, que busca ser diversa y universal, pero que no deja de lado la vivencia personal, Diana Uribe nos lleva con su voz por un relato apasionante que nos permitirá descubrir las múltiples experiencias de lo femenino a lo largo de la historia.

Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today.

Girl Archaeologist recounts Alice Kehoe's life, begun in an era very different from the twenty-first century in which she retired as an honored elder archaeologist. She persisted against patriarchy in her childhood, at Harvard University, and as she did fieldwork with her husband in the northern plains. Working in archaeology and in the histories of American First Nations, Kehoe published groundbreaking books and articles, and fostered a sisterhood of feminists—strong, bright women archaeologists, anthropologists, and ethnohistorians who have been essential to the field.

Material Girls is a timely and trenchant critique of the influential theory that we all have an inner feeling known as a gender identity, and that this feeling is more socially significant than our biological sex. Professor Kathleen Stock surveys the philosophical ideas that led to this point, and closely interrogates each one, from De Beauvoir's statement that, 'One is not born, but rather becomes a woman' (an assertion she contends has been misinterpreted and repurposed), to Judith Butler's claim that language creates biological reality, rather than describing it.

Why are women more verbal than men? Why do women remember details of fights that men can't remember at all? Why do women tend to form deeper bonds with their female friends than men do with their male counterparts? These and other questions have stumped both sexes throughout the ages. Now, pioneering neuropsychiatrist Louann Brizendine, M.D., brings together the latest findings to show how the unique structure of the female brain determines how women think and what they value.

We are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker’s brightest young talent, explores her own coming of age in this warped and confusing landscape.

With humor and sincerity, Yousafzai describes his life before the Talibanization of Mingora, scenes of his sons Khusal and Atal fighting kites on the roof, his progressive partnership with his wife, Toor Pekai, and the challenge of raising children in an unfamiliar country. After Malala was shot by the Taliban, the Yousafzai family was completely uprooted from their home in the Swat Valley and forced to start over in the United Kingdom. Now, Ziauddin expresses the complex pain and joy of his return, six years later, to the site of Malala's attack.

"Everyone is female, and everyone hates it." So begins Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas - the woman who wrote the SCUM Manifesto and shot Andy Warhol - Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself.

The Bengalis are the third largest ethno-linguistic group in the world, after the Han Chinese and the Arabs. A quarter of a billion strong and growing, the community has produced three Nobel laureates, world-class scientists, legendary political leaders, iconic movie stars and directors and an unending stream of writers, philosophers, painters, poets and musicians of the first rank. But, bald facts aside, just who are the Bengalis? What is the community all about? In order to find the answers, the author delves deep into the culture, literature, history and social mores of the Bengalis.

The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates.

In suburban Indiana we meet Lina, the homemaker and mother of two whose marriage, after a decade, has lost its passion. Starved for affection, Lina battles daily panic attacks and, after reconnecting with an old flame through social media, embarks on an affair that quickly becomes all-consuming. In North Dakota we meet Maggie, the 17-year-old high school student who allegedly has a clandestine physical relationship with her handsome, married English teacher; the ensuing criminal trial will turn their quiet community upside down.

In this ground-breaking book, Gillian Anderson collects and introduces the anonymous sexual fantasies of hundreds of women from around the world (along with her own anonymous fantasy). The fantasies are extraordinary: they are full of desire, fear, intimacy, shame, satisfaction and, ultimately, liberation. From fantasising about someone off-limits to conjuring a scene with multiple partners, from sex that is gentle and tender to passionate and playful, these letters provide a window into the most secret part of our minds.