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Alison is mired in loneliness and grief. Freshly twenty-three and mourning the loss of her younger sister, who has drowned at sea, she’s moved out of her hometown and into a cramped apartment on New York’s Lower East Side. Now she’s living the cliché—barely making rent as a restaurant hostess, avoiding her roommates, and watching the bright, busy passersby from her bubble of grief. She doesn’t need originality; she just needs to be alive. So why does she feel she isn’t truly living? Until late one night, when she rounds the corner and sees a shape in the air—a ghost.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

In many ways, twelve-year-old Artem’s life in Chernihiv, Ukraine, is normal. He spends his days helping on his grandfather’s sunflower farm, drawing in his sketchbook—a treasured gift from his father, who works in America—and swimming in the river with his little brother, Yuri. In secret, Artem has begun wrestling with romantic feelings for his best friend, Viktor. In a country where love between two boys is unthinkable, Artem has begun to worry that growing up, his life will never be normal.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world.

Travesti este un studiu de caz despre un copil hermafrodit, dar şi o explorare a întunecatei sexualităţi adolescentine. Mai presus de orice, însă, acest mic roman, care m-a obsedat şi m-a chinuit mai mult decât orice altă carte a mea, e anabasis-ul meu, drumul meu ascuns şi întortochiat către centrul adânc îngropat al fiinţei mele. Travesti este şi portalul către Orbitor. Trilogia mea n-ar fi putut exista fără exerciţiul de sinceritate aproape sinucigaşă de aici. Nu e uşor să afli cine eşti, nici să te priveşti în ochi după ce ai aflat.

It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them. 18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators.

Jim Provenzano's sixth novel, "Now I'm Here," is set in the small town of Serene, Ohio, in the 1970s and 80s. Two boys from different families Joshua, with his stable middle-class home in town, and David, raised by his alcoholic and abusive father on their isolated farm - discover, then lose, then find each other again. Thirty years later, as the town's history is slowly erased by fading memories and encroaching suburbia, their childhood friend, Eric Gottlund, tells the tale of their quiet heroism with poignancy and a sharp eye for detail.

Death. Tragedy. Circumstances. World events. All of these impact everyone in the world, and one often thinks that adults remain on the receiving end. However, it is the middle schoolers and high schoolers who are impacted the most. These are the years and the events that shape everyone into being the person that they become. This is how the human brain, heart, and the entire system works. Within this system are middle-schoolers Jake, Steven, Evan, Justin, Kev, Stacey, and Ellie at Castle Rock Middle School, who have a journey that changed them for good.

Jessica Ann Stark, known as Jess, has lost the love of their life. A non-binary 20-something with a soft spot for girly girls, Jess has finally found the one: Emma Lee. The only problem is that she is dating their best bud, Rick. Watching Rick take Emma Lee from 19-year-old innocent high school dropout to a girl who needs to work "the program" takes its toll on Jess, who, when all is said and done, is left grieving and questioning everything.

Lacey Bond is a 13-year-old girl in New Hampshire growing up in the tranquility of her hippie parents’ rural daycare center. Then the Satanic Panic hits. It’s the summer of 1990 when Lacey ’s parents are handcuffed, flung into the county jail, and faced with a torrent of jaw-dropping accusations as part of a mass hysteria sweeping the nation. When a horrific murder brings Lacey to the breaking point, she makes a ruthless choice that will haunt her for decades.

Meet seventeen-year-old Noah York, the narrator of Bart Yates's astonishing debut novel. With a mouth like a truck driver and eyes that see through the lies of the world, Noah is heading into a life that's only getting more complicated by the day. His dead father is fading into a snapshot memory. His mother, the famous psycho-poet, has relocated them from Chicago to a rural New England town that looks like a bad advertisement for small-town America. And now, the very house he lives in is coming apart at the seams—literally—torn down bit by bit as he and his mother renovate the old Victorian.

Lizzy is your average teenager, not able to take a break from life's bad idea of a joke. Her life is hell, and her parents are the demons of her prison. One bad choice after another leads her to her ultimate demise: uncovering a secret that was hidden from her since birth.

August is a God-fearing track star who leaves Enugu City to attend university and escape his overbearing sisters. He carries the weight of their lofty expectations, the shame of facing himself, and the haunting memory of a mother he never knew. It's his first semester and pressures aside, August is making friends and doing well in his classes. He even almost has a girlfriend. There's only one problem: he can't stop thinking about Segun, an openly gay student who works at a local cybercafé.

City girl Luce May's first year out of high school has been the worst. When she escapes her turbulent life in Sydney to start over at a university in the middle of nowhere, the last thing she wants is anyone in her new life to know of her past. Especially that to escape her chaotic, alcoholic mother, Luce also had to abandon her teenage sister. As Luce slowly starts to find another version of herself in this place, she also finds a new family in her eclectic group of friends.

At a time when coming out of the closet is chic, it is certainly not that way for Brad Archer. After a traumatic sexual encounter in high school, Brad, now in college, is having trouble with romantic relationships. He has dates with girls that fail miserably and continues to have horrific nightmares about both his past and the fears for his future.

Set in the late 80s, early 90s, a time when feminism meant women could behave like men, and the gay community in London were coming out of the closet. A time of exciting change as Gen Xers were leading the way towards 3rd wave feminism, the ‘Women can have it all’ approach. That was the plan anyway. London was feeding the world the first inklings of ‘Cool Britannia’ Isabel is caught between the old static world of female conformity and the new world of female masturbation & gay porn. Under the wing of her big sister’s strident feminism, Isabel attempts to be a modern teen.

Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades, and every day begins with 20 minutes of contemplative silence in the Meetinghouse. It is during one of those meetings that an airplane hits the Twin Towers. For two Idlewild outcasts, 9/11 serves as the first day of an intense 18-month friendship. Fay is prickly, aloof, and obsessed with gay men; Nell is shy, sensitive, and obsessed with Fay. The two of them bond and spend all their waking hours giddily parsing their environment for homoerotic subtext.

Growing up in the Black Country under Mrs Thatcher's iron grip, Jamie dreams of a life in a magical metropolis, rubbing shoulders with the mythical creatures from Smash Hits. Despite the quirky characters in his hometown and his mother's witty one-liners, Jamie's heart is set on something greater. Follow him through secondary school, teenage turmoil, and art school, where he falls in love with Billy and the allure of the big city.

Until twenty-four hours ago, Mickey Hayward was living the life she’d always dreamed of: Working as a full-time writer for a trendy media company (tick). In a committed, loving relationship (tick). Now she’s fired, tossed aside for a more ‘agreeable’ younger Black writer. Sick of always being overlooked and undervalued, she responds with an online letter detailing the racism she’s faced within the industry. But when it’s met with overwhelming silence, and her girlfriend suggests they go on a break, Mickey’s carefully crafted life starts to fall apart.

It’s the final years of the Troubles in Northern Ireland, and Bríd and her sister, Ina, try to maintain a stable life in a divided country. Pushed by her mother’s fanaticism and a family tragedy, Bríd joins the IRA and makes a devastating choice. Frightened and guilt ridden, she flees, leaving behind Ireland and her family for America. Years later, her guilt and tragic history still buried, Bríd is an overprotective mother raising her sensitive daughter, Bernie, in Southern California.